A RUSSIAN ICON WITH 4 SCENES, URAL SCHOOL, C. 1780, a)

Russian Icon, Moscow School, 19th C., tempera on panel, "The Holy Trinity", in a stylized "Burning Bush"; together with a Russian Icon, 19th C., Novgorod School, tempera on panel, "scenes from the Lif

Russian Icon of the Virgin of Kazan, late 17th c., Kostroma School, with a gilt silver and enamel oklad, 1908-1917, Moscow, from the first Moscow Artel, on a curved wooden panel, H.- 12 1/4 in., W.- 1

Russian Icon of an Apostle, last quarter 19th c., Mstera School, oil and gilt on wood panel, H.- 8 3/4 in., W.- 4 in.

Nine Small Pocket Icons, 19th C., Novgorod School, tempera and gold on panel, now set in a cruciform Plexiglas shadow box [CHAL7203] (WK) Dimensions: Each Icon : 5 x 4; Cruifix: 28.5 x 24 x 1.5 Proven

Antique Russian Orthodox Bronze Tetraptych Icon. 4 hinged, arched panels, each with multiple narrative fields depicting Orthodox feast days and scenes of the praise of Mary; when closed, the front dep

Russia, ca. 1800 CE. This is a four-panel bronze travelling icons with bright navy blue enamel; each panel depicts five smaller religious scenes. The unfolding four panels are what make this piece rar

Russian Orthodox enameled traveling icon, 19th century, each section having five reserves depicting various religious scenes, closed 7"h x 4.25"w x 0.5"d, opening to 12.25"w.

Russian School, enameled porcelain plaque, 19th c., classical scene depicting an artist kneeling before his royal patron, polychrome enamel on copper, velvet and wood frame, 3.5"h x 4"w (enamel), 7"h

19th C Russian Icon Scenes Painted on Enamel 12 Small And 1 Large Miniature On Copper 28 x 31 cm

Russia, ca. 18th century CE. A Russian Orthodox icon depicting the Nativity painted in egg tempera on wood. Mary and Joseph present the Christ Child while shepherds kneel in adoration - a tender scene

Russian Icon, 19th C., Novgorod School, tempera and gold on panel, "The Last Judgement" with saints. [CHAL7204] (WK) Dimensions: 21 x 16.75 Provenance: From an Upper East Side collection

Russian Icon, 18th C. Novgorod School. The Virgin of the Sign, (Virgin of Znamenie). Depicted with arms raised (orans); on her breast a roundel in which Christ Emmanel is shown blessing worshippers. W

Russian Icon, 18/19th C, Novgorod School, "The Christ Child , Mary and Magi", tempera & gold on panel; together with John the Baptist, Moscow School, tempera on panel. (2 pcs.) [CHAL7202/2] (WK) Dimen

Antiques rear Russian Icon: Entry of Christ into Jerusalem, Novgorod School, c.1900, 15.25 x 13 in — 38.7 x 33 cm . For condition report please contact E-mail :(antiquesyorkville@gmail.com ) phone:(

**Originally Listed At $450** Eastern Europe, Russia, ca. 19th century CE. A Russian Orthodox icon depicting the Nativity story in three scenes painted in egg tempera and gold leaf on wood. Mary and J

Eastern Europe, Russia, ca. early 19th century CE. A bronze travelling icon that when open presents four panels joined via hinges, each one divided into quadrants with an onion dome upper section. The

Russian School Oklad Icon, 19th C. Silver-thread with beadwork and center "stone" laid on hand-painted wooden panel. 11" x 8 5/8" Good condition.

Russian Lacquerware (5), 4 covered boxes & pin w/fairytale scenes, c.1970s-90s, 2 w/gift boxes, Exc cond, largest 3.25"L.

Russian Icon, Moscow School, 19th century, of the Theotokos of the "Unexpected Joy", with a Synaxis of saints including St. Macarius, St. Gregory Palamas, St. Basil the Great, St. John, St. George, an

Eastern Europe, Russia, ca 1750 to 1780 CE. A mesmerizing calendar icon known as a synaxaria (monthly) representing the month of January - as opposed to a menologia (annual) calendar - in egg tempera

Russia, ca. 19th century CE. Four images of the Mother of God icon, each presenting a slight variation on the theme, with a Crucifixion between the lower pair, the severed head of John the Baptist bet

Eastern Europe, Russia, ca. 1750 to 1780 CE. A beautiful, densely iconographic wooden icon with rich painted details and gilt. In the center is a depiction of the Resurrection and the Anastasis (the H

Eastern Europe, Russia, ca. 1760 to 1780 CE. Alternatively called the Virgin of the Burnish Bush or the Virgin of the Unburnt Bush, the iconographically rich composition of this icon, finely delineate

Eastern Europe, Russia, ca. 1760 to 1780 CE. Skillfully painted in egg tempera and gold leaf on wood, an icon depicting the simplest form of the Deesis, featuring three figures (trimorphon): Christ si