LES DOUZE MOIS BY BARTOLOZZI COLOR ETCHINGS

Assorted prints and etchings, including: engravings from "Cries of London"; several depictions of Cupid; a copy of Paris Etching Society "Les Douze Mois de Bartolozzi"; and a print after William Blake

Bernard Boutet de Monvel (French, 1881-1949) Les Marcheurs. Color etching and aquatint, circa 1907, pencil signed lower right, titled and numbered 'tire a 60-4'. On heavy wove paper, the sheet measure

Clement Betout (French, 1869-1945) Les Lutteurs. Color etching and aquatint, 1899, pencil signed lower right and numbered 41/90, and with the stamp of Eugene Delatre, printer (L. 742). Ref: Cate 1992,

Louis Icart, French, 1888 - 1950. Oval color etching of blonde woman in blue gown with rose luster or plants to either side. Hand signed in graphite just off center lower right. 'L. I. Paris' embosses

Rene Caran (1925-1993) color etching, "Les Fuilles Dans Ruines" pencil signed in lower right, good condition, 23.25x 19.25. René Carcan (25 May 1925 – 1993) was a prominent Belgian engraver

color etching on paper, pencil signed lower left, information on verso, under glass, 18.5” x 13”w (sight) 29”h x 22.5”w (frame)

Color etching. "Les Montres Gelatines de l'espace-temps". Signed lower right. No. 135 from an edition of 195. From a New Rochelle, NY collection. - Dimensions: Slight: 34" high x 24.25" wide

ROUGE OINTMENT SUR LES CRETES, color aquatint etching, signed and titled and numbered 79/100 in pencil, sheet 22 x 30”.

After Georges Braque (1882-1963) LES MARGUERITES (MAEGHT 1002) Color etching and aquatint, circa 1950, on wove paper, signed and numbered 258/300 in pencil, published by Maeght, Paris, with full margi

THE OPPRESSORS LES OPRIME, 1983, color aquatint etching, signed and numbered 35/100 in pencil, image 14 ¾ x 19 ¼”, full margins, hand-made custom frame 29 ¼ x 33” with Plexi

Salvador Dali (Spanish, 1904-1989), "Corcuato de Carso, plate 77 from Les Caprices de Goya," color etching, and aquatint, pencil signed lower right, edition EA on rives paper, plate: 9"h x 8"w, overal

Salvador Dali (Spanish, 1904-1989), "Como Dios Manda, plate 18 from Les Caprices de Goya," color etching, and aquatint, pencil signed lower center, edition EA on rives paper, plate: 9"h x 8"w, overall

Carcan, Rene (Belgian, 1925-1993), Les Ardennes, 1980's, color etching and aquatint, 19.25 x 23.5 inches, pencil signed and numbered 37/99, in a copper metal frame measuring 29 x 32 inches, Provenance

Joan Miró (1893-1983) LES GRANDES MANOEUVRES (DUPIN 575) Color etching and aquatint with carborundum, 1973, on Arches paper, signed and numbered 5/50 in pencil, printed by Morsang, Paris, publish

Je n'ai jamais appris a lire ou les incipits; Dupin 1316; 1969; color etching in colors on wove paper, matted and framed under acrylic; pencil-signed lower right, and numbered 86/125 (there were also

Salvador Dali Le Couple à la Bougie (from Les Amours de Cassandre) 1968 Color etching on Arches blanc paper From the edition of 299 Published by P. Argillet, Paris; printed by Atelier Robbe, Paris Si

* Max Ernst (German, 1891-1976) Les Chiens ont soif, 1964 color etching signed in pencil 13 1/8 x 8 3/4 inches. Estimate $300-500 Property from the Estate of Helen and Jack Halpern, Chicago, Illinois

LES OH! TOMOBILES (S.306), 1972, color etching, signed in pencil, numbered 56/200, plate 16 1/4 x 21 1/2", full margins, framed with glass.

LES HELVEMENTS (Sonet 220), 1970, color aquatint etching, signed and inscribed E/A (artist’s proof) in pencil, with the L’Oveuvre Gravee blind stamp, sheet 22 ½ x 30”.

Salvador Dali (Spanish, 1904-1989) Lithograph and Color Etching Assortment (3) items including 'Les Chairs Monarchique' pencil signed lower right, #177/395 lower left, double matted behind acrylic in

EARLY HARVEST (H.210), color etching, signed in pencil, diminished Les Gravure Moderne tagline upper left, oval image 18 ½ x 14 ¾”, full margins, oval frame 23 ½ x 19 ½&#8221

FORSYTHIA (H.295), color etching, signed in pencil, diminished Les Gravure Moderne tagline upper left, oval image 18 x 14 ½”, full margins, oval frame 23 ¾ x 19 ¼”.

MANON (Holland 328), 1927, color etching, signed in pencil, copyright Les Graveurs Modern upper right, blind stamp lower left, image 20 x 13 ¼”, full margins, frame 34 x 27” with gl

LOUISE (Holland 317), 1927, color etching, signed in pencil, copyright Les Graveurs Modern Paris upper left, image 20 x 13 ¼”, full margins, frame 28 ¾ x 21 ¼” with gl