Martin Lewis, Bedford Street Gang, Drypoint

Martin Lewis etching Bedford Street Gang. Pencil signed and titled. Dry mounted, unframed; visible image 8 3/4" x14 1/4".

Martin Lewis (American 1881-1962)- ''The Return'' (Mc Carron 45)- drypoint and sandground, 1925, signed in pencil, edition of 36, slight mat burn. 7 3/4 x 9 7/8''

Artist: Martin Lewis, Australian/American (1881 - 1962) Title: Ha'nted Year: 1932 Medium: Drypoint Etching, signed in pencil Image Size: 13.5 x 9 inches Frame Size: 21.5 x 17.5 inches

Stoops in Snow  1930 signed in pencil outside plate l.r., signed within plate l.l. hand watermark u.r.  framed 10 x 15 in. (plate), 18 x 22.25 in. (frame)  Included are two

MARTIN LEWIS Under the Street Lamp. Etching, 1928. 380x240 mm; 14x9 inches, full margins. Edition of approximately 83. Signed in pencil, lower right. A superb, richly-inked impression.Lewis (1881-1962

Signed lower right margin: Martin Lewis and in print the plate lower left: M. Lewis. Sight: H: 12; W: 16 1/4 inches. Frame: H: 18 7/8; W: 19 inches. Prov: Kennedy Galleries Condition: Removed from fra

Pencil signed lower right: Martin Lewis, and in the plate lower left: M. Lewis. Sight: H: 8 1/2; W: 12 1/4 inches. Frame: H: 17 1/4; W: 21 inches. Prov: Paul McCarron, NYC private art dealer. Framed,

MARTIN LEWIS Subway Steps. Drypoint printed in dark brownish black, 1930. 345x205 mm; 13⅝x8⅛ inches, full margins. Second state (of 2), after the reduction of the plate. Edition of approxi

Title: Departure of the Boats.Artist: Martin Lewis (1880-1962) Drypoint and sandground, 1926.Edition 50, recorded impressions 17 (final state). Signed in pencil. Image size 7 7/8 x 11 7/8" (20 x 30.1

Title: Road to Ajiro. Martin Lewis (1880-1962) Medium: Drypoint and sandground, 1926. Recorded impressions 34. Signed to pencil. Image size 11 7/8 x 7 7/8" (300 x 200 mm). The Prints of Martin Lew

Martin Lewis pencil signed unframed dry point etching, 1927 - 7 3/4" x 9 3/4" image

Martin Lewis. American. "Rain, Japan, 1926" Drypoint printed in green-black ink on wove paper. Framed under glass. Signed in plate. Pencil signed in margin. Appears to be in good condition - not exami

ETCHING THE STREET BOOTH SIGNED MARTIN LEWIS (1881-1962 AUSTRALIA, NEW YORK, CONNECTICUT) PRESENTED "TO BETTY", C. 1930'S, 14" X 10" SIGHT, 23 1/2" X 19 1/2" OVERALL

Martin Lewis 1881-1962 Corner Shadows drypoint and etching on laid paper 1930; signed in pencil lower right Image: 8 x 8 7/8 in. (20.3 x 22.5 cm.), Sheet: 11 x 12 3/8 in., Frame: 18 x 18 in. (45.7 x 4

Martin Lewis (New York, Connecticut, Maine / Australia, 1881 - 1962) "Stoops in the Snow" Drypoint and sandpaper ground on cream wove paper, 1930. Second state (of 2). Edition of 115. Signed in pencil

Martin Lewis (American, 1881-1962) Rainy Day, Queens (McCarron 94) Drypoint, 1931, on laid paper, signed in pencil, one of 70 recorded impressions, with margins, framed Plate 268 x 300mm (10 1/2 x 11

Martin Lewis Shadows on the Road 1926drypoint and sand ground etching printed in greenish black sight: 8.5 h × 10.375 w in (22 × 26 cm) plate: 7.75 h × 9.75 w in (20 × 25 c

Martin Lewis Showers on the Bay (Japan) 1925drypoint and sandpaper ground image: 7.875 h x 11.875 w in (20 x 30 cm) sheet: 12.25 h x 18.75 w in (31 x 48 cm) Signed to lower right margin 'Ma

MARTIN LEWIS Relics (Speakeasy Corner). Drypoint, 1928. 302x252 mm; 11¾x9¾ inches, full margins. Edition of 111. Signed in pencil, lower right. A brilliant, luminous impression of this impor

MARTIN LEWIS Subway Steps. Drypoint printed in dark brownish black, 1930. 345x205 mm; 13x8 inches, full margins. Second state (of 2), after the reduction of the plate. One of only 8 artist's proofs in

MARTIN LEWIS Yorkville Night. Drypoint, 1947. 216x290 mm; 8½x11½ inches, full margins. Signed in pencil, lower right. A superb, richly-inked impression of this scarce print. Lewis (1881-1962

MARTIN LEWIS The Passing Freight, Danbury. Drypoint and sand ground, 1934. 227x363 mm; 8¾x14¾ inches, full margins. Artist's proof, aside from the edition of 47. Signed and inscribed "Trial

MARTIN LEWIS (AUSTRALIAN-AMERICAN, 1881-1962) "THE PASSING FREIGHT, DANBURY", drypoint etching on paper, a fine, crisp impression, pencil signed and inscribed "Trial Proof #2 / Martin Lewis" in lower

MARTIN LEWIS Chance Meeting. Drypoint, 1940-41. 265x187 mm; 10½x7½ inches, full margins. Edition of 105. Signed in pencil, lower right. Published by the Society of American Etchers, New York