Rembrandt van Rijn - Jesus En Croix

Artist: Rembrandt van Rijn (after) Title: Jesus Christ Preaching Year: 1888 Dimensions: 14.6in. by 11.5in. Edition: From the rare limited edition Suite: Rembran

Rembrandt Harmenszoon van Rijn "Jesus and his Disciples". Beautiful Heliogravure Phototype by the dutch master Rembrandt. Limited edition, hand numbered on lower left margin. Published by Birkhauser K

Artist: Rembrandt van Rijn (After) Title: Descente De Croix Year: c. 1880 Dimensions: 4.5in. by 6in. Edition: From the rare limited edition of 500 Publisher: A.

Rembrandt Van Rijn, said Rembrandt (After)La descente de croix aux flambeaux, c. 1870Heliogravure on Verge paper, after 1654 Rembrandt's etching (referenced in Bartsch #83 ; Claussin #87 ; Wilson #88

"Gebaarde oude man met hoge bontmuts en gesloten ogen", (Old Bearded Man in a High Fur Cap, with Eyes closed), 1633-1637, Leiden or Amsterdam, White/Boon 1969, no. 290, State only; Lessing Julius Rose

Beggar Man and Woman Conversing, Etching on buff laid paper. sheet size: 3" x 3.5" plate size 2.75" x 3". With original Harlow, McDonald & Co. Gallery Label En Verso stating: Original Etching by Rembr

After Rembrandt van Rijn (Dutch, 1606-1669), "The Sampling Officials: Head of Syndic", oil on canvas, unsigned, titled on stretcher and inscribed en verso, 29 3/4 in. x 25 in., framed

Original Heliogravure on Holland paper "St. Jerome en Priere". Circa 1880. Signed in the plate. Overall framed 18 3/4" x 17 1/4".

Rembrandt Harmenszoon van Rijn (Dutch, 1606-1669). This etching is signed "Rembrandt, 1641", in-plate lower right. The title and his name is written in pencil to the lower margin. The inscription en v

REMBRANDT VAN RIJN Self Portrait in a Cap and Scarf with the Face Dark: Bust. Etching, 1633. 135x105 mm; 5x4 inches, wide margins. Biörklund's third state (of 3); Usticke's third state (of 5); Ne

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

Rembrandt van Rijn (Netherlands, 1606–1669) . Ephraim Bonus, Jewish Physician, Etching. B 278; Three margins have been trimmed, Verso, adhesive on corners; staining . 8 5/8" x 6 7/8".

Rembrandt van RijnLeiden 1606 - 1669 Amsterdam, attributedThe Departure of the Prodigal SonOil on wood24 x 28 cm, with frame 53 x 60 cmHdG 112cProvenance: Auction M. P. D. Baron van Sijtzama u. A. in

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: The Larger PlateEtching, circa 1632, a slightly worn impression of New Hollstein's fifth state (of nine), before any rework by later hands, on lai

Rembrandt van Rijn (1606-1669)Death Appearing to a Wedded Couple from an Open GraveEtching and drypoint, 1639, a delicate and excellent impression of the only state of this rare print, with wiping mar

Rembrandt van Rijn (1606-1669)The Raising of Lazarus: Small PlateEtching and drypoint, circa 1642, a good clear impression of New Hollstein's first state (of two) before any re-working to the plate an

Artist: Rembrandt Van Rijn Title: Self Portrait with Saskia Dimensions: 3.5in. by 4in. Edition: From the rare limited edition Medium: Etching Condition: Excell

Rembrandt van Rijn (1606-1669)Peter and John Healing the Cripple at the Gate of the TempleEtching and drypoint, 1652, an excellent impression of New Hollstein's third state (of six), still printing wi

Title:Follower of Rembrandt van Rijn Huge Family Portrait Interior Oil Painting Dutch Old Master from Estate of Olympian Description: Massive oil-on-canvas interior family portrait, signed Rembrandt,

Rembrandt van Rijn (Dutch, 1606-1669), St. Jerome in a Dark Chamberetching, 1642, on laid paper, possibly a Basan edition, with additional window pane bars, signed and dated in the plate lower center,

Rembrandt van Rijn (1606-1669) etching, portrait of a gentleman. Triple matte, in painted and gilt wood frame. [Art: 3 1/4 x 2 1/2 inches; Frame: 10 x 9 1/4 inches].

A rare etching with margins on paper titled "Bald Headed Man in Profile Right; Small Bust (the artist's father?)" (B. 294, H. 24, BB. 30-11) by Rembrandt Van Rijn, c. 1630. Signed and dated, R L 1630,

REMBRANDT VAN RIJN The Agony in the Garden. Etching and drypoint, circa 1652. 112x85 mm; 4½x3 inches, narrow margins. Usticke's first state (of 2); New Hollstein's first state (of 3), before the

Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, a good but later impression of New Hollstein's final state (of six), on laid paper with out wat