From 16th to 19th century Old Masters 2021-09-29 Auction - 103 Price Results - Telearte in Italy
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Portrait of Niccolo' Pallavicini Rospigliosi as a childMusiciansPair of still lives
Done
Rome, Italy, Italy
Auction Details

From 16th to 19th century Old Masters

A refined collection of European paintings.
Lot Number: Lowest
24
Battle scene: Francesco Simonini (Parma, 1686 - Venice, 1735) ext. 24.8x36.2 in., int. 15.7x27.3 in. This mixed technique on paper is a fine example of a Venetian preparatory sketch by an important painter of
0001: Battle sceneEst. €4,000-€6,000Lot Passed
Astronomer: Giovanni Antonio Guardi (Vienna, 1699 - Venice, 1760) ext. 21.2x17.9 in., int. 15.7x11.2 in. It is to Fogolari that we owe much of what we know about Giovanni Antonio Guardi. The registers of the
0002: AstronomerEst. €3,200-€4,500Lot Passed
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Landscape: Godfred Christensen (Copenhagen, 1845 - Copenhagen, 1928) ext. 68.8x91.7 in., int. 53.9x76.3 in. The direct study of reality, an intense but not analytical investigation of the landscape, appears
0003: LandscapeEst. €3,200-€4,500
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Cyrano and Rossana: Karl Becker (Berlin, 1820- Berlin 1900) ext. 74.8x65.3 in., int. 58.2x48 in. The German painter Karl Becker received his formation in Germany under some of the leading exponents of the Nazarenes,
0004: Cyrano and RossanaEst. €4,500-€6,500Lot Passed
Countryside view: English School, 19th century est. 128x94, int. 113x79.5 Throughout the eighteenth century and the beginning of the nineteenth, the genre of english landscape painting was divided into two strands:
0005: Countryside viewEst. €4,500-€6,500Lot Passed
The ambush, 1860: Sebastiano De Albertis (Milan, 1828 - Milan, 1897) ext. 33.8x39.3 in., int. 25.1x31.1 in. This valuable painting almost seems to be a chronicle episode from the artist’s life. Lombard by
0006: The ambush, 1860Est. €6,000-€8,500Lot Passed
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Young shepherd: Bartolome' Esteban Murillo (Seville 1618 - Cadiz 1682) ext. 47.2x65.7 in., int. 41.3x55.1 in. The experience of contemporary colleagues of the painter influenced his style very much, but he also
0008: Young shepherdEst. €12,000-€16,500
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Saint Jerome: Matthias Stomer (Amersfoort, 1600 - Sicily, after 1650) 42.5x35.8 in. Matthias Stomer received his early artistic training from the master Gerrit van Honthorst, a member of the Utrecht School,
0009: Saint JeromeEst. €9,500-€13,000Lot Passed
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Battle scene: Paul Bril, follower of (Antwerp, 1554 - Rome, 1626) 59x35.4 in. This painting depicts a wide bare valley flanked by green trees. Running towards the plain is a group of soldiers, not compact but
0010: Battle sceneEst. €6,500-€7,500
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Penitent Mary Magdalene: Gabriel Franck (Antwerp, c. 1590 - Antwerp, 1639) 21.6x15.7 in. The rendering of the wooded landscape depicted to note the artist’s debt to the teachings of Paul Bril in the rendering of
0011: Penitent Mary MagdaleneEst. €9,500-€13,000Lot Passed
Battle: Pieter Meulener (Antwerp, 1602 - 1654) ext. 25.1x29.5 in., int. 18.1x26.1 in. Pieter Meulener was a member of the Guild of St. Luke in Antwerp and was registered as a relative of another member of
0012: BattleEst. €9,500-€13,000Lot Passed
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Still life with flowers and fruit: Abraham Brueghel (Antwerp, 1631 - Naples, 1697) ext. 35.4x45.2 in., int. 28.3x37.9 in. This very pleasing oil on canvas is firmly anchored in the Flemish still-life tradition: the meticulous
0013: Still life with flowers and fruitEst. €20,000-€27,500
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The antique dealer's shop: Balthasar van den Bossche (Antwerp, 1681 - Antwerp, 1715) 23.2x19.8 in. The scene depicted in this painting is probably that of a discussion between artists about classical statuary during a visit
0014: The antique dealer's shopEst. €6,000-€8,000
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Madonna with Child: Antoon van Dyck, follower of ext. 64,5x52,7 in., int. 55,9x43,8 in This famous iconography is one of the three versions of the theme of Madonna and Child created by Antoon Van Dyck during his stay
0015: Madonna with ChildEst. €28,000-€38,500
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Still life with oysters: Flemish Painter, 17th century ext. 22,4x25,5 in., int. 15,9x19,2 in. This small oil on canvas by an unknown Flemish painter is an adequate representation of the great seventeenth-century Dutch
0016: Still life with oystersEst. €16,000-€22,000
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Pair of still lives: Rachel Ruysch (The Hague, 1665 - The Hague, 1750) ext. 29,1x23,2 in., int. 17,7x24 in. Rachel Ruysch is one of only three women protagonists of the Dutch Golden Century whose exceptionality
0017: Pair of still livesEst. €36,000-€49,500
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The denial of Peter: Gerard Seghers (Antwerp, 1591 - Antwerp, 1651) ext. 22,2x29,1 in., int. 16,1x23 in. Except for the fact that the scene is not set in the open air, the moment described by the painter is precisely
0018: The denial of PeterEst. €24,000-€33,000
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Crucifixion: Neapolitan School, 17th century 35,8x24,4 in. The essentiality of this canvas, its cut, and its composition do not easily allow one to guess the author’s name. We can assume that it is a
0019: CrucifixionEst. €9,500-€13,000Lot Passed
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Death of Abel: Genoese School, 17th century ext. 42,9x49,6 in., int. 40,1x42,5 in. The Genoese visual experience of the early seventeenth century is closely linked to two key figures of the Italian and European
0020: Death of AbelEst. €4,500-€6,500
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View of Tivoli with figures: Roman School, second half of 17th century ext. 76,7x56,6 in., int. 67,3x47,2 in. It is impossible to determine the name of the author of this landscape, but the unknown artist probably painted
0021: View of Tivoli with figuresEst. €14,000-€19,500
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The killing of Remus: Andrea Appiani (Milan, 1754 - Milan 1817) ext. 22x29.7 in., int. 16.8x24.4 in. This tempera on paper narrates one of the most significant events in the history of the foundation of Rome: the
0022: The killing of RemusEst. €16,000-€22,000Lot Passed
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Still life with game: Paul de Vos (Hulst, 1592 - Antwerp, 1678) ext. 54.7x70.4 in., int. 48.4x64.9 in. The work of Paul de Vos is characterised by an extraordinary interpretative vein of the highly appreciated subject
0023: Still life with gameEst. €12,000-€16,500
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Pair of landscapes: Antonio Diziani (Venice, 1737 - Venice, 1797) ext. 37.7x32.2 in., int. 34.2x28.3 in In the second half of the eighteenth century, Venetian landscape painting reached very high qualitative peaks,
0024: Pair of landscapesEst. €16,000-€22,000
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