Print, After Thomas Church

Marion Post Wolcott, St. Thomas Church, Peeling Tomatos, 1940, printed c. 1980s, Gelatin silver print, 5" x 7". Artist's credit, title, date, and note in pencil on recto. Notes and artist's credit in

Frame: 21"x16" Image: 14 1/2"x9". Plate signed. Creases across the image horizontally & vertically. .25" tear to the bottom edge.

In matching presentation, including: "Thomas Appleton, c. 1839, now in the Chapel, St. Philip's Church, Charleston, S.C."; PLUS "Thomas Hall, c. 1822, St. John's Lutheran, Charleston, S.C., case now a

(lot of 5) Louis Robin (French, 1845-?), Streetcars in Paris, and View of a Cathedral in Paris, etchings, each pencil signed lower right, Don Swann (American, 1889-1954), "St. Anne's Church, Annapolis

THOMAS KINKADECalifornia, 1958-2012"St. Nicholas Circle", a snowy village scene with figures, church and houses. Housed in a molded frame.“Library Edition” print, 15.5" x 19

Thomas Hart Benton (American, 1889-1975), "Huck Finn," 1936, stone lithograph, pencil signed lower right, signed in plate lower left, from an edition of 100, printed by George C. Miller, published by

Thomas Hart Benton (American, 1889-1975), "The Race," 1942, lithograph, pencil signed lower right, signed in plate lower left, from an edition of 250, published by Associated American Artists, New Yor

Thomas Hart Benton (American, 1889-1975), "Morning Train," lithograph, pencil signed lower right, signed in plate lower right, Associated American Artists label affixed verso, image: 9.25"h x 13.5"w,

Missouri, Massachusetts, 1889-1975. Lithograph on paper, signed on plate and in pencil. Man wading across a creek. With original label from Associated American Artists. Framed, 22.25"h. 17"w.

American, 1958-2012. Limited edition offset lithograph on canvas with paint enhanced details. Numbered 142/320. Multiple stamps and labels including DNA authenticity guarantee by Lighthouse Publishing

Thomas Daniell RA (British, 1749-1840), "The Taje Mahel, at Agra," 1796, hand-coloured aquatint, published by Robert Bowyer (British, 1758-1834), plate: 18.25"h x 24"w, overall (with frame): 24.5"h x

Thomas Daniell (British, 1749-1840), "Das Avatara," 1803, aquatint with hand coloring, plate 16 from "Hindoo Excavations in the Mountain of Ellora near Aurangabad," after the drawing by James Wales, p

Capitola Wharf Limited Ed Print 'Thomas Kinkade' - 24'' x 35'' Framed w/ COA - From Wharf House Capitola Restaurant

Thomas Moran (American, 1837-1926), "A Tower of Cortes Mexico," 1883, etching, pencil signed lower left, plate signed and dated lower right, titled in plate lower left, image: 11.5"h x 9.25"w overall

Thomas Frederick McKnight (American, b.1941), The Fourth of July, serigraph, pencil signed lower right, edition CCIII/CCXXV, overall (with frame): 47"h x 51"w

Thomas Hellyer (late 18th/early 19th century), "The Stray'd Favorite Restored: Le Favori Recouvre," 1798, stiple engraving, after a painting by William Redmore Bigg (1755-1828), overall (with frame):

Church in the Red, color print, unsigned, 20th century, overall (with frame): 34"h x 47"w

Mykonos Harbor print, Thomas McKnight c1900 Print: 46" x 24" Frame: 53" x 31.25"

Charleston, South Carolina, image area 5" X 7" plus mat and frame, well listed artist....South Carolina artist, Elizabeth Quale O'Neill was born December 21, 1883, at 38 Chalmers Street in Charleston,

American, late 20th century. Serigraph on paper, printed 1990. Numbered 34/200. Framed, 60.5"h. 37.25"w. Includes a book illustrated by McKnight "Voyage to Paradise".

Mykonos Windmill print, Thomas McKnight 1992 Print: 46" x 24" Frame: 53" x 31.25"

Church in the Red, color print, unsigned, 20th century, overall (with frame): 34"h x 47"w

American, born 1941. Serigraph on paper, signed and numbered 168/175. Patio doors overlooking a lake. Framed, 43.25"h. 45"w.

American, born 1941. Serigraph on paper, signed and numbered 112/175. Veranda overlooking a canal. Framed, 43.5"h. 45"w.