'Charles de Solier, Sieur de Morette' Hollar After Hans Holbein, 1647

Pablo Picasso (Spanish, 1881-1973) After: Charles de Morette by Hans Holbein. Double Lithograph on paper, unsigned, unframed. Picasso was the most dominant and influential artist of the first half of

The 17th-18th century COPY of Erasmus de Rotterdam by Hans Holbein the younger, is 16" x 13" and is in a restored 3" antique silver frame. The painting has been relined, re-stretched and refit in the

An engraving of Lady Jane Grey after Hans Holbein by Wenceslaus Hollar (1607-1677) and A. A. Bierling. A nice impression trimmed to margins. Dated 1647, this is a later impression. Measures 3.5 x 5.25

Position Z 15. Sieur de Moreul. Movable Visor. Scarce Position. 1 Piece. Condition Excellent. Old Glue and Discoloration to Underside of Base.

An Attic White-Ground Lekythos Attributed to the Athena Painter, Early 5th Century B.C. Height 12 5/16 inches (31.3 cm). Property from a Southern Collector Provenance: Charles-Rene de Paul de Saint-Ma

R[obert] (le sieur) L'art de bien traiter, divisé en trois parties. Ouvrage nouveau, curieux, et fort galant, utile a toutes personnes, et conditions, first edition, title with woodcut ornament,

Pierre CHAPO (1927-1987) Bahut dit R08A Orme 84 x 183 x 53 cm. Circa 1964 Références : - Laurence Rodighiero, Intérieurs de Chalets et de Maisons de Campagne, Charles massin, 1968, p. 4

Paris, Desa in t & amp; Sail la nt, chez Durand, de l'primerie de Charles-Anto in and Jombert, 1755 -1759. 4 vols. In 2nd. vol. 1 Allegorical front door in cisa by Dupuis and Coch in on a drawing by O

LA FONTAINE, Jean; de. Fables choisies, mises en vers par J. de la Fontaine.Paris, Chez Desaint & Saillant [et] Durand, De l'Imprimerie de Charles-Antoine Jombert, 1755-1759. 4 Voll. in Folio, 427

Le Hay, Jacques (c. 1645-1713) & Charles de Ferriol (1652-1722) Recueil de Cent Estampes Representant Differentes Nations du Levant. Paris: Jacques Collombat, 1715.Oversized folio, a3, A-F2, G1; engra

Pair of Meissen busts of 'Prince Louis Charles de Bourbon' and 'Princess Marie Zéphirine de Bourbon', late 19th C, each modeled as a bust of a young child wearing floral decorated caps, each with blu

SCHMIED, FRANÇOIS-LOUIS. 1873-1941. MARDRUS, JOSEPH-CHARLES. 1868-1949. Le Livre de la vérité de parole. Paris: Chez F.-L. Schmied, 1929. 4to (337 x 238 mm). 12 hors-texte color wood e

CHARLES DE TEMPLE: 'ALL THE TIME IN THE WORLD' RING, CIRCA 1965 The bicoloured openwork ring in polished and textured finish, forming the words 'All the time in the world' to both the interior and ext

Charles de Temple - A late 20th century cultured pearl and diamond 'Wrapped' necklace, the necklace consisting of forty five cultured pearls, each spaced by two claw set round brilliant cut diamonds,

Charles de Chatillon (French 1777 - 1844) Napoleon Oil on canvas. Signed with monogram lower left. Inscription in German and flag (Flag of Elba?) inscribed on verso of canvas. 29" x 23"; framed 34" x

AN EMERALD NECKLACE, CHARLES DE TEMPLE 1973 formed of a fringe of graduated textured gold links, the central three set with oval cabochon emeralds, on a similarly textured fancy link necklace, signed

A Jean-Charles de Castelbajac unique teddy bear jacket, 1989, made to celebrate 100 years of the Lee Cooper denim jeans company, the denim jacket covered with approximately twenty teddy bears with blu

Charles de Temple - A pearl and diamond 'Wrapped' bracelet, together with a matching single earring, first, the bracelet with three rows of eight cultured pearls, each seperated by two claw set round

DIANA HOLDING AN ARROW, oil painting on canvas, 54 x 39”, frame 57 x 42 ½ x 2 ½”. Provenance: Sotheby’s New York, sale 6423, lot 0295, Old Masters Paintings May 1993, sold

CHARLES DE TEMPLE - a 1960s 18ct gold diamond and emerald brooch and associated earrings. The brooch designed as a series of overlapping, openwork and partially textured panels, with emerald cabochon

CHARLES COBELLE (French / American, 1902-1994). Place de l'Opéra's Café de la Paix, Oil on canvas. Signed "Cobelle" lower right hand corner. Framed. - 36 x 51 in; frame: 39 x 51 in

CHARLES DE TEMPLE: DIAMOND-SET NECKLACE, BRACELET AND EARRING SUITE, 1983 The baton links with textured boule decoration, set at intervals with brilliant-cut diamonds, the earrings similarly-set, moun

Charles de Steuben (German-French, 1788-1856), Self-Portrait of the Artistoil on canvas, 1850, signed and dated to center right, presented in a period carved and gilt wood frame with crest and gallery

CHARLES DE TEMPLE: TWO GOLD RINGS, 1979 & 1980 1st: Of abstract design in textured 18 carat bicoloured gold, 2nd: Designed as an undulating cornicelli and set at intervals with brilliant-cut diamonds