1863 ART JOURNAL Pickersgill Tayler Warren Clark

Lot of 3 "The Art Journal" 1863. Cover detached. "National Portrait Gallery of Eminent Americans," no date "The Masterpieces of European Art" by P.T. Sandhurst and James Sto

Decline of Carthage" Engraving by J.B.Allen after a picture by J.M.W.Turner, published in the Art Journal, 1863. Steel Engraving antique, measures 14,5" x 10

An antique etching of a painting by Alexander Johnston, 1816-1891, Scottish painter. The Visit to Melanchton. Engraved by C.W. Sharpe, 1863. Published in the Art Journal. Printed by D. Appleton & Comp

The Art Journal, 1860 & 1880, Many Full Page Illustrations. Approximately 13.0H x 10.25W x 1.75D in.

Sea Crags, Harold Warren, Early California Art, Possibly The Lone Cypress, Charcoal on Paper, signed Harold Warren 1931, site 7.75 x 11.5 inches, frame 13.4375 x 17.75 x 0.75 inches, measurements are

Sea Crags, Harold Warren, Early California Art, Possibly The Lone Cypress, Charcoal on Paper, signed Harold Warren 1931, site 7.75 x 11.5 inches, frame 13.4375 x 17.75 x 0.75 inches, measurements are

Frank Warren Marshall (1866-1930). "Haystacks". Oil on canvas. Signed lower right. Dimensions: 9" x 13". Framed: 11 1/2" x 15 1/2". Frank Marshall was an artist who bridged two centuries and two art w

WILD SEA, 1989, oil painting on canvas, signed lower left, signed and dated and titled on verso, sight 27 ½ x 21 ½”, frame 35 ¾ x 30 x 2 ½”. Provenance: Acquired direct

Circular coffee table, bent metal base 15” tall 30” diameter, with 36” diameter beveled tempered glass top, 15 ½” tall including glass.

MORTAL FEAR, oil painting on canvas, 28 x 20”, framed.

YOUNG GIRL, color pastel on paper or thin card, signed lower left, DuMouchelles auction label on back, 14 x 12”, discardable frame with losses 20 ½ x 18 ½” with glass.

BLOND LADY WATERFALL, color giclee with Plexiglas signed and numbered 24/295 in gold ink lower right Plexiglas, 30 x 20”, with liner 33 x 23”.

LADY BLUE WATERFALL, color giclee on canvas, signed and numbered 1/25 AP (artist’s proof) lower left, 40 x 32”.

Charles Warren Eaton, LAKE SCENE, 1892, watercolor on paper, signed and dated lower left, site 7 x 10 1/2", framed with glass; Together with Loula Lessing, gouache on paper, signed lower left, site 7

ST. AUNT MARIE, acrylic painting on canvas, signed on verso?, 48 x 60â€. Provenance: Jan Turner Gallery, Los Angeles.

BANANA DRIVE, color giclee on canvas, signed and numbered 1/15 AP (artist’s proof) lower left, 40 x 32”.

HANG GLIDER AND WIND SURFERS, color giclee with Plexiglas, signed and number in 2/250 silver marker lower left Plexiglas, 36 x 23 ½”, liner 38 ½ x 26 ½”.

SEASCAPE AT DUSK, oil painting on canvas panel, signed lower left, 12 x 16”, frame 15 ½ x 20 ½”.

--CRITICAL DETAILS-- --TITLE: Buffalo Springfield Earl Warren Santa Barbara --GRADE: Extra Fine --PERFORMERS: Buffalo Springfield, Watts 103Rd Street Band, L

THE JOURNAL, collage mounted to depressed foam core, titled in marker on verso, 24 x 19”.

NOCTURNE, etching, signed and titled and numbered 31/150 by Esther Davis in pencil, plate 9 ¾ x 7 ¾”, full margin, frame 17 ¾ x 14 ½” with glass.

UNTITLED, 1982, etching, signed and dated and titled in pencil, numbered 21/100, plate 6 x 7 3/4", sheet 15 x 11".

Antique art journal published by George Virtue, Paternoster Row, London and John Street, New York. Dedicated to his royal highness Prince Albert president of the commission on the fine arts. There are

Emancipation CDV Original 1863 art CDV showing slaves with Lady Liberty, who is holding the Emancipation Proclamation. The slave on the left is holding a U.S. flag, the one on the right is wrapped in