20-21 UD SPX JASON ROBERTSON RC PATCH AUTO #43/125 BLACK LUSTROUS ROOKIES

2000 Fleer Tradition Autographic Tom Brady ROOKIE AUTO RC PSA 7

Step 1: Insert Adjectives. Step 2: Wipe Drool. Step 3: Smack Yourself. Yes, this is one of those cards. Michael Jordan and Dr. J autographed in silver. Also a total of (4) pieces of memorabilia, two f

George Nakashima Conoid chairs, set of six Nakashima StudioUSA, 1988, 1990, 1993American black walnut, hickory20 w × 21 d × 35.75 h in (51 × 53 × 91 cm) Signed and d

Vintage Black Bear Coffee Trade Stimulator. Carved and painted wood. 21"h. x 20"w. x 15-1/2"d. Condition: Good with normal wear and minor losses.

Period chairs, oak with rushed seats, impressed stamps for Carl Hansen & Sons Denmark, one with black Control Label. H. 28 3/4" W. 20 1/2" D. approx. 21"

Ron Robertson (American, B.1927) "Wave Machine Model 21," 1989, mixed media assemblage. Framed. Provenance: www.ronrobertsonart.com. Size: 38'' x 17.5'', 97 x 44 cm (sight); 40'' x 20'', 102 x 51 cm (

Italian Stilnovo Mid-Century Modern pendant chandelier with twelve opaline glass spheres on brass and black enameled metal structure, circa 1950. 20.5" H x 29" W x 21" D. Provenance: Removed from a Fo

DIAMOND ETERNITY BAND Containing 21 emerald and 84 round brilliant cut diamonds weighing approximately 5.40 carats total. Mounted in white gold. Ring size 6 1/2. Stamp: 14K UD. Gross weight: 3.20 dwt.

1986 Fleer MICHAEL JORDAN #57 PSA 8 NM MINT RC Rookie Card Chicago Bulls

A group of (39) early 1950's horror comic bookslot includes: Strange Mysteries No. 8 Nov. 1952; Tales from the Crypt, nos. 20, 21, 22, 25, 26, 32, and 44; The Vault of Horror, nos. 12, 13, 14, 15, 16,

Comprised of 18kt yellow gold and 20 black onyx quatrefoil pendant. Stamped, "VCA 750, CF11232". Total approx. weight is 28.2 dwt. From a Greenwich, CT estate.

Manuel de Peintures, four color platesPlates 5, 20, 21, and 22; from Recueil de Cent Planches de Decoration Etraites de Journal-Manuel de Peintures, Paris: F. A. Morel, 1874. Each chromo-lithograph is

Tanzanite Royale.GIA CERTIFIED62.60ct. Natural TanzaniteClean VVS ClarityCushion CutFull transparency Classic vivid blue color24.55 X 21.20 X 14.84mmGIA Report #: 2135134690

Qing Chinese spinach jade carved lei with stand. 16.5in. Age wear. Provenance: Christie's New York November 11/20-11/21/1979 Important Chinese Works of Art auction. Lot 468, original estimate: $25,000

Chinese Jian-Type 'Oil Spot' Bowl. The deep conical body rising to a shallow groove at the mouth, applied overall with a lustrous black glaze suffused with a dense pattern of iridescent bluish-gray st

RAKU SEINYŪ (KICHIZAEMON XII, 1887-1944) A Black Raku Ware Tea Bowl Taisho (1912-1926) or Showa (1926-1989) era, after 1919 A glazed earthenware chawan with lustrous black glaze featuring a short

KEN GOREMassachusetts/Illinois, 1911-1990"The Road to the Hill". Signed lower right "Ken Gore".Oil on board, 16" x 20". Framed 21.5" x 25.5".

A BLACK AND BEIGE JADE 'LINGZHI' PENDANT Late Ming Dynasty The lingzhi pendant carved as one flattened larger and two smaller fungi, the stone of creamy-beige tone with attractive black patches, 6.2cm

Classic Van Cleef & Arpels necklace is crafted in 18kt yellow gold and features 20 clover motifs beautifully inlaid with black onyx in bead settings. Retail Price around $18,000

Bird, Erving & Magic Signed 1980 Topps Rookie Card Autos Graded 10! Beckett Slabbed

George Nakashima Swett nightstands, pair Nakashima StudioUSA, 1978American black walnut 21 h × 22 w × 22 d in (53 × 53 × 53 cm) Each nightstand features dovetail joinery and a single

Wolf Kahn (American 1927-2020) Tennis Courts on Ames Hill oil on canvas signed lower center dated 1987 on gallery tag. 16 x 20" 17 x 21" as framed. Ex. BR Kornblatt Gallery

William Morris Suspended Artifact 1992hand-blown glass, hot-sculpted glass, enameled metal overall: 20 h × 21 w × 15 d in (51 × 53 × 38 cm) Etched signature and date to suspended eleme

Justin Nuyda (b. 1944) Untitled signed and dated 2018 (lower left) oil on canvas 8" x 8 1/4" (20 cm x 21 cm Justin Nuyda’s abstractions tremble on the brink of reality, from surreal to real, te