22: Potdevin margin gluer, w/cart

Drypoint by Bernard Buffet (French, 1928-1999), titled Empire State Building; signed in pencil and numbered 107/150 to lower margin; 22" x 10 3/4" (image, approx.); framed

Nicholas Krushenick, (American, 1929-1999), James Bond Meets Pussy Galore, 1964, screenprint, pencil signed, dated, and numbered 92/200 bottom margin, 22" x 17".

Charles Fazzino (American, 1955-). Three dimensional serigraph, New York City scene, Broadway II. Pencil signed, titled and numbered 63/200 in the lower margin. 22" x 17 3/4" (with frame 32" x 28").

Almery Lobel-Riche (French 1880-1950)- Ballerina- aquatint in colors, c. 1920, signed and numbered x/xxx in pencil, very slight mat burn and faint foxing in margin. 22 1/2 x 17''

D. Harold Hitchcock British 1914-1979 - Orientalist Aquatint Etching on Textured Paper. Depicting a Worker in a Forest. Numbered, Signed Lower Margin. 22" x 30"

Nell Blaine (American, 1922-1966) Gloucester Bouquet, 1986 softground etching and aquatint signed, titled, dated, and numbered 22/50 in pencil (lower margin) 22 x 19 inches (sight). Property from the

Arthur Luiz Piza, color etching, Arthur Luiz Piza (Brazilian, b. 1928), "Noire et Verte", 1972, color etching with embossing, numbered 73/99, signed in pencil "Piza", lower right margin, 22.25"h x 18.

Beryl Cook (1926-2008) Dancing Class, Serigraph, Signed, titled and numbered 114/300 in pencil lower margin. H: 22 W: 22 in. The Collection of Stanley Yulish.

Charles Levier (1920 - 2003) watercolor and ink on paper signed lower left. This piece is unframed. The image measures 16" by 22" Paper measures 30" x 22" Minor Margin marks, overall clean and bright

M. Brown American 20th Century - Realist Drawing of an African American Lady Selling Jewelry. Signed Lower Margin. 22" x 27" Framed.

Margaret Huddy American 20th Century - Detailed Winter Landscape Watercolor Painting. Robert Frost Quote and Artist Signature Lower Margin. 22.50" x 30"

Mixed media, including watercolor, abstract polychrome design on paper. Image with margin: 22.5"H x 22.5" W, frame: 25.5" x 25.5"

ORIGINAL POSTER WITH ILLUSTRATION BY MILTON GLASER, 1966. FOLDS AS ISSUED, TEAR AT UPPER MARGIN. 22"X33"

including Richard Thomas Davis, Canadian Jewel, 1986, serigraph, no. 101/250, signed, titled, and numbered lower margin, 22 x 24-1/2 in. (sheet), sold without frame; and a reproduction print after Cha

THE TRAIN, 1974, color aquatint etching and photo-engraving with hand-coloring, signed in pencil, numbered 19/20 AP (artist’s proof), plate 17 ¾ x 22”, full margins, framed. Provenance: Sotheby��

BLACK ROBE (W.7 pg 147), lifetime color screenprint, signed and numbered 88/90 in pencil, published by Mirage Editions, image 37 x 22”, full margins, discardable frame 49 x 33 ½” wi

UNTITLED color screenprint, signed in pencil, numbered 73/150, image 22 x 22 ”, full margins, framed with glass, in apparently good condition.

UNKNOWN (MIA.63), 1968, color woodblock print, signed in pencil, from the numbered edition 150, image 15 x 22 ”, full margins, framed with glass, in apparently good condition, illustrated: A Japanes

ESPEJOTESCO, 1963, gouache on paper, signed and dated upper right, titled upper left, image 19 x 22", full margins, framed with glass.

ENSENANZA DEL SAHUARO, 1996, color screenprint, signed, dated, titled and numbered 14/57 in pencil, Self Help Graphics blind stamp lower right, image 16 x 22”, full margins, frame 25 ½ x

Details: OGILBY, JOHN. Sinus Omnium Sanctorum. London: Ogilby, 1671. Engraving; 10 3/4 x 14" visible. French mat. Overall: 19 1/4 x 22". Small margins. Mat closely adhered to backing, not negatively

UNTITLED CAR, 2003, color screenprint, signed and dated and inscribed M. S. in pencil, Self Help Graphics blind stamp lower left, image 16 x 22”, full margins, frame 23 ¼ x 29 ¼&rd

KIROV, 1975, color screenprint, signed and titled and numbered 38/200 in pencil, published by Edward Weston Graphics with blind stamp lower right, image 34 ½ x 22”, full margins, frame 46 &

KIROV, 1975, color screenprint, signed and titled and numbered 38/200 in pencil, published by Edward Weston Graphics with blind stamp lower right, image 34 ½ x 22”, full margins, frame 46