A CONTINENTAL PORCELAIN CHARGER Circular, painted

Carl Knoll, Carlsbad Austria, associated with Royal Vienna, large hand-painted porcelain circular portrait plaque or charger, depicting a young woman in Continental 19th century style dress, with text

A Chinese Export Blue and White Porcelain Charger 18TH CENTURY of circular form, the interior painted with foliate decoration, the underside bearing a leaf-form mark. 35 diam centimeters,13 3/4 diam i

CONTINENTAL SEVRES-STYLE ORMOLU-MOUNTED PORCELAIN CHARGER, featuring polychrome hand-painted garden scene depicting a gentleman playing a stringed instrument, serenading a woman and child, having rose

Gilt Bronze Porcelain Wall Charger Lot Includes: 1x Gild Bronze Plaque With Grapevine Motif And Circular Painted Porcelain in The Center Depicting Couple Having Picnic in Garden Signed " Fragonard " A

A LARGE CHINESE BLUE AND WHITE PORCELAIN CHARGER, 19TH CENTURY, of circular shallow form with a flower petals form rim above a broad pine cluster on lingzhi ground with diapered panels painted border

Continental circa 1890, the circular porcelain plaque decorated with hand-painted images of 18th century cavaliers and patrons merrymaking in an outdoor gastropub setting, signed indiscernibly lower r

HORSEMEN AND TALL SHIPS, painted ceramic charger with crackle glaze, hallmarked underneath, 13 ¾” diameter.

Italian, lustre majolica ceramic charger attributed toÿPaolo Rubboli (1838-1890), painted with riders in a chariot, surrounded by spectators and prisoners, 16-1/2 in.;ÿfigural group depicting courti

CONTINENTAL PORCELAIN BISQUE LARGE PAIR OF FIGURES, each standing on circular base with polychrome pastel hand-painted decorations, dressed in formal Renaissance attire with a plumed hat. Unmarked. La

CONTINENTAL BISQUE PORCELAIN WOMEN FIGURAL PAIRS, LOT OF TWO, each having circular base with polychrome hand-painted decorations, comprising one pair depicting sitting young ladies with mischievous cu

Three piece lot of hand painted grape and floral design Continental porcelain includes: Hutschenreuther 12 3/4" charger (artist signed and dated "LBW 1959"). A. Klingenberg Limoges 4" (h) x 9 1/4" (l)

Including an 18th C. Hochst rectangular tea caddy with rounded shoulders, hand painted purple architectural folly motif, and circular lid with floral finial. Red wheel mark to base. Paired with a smal

of circular form with sloping sides, decorated with an immortal on a cloud scroll, painted double character mark to base, d 31cm

The interior painted with three panels of flowers in circular, fan and flower shape, reserved against elaborate flower and foliage, the bottom inscribed with a six-character mark. 24inch D.

Includes three Bavarian reticulated plates, a Minton charger, a hand-painted French porcelain pin tray with ormolu trim, a Schierholz candlestick with applied floral design (chipped), and more.

Continental Carved Gilt and Gesso Gothic Wall Shrine, 19th c., probably Italian, mounted with two oval painted porcelain plaques of the Madonna and Child, over circular porcelain plaques of Mary and J

Continental, late 19th/early 20th century, each with two scrolling foliate arms and candle cups, painted porcelain flower embellishments, on circular base with bun feet, pine cone finials, wired for e

A Pair of Continental Painted Porcelain Vases 19th century each of elongated ovoid form with a flared rim, the central reserve painted to depict a bucolic landscape, raised on a circular foot. Height

Continental, late 19th/early 20th century, each with two scrolling foliate arms and candle cups, painted porcelain flower embellishments, on circular base with bun feet, pine cone finials, wired for e

Three Imari Porcelain Plates19th and early 20th century, all hand painted with bands of traditional imari motifs, includes a circular charger signed in iron red to underside, an oval handled dish with

19th century, circular top centering a finely painted portrait charger depicting Marie Antoinette holding a bouquet of roses, verso with blue printed mark "Wien Austria" and inscribed "Marie Antoinett

Continental, late 19th century. In the manner of Meissen, though unmarked. Circular clock by Charles Voisin, Paris. Mounted on an elaborate stand, raised on column form supports with hand painted porc

Continental,ÿ19th century, detailed gilt circular bases, comprising: pair floral gatherers, transfers to lady's dress, with blue underglaze shield mark; pair wood gatherers, painted apparel, man with

Continental porcelain painted plaque, signed Wagner, young boy urchin smoking, 5-3/4" x 3-7/8" sight, 11-3/4" x 9-1/2" overall, old repair damage to bow at top