A Transmutation-Glazed Goddess of Mercy Vase Inlayed

Antique Qing dynasty meiping; the vase has a shoulder, stands on smaller footprint; all against green ground; Kangxi mark and probably of that period. 15 inch H

18th, 19th century, China. Standing figure of Guanyin, the goddess of mercy, holding a vase. Robes decorated in Famille Rose enamels and gilt. Condition: (Very Good). Dimensions: 10" x 3".

Chinese beige glazed Dehua seated Guanyin, the Goddess of Mercy depicted wearing a crown and jewels seated in the lotus position, holding a bottle of the elixir of life, resting on a lotus throne floa

2 CHINESE DEHUA BLANC DE CHINE CERAMIC GUANYIN: 20th c., China. Both sculpted in white ceramic with glazed patina representing Guanyin, the Goddess of Mercy. 1.) Shown standing on stylized water with

AN EXTREMLY RARE CHINESE IMPERIAL TRANSMUTATION GLAZED WITH RUYI EARS AND ROTATION PATTERN VASE, QING "DAN QING QIAN LONG NIAN ZHI" SIX-CHARACTER MARK AND OF THE PERIOD. H:8 5/8IN, 22CM

Two Chinese glazed pottery transmutation stick neck vasesheight of tallest 9 1/2in (24cm); width 5in (13cm)

Porcelain figure of the goddess of mercy, Kuan Yin. Standing figure holding a vase. Enamelled brocade decorated robes. 22in high. Fitted stand.

Hovsep Pushman (1877-1966 American) ''Goddess of Mercy'' Oil on Panel 22''x16'' Image. Charming still life composition with small flower vase and seated Chinese figure in front of an image of Guanyin.

The Goddess of Mercy is modelled with a serene expression below her hair in a high chignon held with a ruyi-head pin. She wears long draping robes and one of her hands holds a scroll while seated in R

goddess of mercy with upward facing arms and outward facing palms, sitting on lotus flower supported by a dragon's head with a mandorla and swirling clouds, 14 x 13-1/2 in. Note: Receipt dated 1986 re

Large Stoneware Glazed Statue of Avalokitesvara, depicts Avalokitesvara, the bodhisattva most associated with compassion, that later evolved in Chinese Buddhism to Guanyin, The Goddess of Mercy; used

This wonderful vintage Guan yin, Goddess of Mercy and Kindness, is carved in Jadeite stone.  Seated on a  lotus, she holds a single vase in one hand.  Extraordinary details in the carving from the

Blanc de Chine Guanyin (Avalokitesvara), Goddess of Mercy in Buddhism, seated on a high rock holding a scroll, above foaming waves next to a short trunk supporting a vase and three further scrolls. Un

A vintage glazed white porcelain figurine. The piece represents Guanyin, a Chinese Bodhisattva associated with compassion. The goddess is depicted sitting ?ross-legged on a lotus throne with a vase in

Glazed ceramic with paint and gold. Japan, Meiji period Small, shouldered vase; the neck and mouth atop the flat shoulder very small. Depicted inside two large fields are bodhisattvas or goddesses, su

A Large Chinese Blue Glazed Vase, Tianqiuping Qianlong seal mark and of the period The body of globular form and gently tapering to a cylindrical and slightly concave neck; the mouth, interior and bas

The porcelain meiping vase has wide shoulders tapering to smaller foot, glazed in cream white color tone with flower patterns on the surface, with incised lines and ring pattern. Height: 15 1/4 in (38

Chinese Lanyao red glazed vase ,Guanyinzun ,dated to Kangxi Period (1662-1722) , the vase is potted with a long slender body above a spreading stepped foot, covered in a crackled glaze of intense rasp

QIANLONG SIX CHARACTER MARK. H27cm, Currency: Price In USD

H: 36.5cm 仿汝釉撇口瓶

Mark and period of Guangxu Set with a pair of angular lug handles, molded to the front and back with a pear-shaped panel, covered overall with a pale sky blue glaze, six-character mark in underglaze b

Chinese celadon glazed porcelain vase, bronze form, with animal mask handles, fret decoration to the neck and raised dragon decoration to the body. Blue Hsuan T'ung mark to the base. 13" H. Early 20th

A magnificent Chinese Imperial teadust glazed vase, dating from the Guangxu period (1875-1908). Globular base rises to a graceful, long neck. Tea glaze inside vase and on base. One can still see the i

Variable glaze appeared as derivatives Yong Zheng period when making copies of Song Jun Yao. Variable glaze is different in color and changed pattern left more imagination, which attract more collecto