Adams Titanware

cream with raised fruit band, includes 8-10" plates, 6-8" plates, 6-6 1/2" plates, 5-9" soup plates, 10 cups, 10 saucers, 3 oblong servers and a creamer.

Cream-colored plates with green-yellow scalloped trims. Yellow flowers impressed in the center. Royal Adams backstamp. Issued: c. 1922-1930 Dimensions: 0.75"H x 9"dia Manufacturer: Royal Adams Country

Estate lot of early porcelain dishware to include Copeland tureen and underplate, Ridgeways platters, Adams Titan Ware, Redwing and Copeland Spode, great lot for dealer to sort out

A RARE & COLLECTIBLE MYSTERY-SET SAPPHIRE AND DIAMOND FLOWER BROOCH, BY VAN CLEEF & ARPELS The realistically modelled flowerhead mystery-set throughout with calibré-cut sapphires, with a brilliant-

ALEX KATZ (b.1927) Catherine (2006) Oil on panel, 30.3 x 22.6cm Signed and dated 2006 Provenance: With Hillsboro Fine Art, Dublin; Private Collection, Dublin

AN IMPORTANT PAIR OF EARLY 20TH CENTURY DIAMOND EARRINGS Each transitional-cut diamond weighing respectively approximately 4.10cts & 4.22cts within a multi-claw setting to hook back fittings, mounted

Norah McGuinness HRHA (1901 - 1980) Waterweeds Oil on canvas, 122 x 91.5cm (48 x 35¾) Signed; inscribed with title and dated 1968 verso Though this Norah McGuinness painting is clearly of water

AN IMPORTANT DIAMOND SINGLE-STONE RING The old European-cut diamond weighing 6.94cts within a four-claw setting, to a plain hoop, ring size O Accompanied by a report from the GIA laboratory in America

AN IMPORTANT DIAMOND BRACELET The articulated strap set with a continuous line of graduated baguette-cut diamonds between graduated brilliant-cut diamond borders, mounted in 18K gold and platinum, dia

Daniel O'Neill (1920 - 1974) Portrait of Young Woman Oil on board, 45 x 35cm (17¾ x 13¾) Signed The epithet Romantic is often applied to the work of Daniel O’Neill, though that ca

Donald Teskey RHA (b.1956) Broadhaven Bay V Acrylic on paper, 76 x 105cm (30 x 41¼) Signed One of the leading Irish artists of his generation, Donald Teskey is so well known as a superbly tacti

Norah McGuinness HRHA (1901 - 1980) Days End on Dublin Bay Oil on canvas, 91.5 x 122 (35¾ x 48) Signed Provenance: With The Dawson Gallery, Dublin, label verso Norah McGuinness was one of a num

Daniel O'Neill (1920-1974) Girl in the Green Mask Oil on board, 46 x 37.5cm (18 x 14¾) Signed Provenance: With Oriel Gallery, Dublin; with Charles Gilmore, Holywood, Co. Down, where purchased b

Gerard Dillon (1916-1971) Clown Dreaming Oil on board, 41 x 51cm (16 ¼ x 20) Signed, inscribed verso Provenance: With The Dawson Gallery, Dublin, label verso A fantastically imaginative and sli

A SAPPHIRE DOUBLE CLIP BROOCH, BY RENÉ BOIVIN, CIRCA 1955 Composed of two stylised wings set with circular and oval-shaped sapphires accented with calibré-cut sapphires, mounted in 18K gold,

A RARE DIAMOND TORQUE COLLAR, BY BOIVIN, CIRCA 1965 The hinged circular collar leading to an oval bombé front set with old brilliant-cut diamonds, the clasp en suite, mounted in 18K gold, French

AN EMERALD AND DIAMOND CLUSTER RING The central circular-cut emerald weighing 5.89cts within a brilliant-cut diamond frame and further circular-cut emerald accents, mounted in 18K gold, diamonds appro

A FINE 'TOI ET MOI' DIAMOND DRESS RING Each brilliant-cut diamond weighing 1.69ct and 1.81ct within an eight-claw setting to a plain hoop, mounted in 18K gold, with maker's mark, French assay mark, ri

Louis le Brocquy HRHA (1916 - 2012) The Táin A set of nine lithographs, 36 x 52cm (14 x 20½) Signed, dated 1969 and numbered from an edition of 70; Together with a key to the images (10)

THE PRIVATE PROPERTY OF A NOBLE ITALIAN LADY A LADY'S GOLD AND DIAMOND 'TUBOGAS' BRACELET WATCH, BY BULGARI & MOVADO, CIRCA 1965 The 17-jewel manual wind movement, the silvered blue dial with baton in

A TIGER’S EYE AND GOLD NECKLACE, BY GEORGES LENFANT, CIRCA 1970 The long chain formed as a series of alternating ropetwist and polished links, interspersed with woven knot-shaped motifs and poli

Hughie O'Donoghue RA (b.1953) Fallen Elm (Kilfane) Oil on board, 71 x 122cm (28 x 48) Signed, inscribed and dated 2007/'8 verso In 1995, Hughie O’Donoghue and his wife Clare moved to Ireland. T

Charles Lamb RHA RUA (1893-1964) In-shore Fishermen Oil on canvas, 50 x 60cm (19¾ x 23½) Signed Exhibited: Dublin, Hugh Lane Gallery, Charles Lamb Memorial Exhibition 1969 Certainly not

A FINE PAIR OF EARLY 19TH CENTURY ANGLO-INDIAN DOUBLE SCROLL END SOFAS, in variegated ebony, the reeded frames set with cane panels decorated with carved stylised bosses of sheaves of wheat and centre