AFTER THOMAS WHITCOMBE (BRITISH, LATE 18TH-CENTURY) A

Manner of Thomas Beach (British, 1738-1806) Late 18th/Early 19th Century Peter Ryves Hawker, Colonel of H.M.'s First Troop of Horse Guards oil on canvas signed Beach pinxit/ 1788 (lower left) 28 1/2 x

Late 18th century. Attributed to Thomas Gainsborough (British, 1727-1788) on adhered label on verso, oil on canvas, unsigned, 29 x 24 in., framed

British School (Fourth Quarter 18th/First Quarter 19th Century) Three Fine Portraits each watercolor and gouache including (Attr.) Thomas Richmond (British, 1771-1837), "Welsh Gentleman in a Double-Br

After James Basire, British, late 18th c. "The Embarkation of King Henry VIII At Dover...", panoramic naval engraving, colored, this specific edition unknown, possibly a known early 20th century restr

Three volumes of British late 18th century comedies for the stage bound in contemporary leather and marbled paper, trimmed to size with original prints intact: Amphitryon: or, the Two Sosias by Mr. Wo

probably British, late 18th century, top set with central urn issuing streamers of wheat sheaves and rosettes, scrolled leaf and rosette surround and streamers, distressed mirror plate, carved and com

(British, late 18th century). Circa 1770, eight hand-colored engravings, 16 1/2 x 9 1/4 in., each framed; Sold at Christie's sale #1919 as lot #281, December 13th, 2007. Multiple Christie's labels on

British, late 18th century, each with fold over top on inlaid tapered square legs, double gait legs, mellow brown color, 29 x 39 x 18-1/2 in.; open 37 in. Provenance: An Important Southern Institution

A Pair Cased Silver and Polychrome Enamel Fusee Pocket Watch, British, Late 18th Century, 39.00 mm case diameter, white enamel dial with central enamelled village scene, painted Roman numerals with ou

British, late 18th century, figured mahogany throughout, dovetailed drawers with oak linings, fitted desk interior with leather lined writing surface, on original ogee bracket feet, probably original

British, late 18th century, with banded and inlaid oval mirror, above a serpentine case fitted with three finely dovetailed drawers with mahogany linings, set on ogee bracket feet, 24 x 18-1/2 x 8 in.

British, late 18th century, highly figured mahogany rectangular top with two drop leaves, single dovetailed drawer with oak linings, back skirt fitted with a false front, molded tapered and fluted leg

British, late 18th century, cartouche shaped in the Imari palette, one with crown over crossed swords mark, 10-1/2 in. length

British, late 18th century, each with finely carved shield back with rosette carved hand grips, over the rail silk upholstered seats, 37-1/2 x 23 x 20-1/4 in. Provenance: The Estate of Peter H. Tillou

American/British, late 18th century, single board circular top tilting on urn turned support, tripod base with slipper feet, mahogany throughout, rich brown color, 29 x 30-1/2 x 31-1/4 in. Provenance:

British School, late 18th c ., "London Tavern Scene", oil on canvas, unsigned, 25 in. x 30 in., framed Condition: Overall fair condition

British School (Late 18th Century) Portrait of Two Sisters oil on canvas 38 1/2 x 33 1/8 inches. Estimate $500-700 Frame: 44 1/8 x 38 1/2 inches. Canvas is lined. Please request a complete condition r

British School, Late 18th Century Three Portraits: A Gentleman, His Wife and Their Son circa 1780 pastel on vellum First two 12 x 9 3/4 inches. Provenance: Wilkins & Wilkins, London, 1987.

Antique 18th C Engraving Archbishop Thomas Becket. Late 18th century engraving of Thomas Becket. Engraving itself measures 5 x 3 inches. According to Wikipedia, "Thomas Becket also known as Saint Thom

Thomas Smith, waterfall color engraving, After Thomas Smith (British, 18th c.) , "The High Force...", printed by J. Malone, 15"h x 21"w (sight), 23.25"h x 29.25"w (frame size), matted and framed under

A Pair of George III Giltwood and Polychrome Inlaid Marble-Top Pier Tables Manner of Thomas Chippendale, Late 18th Century Height 34 x width 35 1/4 x depth 15 3/8 inches. This lot is located in Chicag

British, probably late 18th century with restorations, each with well painted demilune top centering a portrait medallion on goats head carved parcel gilt and painted frames with hoof feet, 32 x 35-1/

British, late 18th/19th century, each of rectangular form in spalted wood, with hinged lids, one with divided lidded two compartment interior, one with open interior, fan and barber pole inlay, brass

British School, late 18th century. "Portrait of a British Nobleman", oil on canvas, apparently unsigned. Formal bust-length portrait painting depicting a British nobleman in lace collar and brocade ve