Allsbrook, Luke: Topsail Marsh Path_Evening

Hugo Grenville (British, b. 1958) Resting Walkers, Coastal Path, Evening oil on board initialed HG and dated 04 (lower left) 14 x 18 inches. This lot is located in Palm Beach. Provenance: Wally Findla

Willem Cornelis Rip. Dutch. 19th century painting of a horse and cart on a path with evening light. Oil on wood. Signed and inscribed lower left. Framed under glass. Sight: 9 x 7in. Overall: 21.5 x 19

Kerr Eby (1889-1946) Three pencil signed etchings including "Evening", "Rye Marshes", and landscape with ship. Sizes range from 15 3/4" x 11 7/8" to 22" x 15 1/8" w/ frames.

Oil on canvas board 22 x 18 inches. estate stamp

All 1960 or earlier. Includes Tecumseh's Young Braves by Everett T. Tomlinson, Billy Topsail with Doctor Luke of the Labrador by Norman Duncan, Cattle Ranch to College by Russell Doubleday, The Mutiny

Description: A Hudson River School pastel depicitng an evening landscape with a path leading to a cottage. Title:Untitled Subject: Landscape Type: Painting Materials: Pastel on paper Markings & Inscri

Lot (3) framed 19th c. Currier & Ives prints including "A HOME IN THE WILDERNESS", "THE PATH THOUGH THE FIELDS" and "SUMMER EVENING" (sights approx. 9 1/4" x 13 1/2").

Last half of the 19th century. Oil on canvas sheep in pastoral setting with river in the distance along path, titled on verso, "Near The Marsh". Signed illegibly lower right. Housed in frame of the pe

LUKE STRETAR Signed Oil & Oil Pastel on Board, signature to lower left reads ‘L.M.S.’, verso reads ‘Marsh, Oil & Oil Pastel on Board, Luke Stretar, lukestretar@gmail.com’, subject a view of a

Evening landscape painting on panel, inscribed "HM Kitchell, 8x11, 1917" in pencil on verso. Hudson M. Kitchell (1862-1944) is broadly known for this precise type of richly colored evening scene. His

Property from a Hilton Head Island, SC Estate Description: Joyce Nagel (MI/SC, b. 1934), Evening Egrets, Pastel, initial signed lower right with artists label and bio on verso, depicting a marsh w

Oil on board showing a seaside path with houses. Signed l/l, image size: 11"x14" (Frame size: 15"x18")

Owen J. Gromme (American, 1896-1991) 'Pintails on a Fall Evening' Oil on Canvas 1956, signed and dated lower right; depicting ducks upon the Horicon Marsh, Wisconsin; in a rustic wood frame; accompani

Charles Woodward Hutson (American/South Carolina, 1840-1936, active New Orleans, 1908-1936), "Late Evening", "Trees - by a Shed" and "Pool in the Marsh", 3 watercolors on paper, one pencil-monogrammed

18th/19th century, oil on board, depicted standing holding the staff with a globus cruciger set on the table beside, framed in an 18th century or earlier carved, giltwood ‘Auricular’ frame, a type

The sharp shouldered form rising to a tall, strait neck and above a rounded body tapering to the foot and recessed base, incised in low relief with a band of stylized clouds below the rim, the shoulde

Early 20th-century shield (known as a kliau or klebit), Mualang-Dayak people, West Kalimantan, Borneo Island, Indonesia. Honey-colored wood with black and red-brown pigments outlining the features of

Photograph, 2008, limited edition (17/30), from the series “The Wild Horses of Sable Island”, Nova Scotia, signed on verso, face mounted on plexiglass with aluminum backing Property of a New Y

An exquisite crest mask with a female figure standing atop a platform and flanked by two arcs or horns and coming from either the Anang or Ibibio people of southeastern Nigeria. Rendered with stylized

Despite obvious damage and losses, this early Corpus Christi has lost none of its sculptural power. Sensitive - even if slightly archaic - modeling of the elongated form is typical for the region and

Large double-woven "Delhi" coverlet in blue wool and white cotton; center seam and rolled hems. Asahel Amora Phelps (1795-1854, active 1835-1854) and his son, John Benjamin Phelps II (active 1854-60),

19th century, painted with beautiful women standing and dancing in different poses in various elaborate dress beneath a floral ruyi collar draped with knotted tassels, the base with a double blue circ

From the series of small works that the painter John Walker (b. 1939) has produced over the past decade is this single example from 2005, titled "No. 22." Expressive in their nature, the body of work

"A Map of the World Drawn by Hannah Edgerton, Cairo Seminary December 27, 1828. E. Stimson, Preceptress." These hand-drawn and colored "school girl" maps were a far more common in the boarding and fin