Allsbrook, Luke: Topsail Marsh Path_Morning

CarolAnn Knapp, Florida Artist, acrylic on stretched canvas, signed on back. Title: Marsh Morning. Pink clouds hang over the marsh ushering in the sun to begin the day.Canvas measures 11x14 framed to

Artist: David Ballew | b. 1955 Title: Morning Marsh, Moonset Signed l/l: [artist's symbol] Ballew Media: Oil on linen on panel Dimensions: 30 by 40 inches

JAMES LINEHAN (Am. b. 1953) "Morning Marsh" 1991 Acrylic on paper, framed under glass 15" x 20" actual, 25" x 31" framed Signed and dated l.r., artist's name, title, date and medium inscribed on verso

ROBERT KIPNISS, (AMERICAN, 1931-), LITHOGRAPH, H 7 1/2", W 5 3/4", "MORNING PATH", 201/250:Matted and framed under glass, a lithograph by Robert Kipniss, pencil signed by the artist at lower right, an

Two framed watercolors on paper including Canal in the Fog (14 1/2" x 20") signed illegibly lower right and Morning Marsh (18 1/4" x 28 1/2")signed lower right Asgyannu? 2002.

Dated 1916. Titled "Marshes," hazy morning scene signed lower right "L.A." Overall crazing. 9.25"h. 12.25"w. Framed 15"h. 18"w.

Kerr Eby (American 1890-1946)- ''The Family''; ''Surf Fishing''; ''Rye Marshes''; and ''Early Morning, Brittany'' (Giardina 129, 137, 141 and 147)- 4 etchings, 1928, 1929 (2) and 1930, all signed in p

Oil on canvas board 22 x 18 inches. estate stamp

**First Time At Auction** East Asia, Japan, 20th century. Six Shin Hanga color woodblock prints: (1) Kawese Hasui (1883-1957) "Morning at Ao Marsh" (2) Yoshida Horoshi (1876-1950) "Toshogu Shrine" (3)

Reginald Marsh (American 1898-1954)- ''Morning in May'' (Sasowsky 169)- etching, 1936, numbered 94/100 in pencil, Whitney Museum publication as blindstamped WM in lower right margin. 8 1/8 x 11 1/4''

All 1960 or earlier. Includes Tecumseh's Young Braves by Everett T. Tomlinson, Billy Topsail with Doctor Luke of the Labrador by Norman Duncan, Cattle Ranch to College by Russell Doubleday, The Mutiny

Luke Frazier (american, b. 1970) Morning Shimmer, 2001, oil on board, signed Luke Frazier (lower right) 20 x 24 inches Estimate $1,000-2,000 Property from the Collection of M. Anthony Greene, Jackson,

Reginald Marsh (American 1898-1954) A Morning in May, 1936,etching, unsigned (as usual for the Whitney edition) From: Reginald Marsh, Thirty Etchings and Engravings Edition: 114, regular edition of 10

Signed Hippolyte Camille Delpy (French, 1842-1910) landscape, late 19th century, executed in oil on board, depicting a quiet marsh in the light of early morning, signed lower left, 5.75"h x 9.5"w, ove

sgnd William Jewell o/bd impressionist landscape w 2 fihures on a path - label on verso & titled "Misty Morning" - overall framed size 18"x20"

Kerr Eby (1890-1946) Collection of (5) pencil signed etchings including "Ely Pauldard", "White Tails in the Morning", "Christmas Trees", "The Salt Marshes" and snowy landscape. Sizes from 21" x 17.25"

Last half of the 19th century. Oil on canvas sheep in pastoral setting with river in the distance along path, titled on verso, "Near The Marsh". Signed illegibly lower right. Housed in frame of the pe

LUKE STRETAR Signed Oil & Oil Pastel on Board, signature to lower left reads ‘L.M.S.’, verso reads ‘Marsh, Oil & Oil Pastel on Board, Luke Stretar, lukestretar@gmail.com’, subject a view of a

Large oil on canvas titled "Misty Morning" depicting willows by a pathway and pond. Signed lower right and titled, signed and dated on back 1995. Image size: 42 x 60" Frame size: 44 1/4 x 62 1/2"

Brian Simons (b-1951, Victoria, British Columbia, Canada). Framed acrylic on canvas. The landscape painting depicts a colorful path through a wooded garden setting. Titled on the verso "November Morni

Oil on board showing a seaside path with houses. Signed l/l, image size: 11"x14" (Frame size: 15"x18")

13" x 16". Original painting on board by Winifred Lucy Shaffer (American, 1904-1993) depicting a colorful forest path. Appears to be a painting done primarily with thinned oils and glazed/varnished ov

ALEXANDER KELLOCK BROWNBritish, 1849-1922Sunday MorningOil on canvasSigned lower left. Village scene of dwellings and a dirt path with lone female figure. Ornate and pierced frame.15 3/4 x 14 3/4 in.

Early Morning, Giverny oil on board h. 15 w. 20 in., sight overall: 21-1/4 x 26-1/4 in., frame depicting a path lined with red and purple flowers in Giverny, France; by Greenwich, Conn. artist, signed