Attribué à Giovanni Antonio BURRINI (1656–1727) Saint

olio su tela, W. 55 - H. 73 Cm

olio su tela, W. 73 - H. 61 Cm

(Venezia 1675 - 1741) La continenza di Scipione Olio su tela, cm 130X100 L'opera, come indica Filippo Pedrocco nella scheda critica allegata, presenta caratteri di stile e qualitativi tipici dell'arti

The Bacino de San Marco, with the Doges Palace and Campanile, oil on canvas, unsigned, in an early Italian gold molded frame, OS: 23 1/2" x 36 1/2", SS: 20" x 30", cleaned, relined and retouched.

(Venezia 1675 - 1741) Riposo nella fuga in Egitto Olio su tela, cm 94X126 Ricondotta al catalogo di Giovanni Antonio Pellegrini da Filippo Pedrocco, la tela è una bellissima testimonianza pittorica i

GIOVANNI ANTONIO RAGGI (ITALIAN, 1866-1947?) WATERCOLOR OF MIDDLE EASTERN FIGURES PLAYING CARDS IN STREET SCENE , SIGNED RAGGI , LOWER LEFT - 30" x 21 1/2" ; 36" x 28" FRAMED

Giovanni Antonio Canal, called Canaletto (1697-1768)'The house with the inscription' and 'The house with the peristyle'etchings, circa 1740-1741, the pair printed on one sheet, laid paper, with waterm

Pair of antique original oil on canvas paintings in the manner of Canaletto (Giovanni Antonio Canal, Italian, 1697-1768). Depicts an Italian figural landscape scene with a view of the Grand Canal. Hou

al retro reca antica attribuzione a Giovanni Antonio Bazzi detto il Sodoma, olio su tavola, W. 75 - H. 100 Cm

In the manner of Giovanni Antonio Canal, known as Canaletto (Italian, 1697-1768 ), Continental oil on canvas, mid 19th century, depicting a view of the Piazza San Marco in Venice with figures, apparen

[Maps] Gio. Ant. Magnini, Italia, 1620, Giovanni Antonio Magnini. Italia, data in luce da Fabio suo figliuolo al Serenissimo Ferdinado Gonzaga Duca di Matoua edi Monserrato etc. Bologna, for Sebastian

Venere e cupido Olio su tela, cm 100X80 Il dipinto raffigura Venere con un amorino e i caratteri di stile conducono a strette analogie con la produzione di Giovanni Antonio Pellegrini (Venezia 1675-17

VERY SCARCE COLLECTION OF ROSSI'S LEGAL COUNSELS ONLY TWO COPIES IN WORLDWIDE PUBLIC LIBRARIES, NONE IN USA Rossi, Giovanni Antonio. Consilia Do. Ioannis Anthonii Rvbei Alexandrini. Consiliorvm Presta

Heading: Author: Ptolemy, Claudius / Giovanni Antonio Magini Title: Geografia, cioè, Descrittione vniuersale della terra: Partita in due volumi, nel primo de'quali si contengono gli otto libri della

18th C Important Italian Canaletto School, O/C. Signs of Restoration. Appears to be original stretcher. Provenance; From a Chicago estate. Canaletto, or Giovanni Antonio Canal, was an important 18th C

Giovanni Angelo Borroni (1684–1772)-attributed, Large full size portrait of a Lombard nobleman, probably Giovanni Antonio Melzi, standing next to a clock, in front of a curtain, holding a lette

II Marescalco Milano, Giovanni Antonio Castiglione, 1535. In 8°. Cornice xilografica al frontespizio con medaglioni raffiguranti diversi personaggi della storia romana, legatura in vitello biondo del

attributed to Canaletto, Pen &Ink, Early Paper Unsigned, scene of Grand Canal with boats, Venice. Framed. size: 9x13 image, 19x23 outside frame. ASKart: Giovanni Antonio Canaletto (1697 - 1768)Canalet

Feast of Saints signed (lower right) dated 2004 (verso) acrylic on canvas 36" x 48" (91 cm x 122 cm) León Gallery wishes to thank the artist for confirming the authenticity of this lot The vividly

Saint Roch with a Dog. Oil on canvas or Oil on paper laid to canvas. Unsigned. Verso: inscribed 'Brauer Tiepolo'. From a Ridgefield, CT estate. For more photos, please visit www.ClarkeNY.com and find

Fata Morgana. 1979. Oil on canvas . Cm 81,00 x 65,00. Signature lower right. At the back title, signature and year. Giovanni Di Summa - Corpora Archive's authenticity certificate on photo. Publication

Manner of Giovanni Bellini (1430-1516) Italian. Head of a Saint, Oil on Board, Oval, 6" x 4.75".

CEPHAS GIOVANNI THOMPSON (AMERICAN 1809-1888) Virgin Mary with Guardian Angels and Saint Innocents, oil on canvas 109.8 x 80.2 cm (43 1/4 x 31 5/8 in.) signed with initials lower left, C.G.T. LOT NOTE

Probably Italy, 14th century A.D. A carved marble fragment depicting a bearded male head in profile left, possibly Saint Peter, modelled in three-quarter view with tousled hair and a sturdy neck. Cf.