Attributed to George Inness, Early Autumn…

Attributed to George Inness (American, 1825-1894) Spring Pastoral Landscape oil on canvas signed lower right 23" x 36"

Oil on canvas. Tonalist Landscape. Signature at lower right. Name plate affixed to frame. From Dobbs Ferry estate. (Has not gone through the Inness foundation). - Dimensions: 11.5" h x 15.5" w

Attributed to George Inness, Jr. (1853-1926): Landscape Oil on Academy board, signed 'Geo Inness' lower left.  12 1/4 x 18 5/8 in., unframed.

Attributed to: George Inness (American 1825 - 1894) oil on board, Landscape, 8 x 10 inches

Attributed to George Inness (1828-1894) Original Watercolor , Signed , Tonalist Composition . Measures about 16.5" x 23"

Attributed to George Inness (American, 1825-1894), oil on canvas depicting a village nestled in the hills, signed l.l., 16" x 20" canvas, 20" x 24" framed.

Attributed to George Inness (American/Scottish, 1825 - 1894) Oil on canvas depicting a dock with sailboats on a river, reported to be an Inness by family tradition, housed in a 19th century Hudson Riv

Attributed to George Inness. Finely painted antique painting of a gentleman sitting in a chair with a mountainous scene outside the window. Verso has George Inness Winthrop Collection written in penci

Oil on canvas landscape painting with trees, pond, and boat at dusk. Attributed to George Inness (American, 1825 - 1894). The back of the stretcher retains the Doyle New York Auction House label. Dime

Oil and gouache on paper. Featuring a modernist landscape scene of sunset. Signed G. Inness on the lower right corner. Inscribed GI 12 and stamped Charles Egan NY, verso. Attributed to George Inness (

Oil and gouache on paper. Featuring a landscane scene. Signed G. Inness on the lower left corner. Inscribed 189 on verso. Stamped illegibly on verso. Attributed to George Inness (1825-1894, American).

Georges J. His, early Autumn landscape, oil on canvas sight: 15 x 19.5", framed: 19 x 23" Provenance: The Estate of oil & gas entrepreneur Georges His, San Antonio, Texas We happily provide seamless s

Framed oil on canvas board painting, Cattle Watering by a Stream at Sunset, attributed by consignor to George Inness (American, 1825-1894), discolored varnish, craquelure, number 115 visible in upper

Edgefield District Storage Jar, Attributed African American, George Fletcherearly 1900s, Aiken County, stoneware with an ocher Michigan slip glass glaze, three gallon form as indicated by slashes on t

Five Piece Oil on Canvas Lot, to include three George H. Drew Autumn scenes, each signed or initialed in the lower corners; one autumn scene attributed to George Drew, unsigned; along with a country s

(American, 1825-1894) The End of an Autumn Day, 1894, signed lower right "G. Inness", label remnants verso, bears title "Sunset Montclair", oil on canvas, 32 x 42-1/2 in.; ornate reproduction carved g

On verso. “ River Landscape in Autumn......circa 1910...16.5 x 20 inches...American Artist...signed lower right, G. Symons...old canvas patch..*

Oil on wood panel, ca. 1920, in the manner of George Inness, Jr., depicting a sunset landscape, housed in a period giltwood frame, inscribed "4 Seasons; Spring" in pencil verso. Apparently unsigned. D

Early Autumn 26" x 39 1/2" oil on canvas signed on the stretcher

George Nelson (1908-1986)Minimalist white lacquered melamine veneer dining room table on chrome-plated metal star base, attributed design George Nelson for Herman Miller, United States, early 1970s, 7

Early English 19th century portrait of a woman. Attributed to George Henry Harlow. Portrait of a young woman holding an Ermine cape. Oil on canvas. Framed. Newman Gallery label on reverse. Sight size:

Late 19th or Early 20th Century Landscape School attributed to George Fuller, Cows Grazing near a Wetland Stream, oil on canvas, 16 x 24 inches, signed G. Fuler indistinctly lower right, framed in a p

We are selling this as a period Copy of the painting "Landscape in Autumn" by George Henry Boughton. This painted copy of the work of George Henry Boughton (American, 1833–1905 ) who lived and

Attributed to George Augustus Baker, Jr., N.A. (American 1821-1880), early 19th century oil on canvas depicting a portrait of Mrs. Boynton C. Ricknap, Jr., wearing a crimson shawl, apparently unsigned