ATTRIBUTED TO GEORGE ROMNEY AT THE WORCESTERSHIRE EXHIBITION OF 1882: BUST OF A LADY

George Romney (1735-1802)-attributed, portrait of a elegant lady with hat in landscape, oil on canvas, framed. On the reverse old paper label by the gallery „J.Flack“ London. 75x63cm

Miniature portrait painting depicting lady Hamilton after George Romney (English, 1734 – 1802). Hand-painted on a natural material plate. Attributed to George Chinnery. Housed in an old gilt-wo

Attributed to George Romney (British, 1734-1802) Oil On Canvas, Melesina Chenevix Mrs. Trench, H 32" W 25" | Melesina Chenevix Trench (1768 - 1827) was an Irish writer whose diaries were published pos

ROMNEY, George, (British, 1734-1802): Portrait of Juliana Donovan, Countess of Anglesey, with pearls in her hair, blue dress, and red shawl, Oil/Canvas, unsigned, canvas size 25.25" x 20", ornate fram

George Romney (circle), oil on canvas, Circle of George Romney (British, 1734-1802), "Lady Blakesley", no signature observed, artist label on frame, old Chenue transport label and Douanes ink stamp on

Georges Braque, 1882-1963, attributed, Still Life oil on canvas laid on board. No frame. Signed. Size: 16 in. x 24 in.

Attributed to Jean-Baptiste Santerre (Magny-en-Vexin 1651-1717 Paris) Portrait of a lady, bust-length, in a white chemise with a red cloak and pearl earring oil on canvas 52.7 x 45.1cm (20 3/4 x 17 3/

Important 19TH century George Washington Terracotta Sculptured bust attributed to Houdon. The famous French sculptor Houdon came to visit Washington in 1789 so that he could make an accurate, true to

Attributed to Adriaen Hanneman (Dutch, C. 1601–1671) Portrait of a Lady in Mourning Wearing a Pearl Necklace, Bust-Length Oil on octagon-shaped canvas 28 7/8 x 23 3/8 in. (73.3 x 59.4cm) Executed ci

Portrait of a lady dressed in lace Oil on canvas laid to canvas Appears unsigned 31.25" H x 26" W Provenance: Sir George Chetwynd, Staffordshire Gooden & Fox, London Notes: A paper la

George Romney (British, 1734-1802), Portrait of Henry Russelloil on canvas (lined), unsigned, framed with gallery plaque. Stretcher size 30 x 25 in.; Frame dimensions 35 x 30 1/4 in. Henry Russell was

George Romney British, 1734-1802 Portrait of Mrs. Nicholas, ca. 1768-69 Oil on canvas 36 1/4 x 27 15/16 inches (92 x 71 cm) Provenance: Kerr Heirlooms from the North of Ireland Lewis & Simmons, London

DESCRIPTION: Attrib. Georges Rouault (French, 1871-1958) Silk and wool tapestry titled: "Pierrot with a Rose" dated and signed at lower right, mounted in ornate carved wood frame. Note: The original p

Near Pair of Custom Club Chairs, attributed to George Smith, having custom upholstery, One size: 31" high, 29 1/2" wide, 34" deep, seat 13 1/2" high other: 33 1/2" heigh, 30 1/4" wide, 35" deep, seat

Attributed to George Inness (American, 1825-1894) Spring Pastoral Landscape oil on canvas signed lower right 23" x 36"

Marilyn Monroe Suite: OLD MASTER PORTRAIT OF A LADY ATTRIBUTED TO THOMAS SULLY

Cesare Lapini (Italian,1848-1893). Stunning marble bust of a lady in carved head dress with eagle crown, bouquet of flowers and bearing a charm necklace with Hebrew text. Artist signature to verso bot

20th century, New Hope, Pennsylvania, unsigned, comprising: circular cherry table on four tapered turned legs, 29 x 60 x 59-3/4 in.; six straight spindle back chairs with shaped plank seats, 29-1/2 x

Custom Sofa Attributed to George Smith, having custom upholstery and four seat cushions, height 31 inches, length 104 inches.

Y A REGENCY ROSEWOOD AND GILT METAL MOUNTED CONSOLE TABLE ATTRIBUTED TO GEORGE BULLOCK, CIRCA 1815 With variegated green marble top 83cm high, 96cm wide, 41cm deep For a remarkably similar table desig

Attributed to: George Morrison (American, 1919-2000) oil on board, Abstract Composition, 9 x 10-1/2 inches

Regency Gilt-Metal-Mounted Rosewood Library Table, Attributed to George Oakley 28 x 4 ft. 4 1/4 x 28 1/4 in.

Attributed to George Clarkson Stanfield (British, 1828-1878) The working mill in a continental medieval town, probably Saarburg, Germany oil on canvas 60.9 x 91.5cm (24 x 36in).

This artwork shows the same landscape as Georges Seurat's painting Le Pont de Courbevoie from 1886–1887 in the Courtauld Gallery, London. In contrast to the painting, the human figures are missing,