Bound For New Orleans 1835

Bound For New Orleans 1837 - Early Shipping Bill of Lading from the Rowland G. Hazard papers, dated 1837. For domestic goods [known as Hazard's Goods] being shipped from Port of Providence, R.I. to Ne

Early Shipping Bill of Lading from the Rowland G. Hazard papers, dated Harbor of New York, 1837. For 4 bales domestic goods [known as Hazard's Goods] being shipped on the ship called the Saratoga boun

Early Shipping Bill of Lading from the Rowland G. Hazard papers, dated port of New York, 1841. For 36 Rolls Cotton Bagging [known as Hazard's Goods] being shipped on the Ship called the Trenton now in

Including a variety of letters dating throughout the 19th century, bound in a New Orleans account ledger.

Group of New Orleans-Retailed French Leather-Bound Books, early 19th c., 30 various volumes

William Merritt Chase (American, 1849-1916) "Portrait of Louis Windmuller (1835-1913)", 1902 [sic?] oil on canvas signed far left center. Framed. 51-1/2" x 38", framed 67-1/2" x 55" Provenance: In the

After Jules Moigniez (French, 1835-1894) "Heron " patinated bronze impressive figural grouping of a heron within a lush, leafy marsh landscape, cast signature along edge of self-base. h. 27-1/2", w. 3

French Neoclassical-Style Bronze and Glass Chandelier the eight-light chandelier with a bowl-form body set with cut and frosted glass inserts, and decorated with ribbon-bound swags of pierced flowers,

Edmund Darch Lewis (American/Pennsylvania, 1835-1910) "Scene in the Catskills", 1880 oil on canvas signed and dated lower right, verso with multiple "Christie's Auction" sale labels and "Drew Peters F

Louis XVI-Style Fruitwood Writing Table early 20th century, the brass-bound rectangular top with an inset leather writing surface, above a conforming frieze fitted with two drawers to one side and two

William IV Sterling Silver Tureen hallmarked London, 1835-1836, by William Ker Reid (1787-1868; free 1814), of bulbous quarter-lobed oval form with everted acanthus-scroll rim and robust acanthus hand

Biedermeier-Style Burled Satinwood Center Table19th century, the dodecagonal top centered by an inlaid star, above a conforming brass-bound frieze, raised on a paneled vasiform standard joined by scro

"Bradford's Map of Texas, 1st Separate Map of Texas to Appear in an Atlas" by Thomas G. Bradford, copper engraving with hand-colored outlines, published Boston, 1835/1836, together with accompanying a

After Theodore Bauer (German/American, 1835-1898) "The Buffalo Hunt", 1980 bronze cuivre cast signature, numbered "26/48", dated, inscribed "EX NY", copyright-marked, and with a Sterling Excalibur Fou

French Gilt-Bronze Chandelier second quarter 20th century, the scroll-molded frame supporting downturned arms molded as ribbon-bound bundles of reeds, set with frosted glass floriform shades, the cent

French Tole Peinte, Wood and Leather Grape Harvesting Bucket first half 20th century, labeled "Chateauneuf du-Pape" on a green ground, along with ribbon-bound gilt crossed keys and a crown, the back m

Louis XVI Giltwood Mirror, fourth quarter 18th century, the rectangular surround delicately fluted and carved with a ribbon-bound outer edge, the crest depicting a pair of lovebirds perched on a cros

Classical Giltwood Mirrorca. 1829-1835, attributed to Isaac Platt, New York, decorated with fleur-de-lis-carved corners, each side with a flattened baluster decorated with reeding, carved end caps and

William Stanley Haseltine (American, 1835-1900) "The Cliffside Monastery" oil on canvas monogrammed lower left. Framed. 15" x 19-1/2", framed 21-1/2" x 25-1/2"

Pair of English Regency Revival Giltwood Convex Mirrors fourth quarter 19th century, each with a cove-molded surround lined with ribbon-bound reeding on the outside and laurel leaves on the inside, an

Set of Six French Gilt-Bronze Two-Light Sconces, second quarter 20th century, in the Louis XVI taste, in two sizes, on swag-form backplates, the arms molded in the form of ribbon-bound reeds, h. 12" t

Louis XVI-Style Kingwood Bureau Plat, late 19th century, the ormolu-bound rectangular top with an inset leather surface, above a frieze fitted with a central drawer flanked to one side by two small dr

French Mid-Century Steel and Tile Kidney-Form Cocktail Table the tiles enameled in an abstract design and glazed, the top steel-bound and raised on square legs ending in brass ferrules and casters, th

Louis-Philippe Giltwood Mirror 19th century, the surround with ribbon-bound acanthus leaves and carved medallions in the corners, the crest with a torch and quiver held with a laurel wreath, flanked w