Color Screen Print signed and numbered on verso, by

color screenprint on canvas; signed and numbered 14/250 verso; published and printed by Martin Lawrence Limited Editions; 37 1/2 inches square; 42 1/4 inches frame

THE HOLLYWOOD SIGN, color screenprint on canvas, signed and numbered on the verso, from the numbered edition of 25, size 24 x 34” in good studio condition.

Peter Max (American, b. 1937) Universal Runner, 1970 color screenprint on Arches signed and numbered lower margin, titled verso P.P., edition of 10 two blindstamps lower left inscribed R-985, 106582 v

Rupprecht Geiger (1908-2009) COMPOSITION Color screenprint, 1968, on card, signed and numbered 59/150 verso, the full sheet, framed. Sheet 26 1/4 x 23 1/2 inches; 667 x 597 mm. Frame 32 3/4 x 29 3/4 i

LOVE (blue), hand acrylic painted color screenprint, signed and numbered 15/50 in pencil, with thumbprint and dated on verso, sheet 22 x 30”, frame 27 x 35 ¼” with plexiglass.

LINCOLN CENTER, 1968, color screenprint on canvas, signed and dated and numbered in pencil on verso, published by List Art for the Lincoln Center, sheet 72 ½ x 42”, Plexiglas frame 73 ½ x 42 ½”

HOMAGE TO PICASSO (Guernica), color screenprint on canvas, signed and numbered 6/50 in ink on verso, 25 x 48”.

LADY OF THE FLOWERS, 1967, color screenprint, signed and numbered 2/100, in pencil, sheet 26 x 20”, with Rols Press Culver City rubber stamp on verso.

LADY OF THE FLOWERS, 1967, color screenprint, signed and numbered 2/100, in pencil, sheet 26 x 20”, with Rols Press Culver City rubber stamp on verso.

WICKER BASKET, 1989, color screenprint, signed and numbered in pencil 174/250, artist’s copyright stamp on verso, sheet 33 ¼ x 22 ¼”.

Philip Sutton, RA (British, B. 1928) "Samoa," c.1967, screenprint in colors, signed and numbered: 141/250; verso titled, dated. Size: 20'' x 20'', 51 x 51 cm (image); 25.5'' x 32.75'', 65 x 83 cm (fra

Color screenprint. Signed, dated and numbered 59/125 by the artist in pencil, verso. 43,62 x 28,86 in.

Color screenprint. Signed, dated and numbered 59/125 by the artist in pencil, verso. 43,62 x 28,86 in.

Karel Appel (Dutch, 1921-2006) Face, 1970 color screenprint signed, dated and numbered lower margin edition of 100 Arches blindstamp lower center inscribed le rêve verso 20" x 26"

ART IS NOT A CRIME, 2011, color screenprint, signed in pencil, numbered 55/300, sheet 30 x 22 ¼”, with red finger prints and date on verso, some handling creases, some curling from being rolled, ot

LADY OF THE FLOWERS, 1967, color screenprint, signed in pencil, numbered 5/100, sheet 26 x 20”, with Rols Press Culver City rubber stamp on verso.

ART IS NOT A CRIME, 2011, color screenprint, signed in pencil, numbered 54/300, sheet 30 x 22 ”, with red finger prints and date on verso, some handling creases, some curling from being rolled, othe

KEREK, color screenprint, signed in pencil, numbered 79/250, image 32 x 16”, sheet 43 x 26”, some toning and discoloration, small stains on verso, otherwise in good condition.

LET THE SUN SHINE IN, color screenprint, signed in pen, numbered 68/69 in pencil, sheet 29 x 23”, small full margins, scattered foxing mainly visible on the verso, some mottling mainly in the lower

Diane Gamboa FACE, 1984, color screenprint, signed in pencil, numbered 75/78, Self Help Graphics stamp on verso, sheet 39 ¾ x 28”; Peter Tovar MIND’S EYE I, 1996, lithograph, signed a

PLANTING THE WORLD (yellow), color screenprint, signed in pencil, numbered 19/56, published by Hanson Gallery with their stamp on verso, sheet 39 ½ x 29 ¾”.

LADY OF THE FLOWERS, 1967, color screenprint, signed in pencil, numbered edition of 100, sheet 26 x 20", with Rols Press Culver City rubber stamp on verso.

LADY OF THE FLOWERS, 1967, color screenprint, signed in pencil, numbered edition of 100, sheet 26 x 20”, with Rols Press Culver City rubber stamp on verso. Provenance: Lois Neiter Gallery.

LADY OF THE FLOWERS, 1967, color screenprint, signed in pencil, numbered 7/100, sheet 26 x 20”, with Rols Press Culver City rubber stamp on verso.