Coter, Colijn de (Attrib.) — Kreuzabnahme Christi

Giorgio de Chirico (1888-1978). 25.75 in. x 31.25 in. Superb surrealistic oil. Signed G. de Chirico 1928 on lower right. Deaccessioned from the Caracas Museum of Contemporary Art. Old frame removed. I

Jan Lodewyck de Wouters (attrib), (2) paintings, Attributed to Jan Lodewyck de Wouters (Belgian, 1731-1789), Extensive Landscapes with Travelers, no signature observed, old Sotheby's barcode labels ve

Grande libreria compnibile. Legno lamellare laccato, ottone. Italia 1968 ca. così configurata cm 240x400x35 A MODULAR BOOKCASE ATTRIBUTED TO M. DE LUCCHI

Quattro lampade a sospensione. Ottone smaltato, vetro a tessuto. Produzione Venini anni '60. cm 94x23 FOUR CEILING LAMPS ATTRIBUTED TO L. DIAZ DE SANTILLANA Catalogo Venini 75, p. 10 F. Deboni, I vetr

oil on canvas framed painting, 39" x 27", with frame 47" x 36". Private collection

Tavolino da salotto anni '50. Legno di faggio, cristallo molato - AN OCCASIONAL LOW TABLE ATTRIBUTED TO C. DE CARLI cm 52x73

Jan de Momper (attrib.), painting, Attributed to Jan de Momper (Dutch, c. 1614-1704), Coastal Landscape with Figure, oil on canvas, illegibly inscribed ("Tuffier"?) lower left, 17"h x 21"w (sight), 22

[Branteghem (Guillelmus de)] Jesu Christi vita, juxta quatuor evangelistarum narrationes, artificio graphices perquam eleganter picta, first edition, title within woodcut historiated border depicting

Thomas a Kempis, De imitatione Christi. (Al colophon:) Impressa a Milano: per Ulderico Scinzenzeler, 1489 adi 17 de Iulii. In-4° (mm 205x135). Carte [78]. Segnatura: a-i8 k6. Testo in carattere ro

Charles-Auguste Lebourg, terra cotta bust, c. 1884, Charles-Auguste Lebourg (French, 1829-1906), Hortense de Beauharnais (attrib.), signed and dated in the fabric, on green solid marble base, 29"h x 1

Eugene Berman, collection of (3) ink and watercolor set design drawings, to include "Italian Decor" set design; and (1) architectural capriccio engraving, attrib. De Angelis sight: 16 x 10 in., frame:

Oil on panel, cradled Zamora/Spain, c. 1545-1550 Attributed to Juan de Borgoña II, probably identical with 'Maestro del Toro' and 'Pozuelo Master'  (c. 1500 - c. 1565) – Castilian High Renaissance

FOLLOWER OF PIETRO LORENZETTI Around 1280 Siena - Probably 1348 Ibid DESCENT FROM THE CROSS AND LAMENTATION OF CHRIST Tempera on gold and chalk ground, nimben punched, partial contour engraved. 21 x 3

Daum (attrib), pate de verre inkstand, 20th c., molded in the shape of a lizard and gourd on a leaf, engraved signature "Daum Nancy" with Croix de Lorraine to underside, lacking the lid, 3.75"h x 8.75

17th century oil on canvas painting of a courtyard scene of a festive gathering around a table with figures enjoying music and seafood, attributed to Pieter de Hooch (Dutch, 1629-1684). Provenance: Ga

Arbol de la vida (tree of life) pottery two-light candelabrum, attributed to Aurelio Flores (Mexican, 1901-1987), figural standard with upper cup-form element, issuing two rounded sides, with applied

French Art Nouveau walnut salon settee/ sofa, attributed to Louis Majorelle (French, 1859-1926), c.1900s, frame with carved foliate crest, seat and back upholstered in floral brocade fabric, carved ar

Attributed To: Fernando de Szyszlo, Peruvian (1925 - 2017) Oil on Canvas "Ceremonia" Signed Lower Right. Inscribed en verso of the canvas. Sight measures 27-1/2" x 35-1/4". Frame measures 32-1/8" x 39

(pair) French Art Nouveau walnut armchairs, attributed to Louis Majorelle (French, 1859-1926), c.1900s, whiplash line frame, carved ivy leaf crest, upholstered back and seat, rising on curved legs, we

WILLEM DE KOONING (1904-1997) Attrib, Title: Untitled, Medium: Mixed media on paper (Pastel and Watercolor), Size: 12 x 9 in, Date: c 1975. CAV. Was a renowned American-Dutch painter and a founding me

17th century oil on canvas attributed at Jan de Baen(1633-1702..The 3/4 view showing the proud aristocrat in his finest clothes, with a proud expression.There is obvious attempted restoration to the f

(lot of 3) French Art Nouveau walnut side chairs, attributed to Louis Majorelle (French, 1859-1926), c.1900s, whiplash line frame, carved ivy leaf crest, upholstered back and seat, rising on curved le

19th century finely carved teakwood armchair, attributed to Lockwood de Forest; circa 1890. This armchair is an example of the "exotic" furniture that Lockwood de Forest designed and produced at the A

French Art Nouveau walnut salon table, attributed to Louis Majorelle (French, 1859-1926), c.1900, inset fabric-wrapped top, featuring carved ivy detailing, rising on curved legs, approx 31.5"h, 34"w,