Cuccioni, Tommaso: Arch of Drusus; Forum Romanum

Giovanni B. Piranesi, Veduta di Campo Vaccino. The Forum Romanum, or Campo Vaccino, from the capitol, with the Arch of Septimus Severus in the foreground left, Temple of Vespian right, and the Colosse

Raccolta delle principali vedute di Roma e suoi contorni Roma, T. Cuccioni, 1858. In 2° oblungo. Frontespizio con vignetta incisa dal Bonanni, veduta di Roma dal Monte Gianicolo incisa dal Nisi-Caval

Antonio Canova (1757-1822)-attributed Forum Romanum with the artist sitting on a stone, officers, washing Womans and Gentlemans, watercolour on paper, framed under glass. 42x55cm

Giuseppe Fini (1785 - 1847 ): Maxentius Basilica, also Basilica Nova or Constantine Basilica, on the Forum Romanum, c. 1820, Pen drawing Technique: Washed Pen drawing over Pencil on Paper, mounted on

Ziermalerei 19.Jh. Öl auf Holz. Rechteckige Tafel mit der Darstellung des Forum Romanum. Kleine Schadstellen und Retouchen. 24x36 cm.

Cottafavi Gaetano, Raccolta delle principali vedute di Roma e suoi contorni... In Roma: presso Tommaso Cuccioni, 1858. In-folio oblungo (mm 340x460). Frontespizio inciso e 63 tavole di vedute di piazz

Rome, Tommaso Cuccioni, 1843. In 2 oblong. Vignette on the title page, with 50 engraved plates, slight blooms, binding in green Moroccan half with corners, on the front plate leather gusset with title

Large 19th c albumen photograph of Arch of Septimius Severus, Rome, in Forum. Photograph measures 20" x 25.5", frame measures 32" x 38". From estate of Howard & Evelyne Daitz NYC, Evelyne was former o

Italy.- Stereocards.- A collection of over 220 views of Italy including Rome, Venice, Florence, Naples and Pompeii, the photographers including Spithover, Sommer, Rive, Cuccioni, Mang, Brogi, Van Lint

Spenser (Edmund) The Faerie queen: The shepheards calendar: together with the other works of England's arch-poët, Edm. Spenser:, title within woodcut historiated border, woodcut head- and tail-pi

Bindings.- Pontificale romanum Clementis VIII iussu restitutum, printed in red & black, printer's device to title, light finger-soiling or foxing but mostly internally clean, contemporary calf with le

Religion.- Rituale Romanum Pauli V. Pont. Max. jussu editum, printed in red and black, title with engraved vignette, woodcut musical notation, decorative initials and tail-pieces, occasional spotting,

Perpetual Calendar.- Halma (Francois) Kalendarium Juliano - Romanum Perpetuum, auctum cyclis Solis & Lunae, decorative perpetual Julian/Roman calendar, surrounded with Latin text, engraving with exten

δ Banksy (b.1974)GranniesScreenprint in pink and black, 2006, numbered from the edition of 500 in pencil, printed and published by Pictures on Walls, London, with their blindstamp, on Arches 88 w

** δ Pablo Picasso (1881-1973)La Colombe en Vol (Bloch 679)Lithograph, 1950, signed in pencil, numbered from the edition of 50, on Arches wove paper, the full sheet, sheet 555 x 720mm (21 7/8 x 2

δ Henri Matisse (1869-1954)Portrait de Claude D. (Duthuit 585)Lithograph, 1946, signed in pencil, numbered from the edition of 75, on annam appliqué supported on Arches wove paper, with full

Ed Ruscha (b.1937)America Whistles (Engberg 84)Lithograph printed in colours, 1976, signed in pencil, numbered from the edition of 200, published by APC Editions, New York, on Arches paper, the full s

δ Pablo Picasso (1881-1973) after.Le Ronde de la JeunesseLithograph printed in colours, 1959, signed in pencil, numbered from the edition of 200, on Arches paper, the full sheet, sheet 650 x 500m

Keith Haring (1958-1990) Untitled (from White Icons) Embossing, 1990, with the artist's Estate stamp and signature of executor in pencil verso, numbered from the edition of 60, on Arches Cover paper,

δ Marc Chagall (1887-1985)Heure Sereine (Mourlot 1007)Lithograph printed in colours, 1983, signed in pencil, numbered from the edition of 50, printed by Mourlot, Paris, on Arches paper, with full

δ Pablo Picasso (1881-1973) after.Faunes et Flore (see Czwiklitzer 167)Lithograph printed in colours, 1960, signed in blue crayon, numbered from the edition of 40, on Arches paper, with full marg

δ Salvador Dali (1904-1989)Flordali I (see Field p233; M&L 1586)Lithograph printed in colours, 1981, with the printed signature, stamped and numbered from the edition of 5000 verso, on Arches pap

** Sol Lewitt (1928-2007)Vertical Lines Not Touching (Black)Lithograph 1971, signed and numbered from the edition of 150 in pencil verso, on Arches paper, as included in the portfolio Conspiracy, The

Mel Ramos (b.1935)Browned BareLithograph printed in colours, 1970, signed, dated and numbered from the edition of 125 in pencil, on Arches paper, printed by Mourlot, published by Richard Feigen Graphi