Daguerreotype by Samuel Broadbent

Front and back of case marked for A. Schaefer (possibly Anthony Schaefer, active circa 1857 1859), inner case marked for S. Broadbent (possibly Samuel Broadbent 1810-1880.)Case: approx. 3 3/4" x 3 1/4

Two sixth plate daguerreotypes. First we see the woman with the painted backdrop associated with Samuel Broadbent. It is confirmed in the lower left corner of the mat: "BROADBENT." The expertise of th

The daguerreotype by James Presley Ball & Thomas Alexander, Cincinnati, Ohio, the case by Samuel Peck & Co., New Haven, Connecticut, Circa 1855. The brown thermoplastic cover molded with a view of the

(American, 1809-1884). miniature portrait of Samuel L. Cutter of Boston, gouache, in A.P. Critchlow & Co. Daguerreotype case, mid 19th century, 2 1/2 x 1 3/4 in.

Description: Daguerreotype photographs dating back to Civil War era. Some are tin types and one is a dried flowers bouquet with the bezel marked by artist Samuel Van Loan of Philadelphia, Pennsylvania

The case by Samuel Peck & Co., New Haven, Connecticut, Circa 1855. The brown thermoplastic covers molded with a profile portrait roundel of George Washington, surrounded by "FIRST IN WAR, FIRST IN PEA

Samuel Robb (American, 1851-1928) Cigar Store Indian. This piece has Robb's signature carved rose, which he added to some of his Indian Maidens to honor the death of his wife. Provenance: Goldberg Bow

William Samuel Schwartz (American/Russian, 1896–1977) Symphonic Forms #2 oil on canvas signed William S. Schwartz (lower right); signed, titled, and inscribed Chicago and Painting #272 (on the r

William Samuel Schwartz (American/Russian, 1896-1977) Before the Storm, 1925 oil on canvas signed William S. Schwartz (lower left); signed, titled, and dated (verso) 24 x 18 inches. Provenance: R.H. L

Samuel Margolies (American, 1897-1974) "Man's Canyons", etching and aquatint, edition of 25, titled and signed. Sight size: 12.25" x 9.25" Titled and signed lower right in pencil, circa 1936. Provenan

William Samuel Parrott (American, 1843-1915) "Mt. Hood" oil on canvas signed lower right, a "William A. Kargas Fine Art, Los Angeles, CA" label with artist and title en verso. Period gilt frame. 42" x

CLEMENS, Samuel Langhorne ("Mark Twain") (1835-1910). The Writings. New York and London: Harper & Brothers, 1929. 37 volumes. 8vo. Numerous engravings. Contemporary half navy morocco gilt, top edges g

Great example of a “ working Indian “ in it's used and unrestored state. Measures 53" tall including base. Provenance: Provenance: The Mark Goldman collection

Castle with a Pear,1994, Oil on canvas, 65X54 cm. Signed and dated.

TWAIN, MARK (SAMUEL LANGHORNE CLEMENS). 1835-1910. The Writings of Mark Twain. New York: Gabriel Wells, 1922-1923. 35 vols., 8vo, full blue morocco elaborately gilt with red gilt morocco to insides of

Samuel Halpert (American, 1884-1930) "Interior with Lute Player" oil on canvas painting depicting a female musician seated in an arts and crafts style home with Stickley chairs and dining table with f

Samuel Marx pair of occasional tables from the Morton D. May House USA, 1940white oak24.75 w x 15.75 d x 24.5 h in (63 x 40 x 62 cm) Provenance: Morton D. May, Ladue, MO | Da

Attributed to Samuel Robb(New York, 1851-1928)Cigar Store Indianlate 19th centurycarved and painted wood69 x 20 x 27 inches

Circa 1850 Robert's Style Daguerreotype Camera with dovetailed walnut case, turned tripod, and brass CC Harrison lens (SN. 8644) case 12 x 7 x 9" for 1/2 plate images, tripod - 28 x 12 x 16" minor los

Samuel A. Kilbourne (1836-1881) Atlantic Salmon signed "S.A. Kilbourne" lower left watercolor, 13 1/2 by 20 in.

Fantastic Thomas Jefferson Letter Signed Related to The Assumption Act of Alexander Hamilton, Sent to Fellow Signer Samuel Huntington With His Handwritten Docket. The Compromise Incredibly Important!&

CHINESE SCHOOLCirca 1847China Trade portrait of the clipper ship Samuel Russell. Unsigned.Oil on canvas, 29.5" x 39.75". Framed 35.5" x 45.5". Provenance:Samuel L. Lowe Antique

William Samuel Schwartz (American/Russian, 1896–1977) The Lumberjack, 1928 oil on canvas signed William S. Schwartz (lower right); signed, dated, titled, and inscribed Chicago and Painting #170

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