DUE DEE MADRI STEATOPIGIE DATAZIONE: V-IV millennio.

DEA MADRE DATAZIONE: V-IV millennio a. C. MATERIA E TECNICA: argilla depurata rossiccia, modellata a mano Idolo rappresentante una figura umana stilizzata con piccola testa con occhi traforati e naso

RARO IDOLO CIRCOLARE ANATOLICO DATAZIONE: IV-III millennio a. C. MATERIA E TECNICA: argilla depurata rossiccia, modellata a mano Idolo di forma circolare sormontato da un semicerchio con due fori che

SIGILLO A STAMPO E TESTA SUMERIDATAZIONE: IV-III millennio a.C.MATERIA E TECNICA: marmo bianco inciso e levigato Sigillo a stampo modellato a protome di leone volta a destra e testina umana stilizzata

Lot 88 Lowell Nesbitt American (1933-1993) Sullivan St. Wall I/V (1973) oil on canvas (unstretched) signed verso 50 x 78 inches unframed Additional Information: reoffer due to nonpaying bidder

GRANDE OLPE A VERNICE NERA DATAZIONE: IV sec. a.C. MATERIA E TECNICA: argilla figulina rosata, vernice nera lucente, decorazione ad incisione, modellata a tornio veloce Grande olpe con bocchello tronc

VICTOR PHONOGRAPH V-IV SER. #48578, 19/20TH C. W/HORN

Sir Tos Malory, "Le Morte d'Arthur. in v IV Vols. Illustrated. Tipped in by W. Russell Flint on Riccardi paper, No. 50/500. London: Medici Society aka Philip Lee Warner: 1921. Tooled, dyed, and leathe

John Chamberlain Plates III, IV, V, VII (from the Flashback Suite) screenprint in colors on Arches image: 19.75 h × 15.25 w in (50 × 39 cm) sheet: 28 h × 20 w in (71 × 51 cm)

Mitzura Salgian Temporary Affinities IV, V, VI (three works) gouache on paper 14.125 h × 20 w in (36 × 51 cm) Signed to lower edge of each work 'Mitzura'. This work w

IDOLO CIPRIOTA DATAZIONE: II millennio a. C. MATERIA E TECNICA: argilla depurata rossiccia, ingubbiatura rossa decorazione ad incisione, modellata a mano Idolo rappresentante una figura umana stilizza

Peoples Bank of China: 10-Yuan 1953 III IV V 7817117 (P.870) PMG 25, Stains. Very Rare.

"Sea Battle", 2008, giclee print, pencil signed and numbered AP IV/V, depicting sea gulls fighting over a starfish, housed in a stepped silver frame, matted under UV plexiglass, OS: 33 1/2" x 41 3/4",

A Set of Ten Classical Mahogany Dining Chairs 19th Century chairs and slip seats marked III, IV, V, VI, VII, VIIII, X, XI, XII, one chair marked II with slip seat marked I and another chair marked VII

Rembrandt van Rijn. Christ and the Woman of Samaria: An Arched Print (1657). New Hollstein 302, IV/V Sturdy, medium-weight cream laid paper. 1/16" margins all around. No visible watermark. The Tip of

Luca di Leida (Leida 1494-1533) "Il golgota" incisione a bulino eseguita nel 1517 IV/V Stampa originale Holl.74

Heading: (Miró, Joan) Author: Leiris, Mourlot, Queneau, Teixidor, et al. Title: Joan Miró Lithographs, Volumes I, II, III, IV, V, & VI Place Published: New York, Paris Publisher:Tudor, Maeght, Leon

Armando Amaya, sculpture, c. 1971, Armando Amaya (Mexican, b. 1935), Female Bather, bronze with brown patina, signed, dated and numbered "IV/V", on wood block base, 14.5"h x 8"w x 14.5"d (excl. base)

Pre-Columbian, North Coast Peru, Moche IV/V, ca. 500 to 800 CE. A lovely bichrome stirrup-spouted vessel with a squat footed base, a globular body, a tightly-curved stirrup handle, and a gently-taperi

1850 "The Holy Bible" (Vols I, IV, V, VI), American Bible Society, NY, printed in raised letters for the use of the blind, 15" x 12 1/2"

Tiernen, B. (20th Century American), Abstract I, II, III, IV, V, acrylic on paper, 16.5 x 28.5 inches and the reverse, signed lower right, framed in brown wood frames measuring 37 x 24.5 and the rever

Includes the first two AFL vs NFL championships, retroactively known as Super Bowl I and II; also programs from Super Bowls IV, V, VI and VII. Some edge wear. Condition: (Very Good - Excellent). Dimen

Cornelis Saftleven (Netherlands) 1607-1681. Dutch Types. Etching 1645. Van der Kellen 1-12; Wurzbach 1-12, iv/IV; Hollstein 6-17, iv/V. The complete set of the series Dutch Types. Each with a number i

Stereo Cards in Book-Form Cases, c. 1910 Keystone, United States. 9 x 18 cm. "Tour of the World" Volumes I-II, III-IV, V-VI and VII-VIII, 398 cards from T-1 to T-400, cards T-65 and T-175 missing; and

Beautiful Boydell engraving from Shakespeare “The Tempest” representing Act V Section IV, published by John and Josiah Boydell, 1795 Engraved by Caroline Watson after a painting by Whealtley. Very