Evans Mbugua

CHARLES PEALE POLK (AMERICAN, 1767-1822), ATTRIBUTED, SHENANDOAH VALLEY OF VIRGINIA, BRISCOE FAMILY PAIR OF PORTRAITS, (updated 6/17/22) oil on canvas laid to board, each a three-quarter length depict

THOMAS HILL (BRITISH-AMERICAN, 1829-1908 YOSEMITE LANDSCAPE, oil on canvas, of impressive size, an atmospheric view of Half Dome at twilight from the Merced River, signed lower right on boulder. House

BEN AUSTRIAN (BERKS CO., PENNSYLVANIA, 1870-1921) BARNYARD SCENE WITH HEN AND CHICKS, oil on canvas, finely delineated, featuring nine chicks around mother hen, cracked egg to foreground, signed and d

STAR USHAK RUG/CARPET FRAGMENT, red field with green leaf and flowering vine design throughout, deep blue medallions centered and along edge of field, with entwining vines in cream, blue primary borde

RARE EDWARD SHERIFF CURTIS (AMERICAN, 1868-1952) LARGE FORMAT PHOTOGRAPHIC PORTRAIT OF CHIEF JOSEPH, NEZ PERCE, (updated 1/31/2024) silver print on paper, ink-signed lower right, copyright imprint in

EAST TENNESSEE OR SOUTHWEST VIRGINIA PAINT-DECORATED YELLOW PINE AND POPLAR BLANKET CHEST, hinged rectangular lid fitted with applied edge molding over a dovetailed case, interior with lidded till, ra

SHEFFIELD STERLING SILVER PAIR OF MONUMENTAL CANDELABRA, each boldly shaped stem supporting six scrolling arms, each with a hanging pendant, surmounted by a double C-scroll finial, the whole raised on

RARE WILLIAM AIKEN WALKER (AMERICAN, 1839-1921) PORTRAIT TRIPTYCH, oil on board, each a fine full-length depiction with excellent detail of a cotton picker in the field, two men flanking a woman

RARE EDWARD SHERIFF CURTIS (AMERICAN, 1868-1952) LARGE FORMAT PHOTOGRAPHIC PORTRAIT OF CHARLIE CRAZY HORSE, DAKOTA, (updated 1/31/2024) silver print on paper, ink-signed lower right, with inked copyri

IMPORTANT DECORATED BURMESE ART GLASS FREE-FORM VASE, 16-rib body with a boldly tooled rim with spattered gilt decoration, two applied ornate floral ornaments to each side with the ornaments being acc

MEEKS-ATTRIBUTED ROCOCO REVIVAL CARVED ROSEWOOD MARBLE-TOP CENTER TABLE, white "turtle" inset marble top over a serpentine apron pierce-carved with foliate and floral decoration, raised on serpentine

1814 EMANUEL ROLAR, ROCKINGHAM CO., SHENANDOAH VALLEY OF VIRGINIA FRAKTUR BY PETER BERNHART, watercolor and ink on a partially printed paper form, the combination Haus-Segen (house blessing) and Taufs

1921 MARTIN 0-45 NATURAL ACOUSTIC GUITAR, serial number 15949, six string, spruce top with ivoroid pickguard, abalone inlaid rosette and edges, rosewood sides and back with inlaid herringbone purfling

IZANNAH WALKER (RHODE ISLAND, 1817-1888), ATTRIBUTED, FOLK ART PAINT-DECORATED CLOTH CHILD DOLL, an expressive example with brown eyes and painted boots. Fitted in period attire, including printed cot

HISTORIC UNITED STATES HOUSE OF REPRESENTATIVES CARVED OAK DOUBLE / PARTNER'S DESK, by tradition associated with Nehemiah G. Ordway of New Hampshire, Sergeant of Arms for the House from 1863 to 1873,

CHINESE OXBLOOD / SANG DE BOEUF PORCELAIN VASE, graceful baluster form, having deep crimson streaked glaze with mushroom-colored crackle-glazed neck. Unmarked. 18th/19th century. 14 7/8" H, 3 7/8" D r

ASSORTED WROUGHT-IRON FIGURAL DOOR HARDWARE LOCK ESCUTCHEON PLATES, LOT OF FOUR, comprising a duck with lock mechanism, and three plates including two figural heads with one example having an arrow-fo

TIFFANY STUDIOS NAUTILUS LEADED ART GLASS DESK LAMP, green and opal tiles within a copper-foil nautilus shell frame, raised on an adjustable base, signed to the underside with the Tiffany Glass &

CATHY RICHARDSON (AMERICAN, B. 1949) KALEIDOSCOPE OF BUTTERFLIES LAMPWORK STUDIO ART GLASS UPRIGHT PAPERWEIGHT, featuring ten flying butterflies in a variety of color combinations, engraved with flyin

NAILSEA NAUTILUS MINIATURE LAMP, two-toned blue and opal with eight groups of loops, satin finish, shell-form font with colorless applied base, raised on four stylized legs, matching patterned six-poi

FINE NATIVE AMERICAN NAVAJO BISTI REGIONAL LARGE WOOL BLANKET / RUG, colors comprising black-brown, grey, brown, tan, and red, center field with various serrated diamond motifs and two larger vignette

MARTIN LEWIS (AUSTRALIAN-AMERICAN, 1881-1962) "THE PASSING FREIGHT, DANBURY", drypoint etching on paper, a fine, crisp impression, pencil signed and inscribed "Trial Proof #2 / Martin Lewis" in lower

ENGLISH GEORGIAN BRASS SIX-LIGHT CHANDELIER, the baluster-form standard with gadrooned cap and base, topped with a spread-wing dove below the trefoil hanging loop, set with six S-scroll arms, eac

ROGER DE LA FRESNAYE (FRENCH, 1885-1925) STILL-LIFE PAINTING, oil on canvas, very fine composition of fruit, bowl, and bottle on a table against an abstract geometric background in the Cubist manner,