Francesco de Mura (Napoli 1696 - 1782) (circle of),

(Napoli, 1696 - 1782) Erminia tra i pastori Olio su tela, cm 43,9X54,7 Provenienza: Collezione privata Bibliografia: Fondazione Famiglia Terruzzi. Villa Regina Margherita, guida al Museo, a cura di A.

Manner of Francesco De Mura (Italian, 1696-1782), Madonna and Childoil on canvas (lined), 19th century, unsigned, presented in a giltwood frame. Stretcher size 34 1/2 x 27 1/2 in. Frame dimensions 40

(Italian, 1696-1782), titled "Madonna and Child with the Infant Saint John the Baptist," appears to be unsigned. Sight size: 10-3/4"h x 8-1/2"w Provenance: Griffith Coombs, Kansas City. Anonymous sale

In the manner of Franchesco de Mura (Italian 1696-1782) Oil on canvas of the crucifixion of Christ. The work is framed in ebonized milled wood. 22.5" Tall 17" wide. Frame 24.5" Tall 19.75" Wide. Purch

(Napoli, 1696 - 1782) Riposo nella fuga in Egitto Olio su tela, cm 34,5X40 Lorenzo de Caro è un artista legato al tardobarocco dell'ultimo Solimena e con attinenze di influenza del Traversi per quel

Italian school, ca. 1700. Circle of Francesco SOLIMENA (1657-1747) "Saint Nicholas of Tolentino. Oil on canvas. Measurements: 65 x 52 cm; 95 x 82 cm (frame). In this canvas we see Saint Nicholas of To

ITALIAN BRONZE GROUP OF THREE BOYS BY FRANCESCO MATTEISCirca 1880, 13 inches (33.0 cm)

Francesco de Rosa, known as Pacecco de Rosa (Naples 1600-1654) A young woman in a jewelled headdress oil on canvas, a fragment 48.7 x 42.3cm (19 3/16 x 16 5/8in). This lot is subject to the following

VITRUVIUS. De Architectura. Venezia, Francesco De Franceschi, Giovanni Chrieghe, 1567 Folio; 300 x 220 mm. Leg. del XVIII sec. m. pelle e carton. marmoriz., fregi e tit. in oro sul dorso, risg. marmor

Attributed to Giovanni Bastianini (ITALIAN, 1830 - 1868) Carrera marble bust sculpture depicting Johanna Albrizi carved in the manner of Francesco Laurana / Francesco de la Vrana (CROATIAN / ITALY, 14

DESCRIPTION: An Italian Signed Francesco De Matteis (1852-1917) figural bronze with dark brown patina finish depicting a Circus theme with a Pierrot figure and a pig. This large bronze sculpture is si

De Architectura libri decem, cum commentariis Danielis Barbari ... Venezia, Francesco De Franceschi & Johann Criegher, 1567. In 2°. Marca tipografica al frontespizio e in fine, numerose illustrazio

"Opere [...]. Divise in cinque parti; Aritmetica, Geometria, Cosmogafia, e Oriuoli, tradotte da Cosimo Bartoli " "Venezia, Francesco de' Franceschi, 1587. In 4°. 5 parti in 1 vol. Al frontespizio mar

TOMMASO D’AQUINO. Summa Totius Theologiae, Cum Commentaris Th. De Vio et Aliorum[follow:] DE VIO, Opuscula omnia. HUNNAEUS, A. De Sacramentis. IndicesVenezia, Francesco de Franceschi Senese, 1596In

Spanish School. Zamora. Gil de Encimas Circle. First Third of the 16th century "The vocation of Saint Peter"Oil on panel. 118 x 84 cm.This panel painting, would have been painted by an artist in the Z

Josefa de Óbidos Circle (Seville, 1630 - Óbidos, Portugal, 1684) "Christ Child with the Instruments of the Passion" Oil on canvas. There is a small patch on the back. It has a period carved, p

Josefa de Óbidos Circle (Seville, 1630 - Óbidos, Portugal, 1684) "Still life of cherries" Oil on canvas. 42,5 x 64,5 cm.

Iacurto, Francesco (1908-2001) Description: Oil on canvas, signed and dated on lower right Iacurto 78, signed on the back F. IacurtoLabel of Galerie Art et Style Dimension (PO): 16" x 20" Dimension (C

O/C OLD MASTER ISABELLA de MEDICI CIRCLE OF ALASSANDOR ALLORI (ITALIAN 1535-1607), 16/17TH C. 33" X 26 1/2"

LEONARDO DA VINCI. Trattato della pittura di Leonardo da Vinci…Si sono giunti i tre libri della pittura, ed il trattato della statua di Leon Battista Alberti.Napoli, Francesco Ricciardo a spese di N

Of a naked boy with water jugs, with integral plaque on back that reads "Dall Originale Propr. del Re di Napoli, SM Francesco II, Napoli Gemito", on integral plinth, 21 3/4" x 8" x 11", fine condition

Circle of Francesco Renaldi (British, 1755-1798) Two noblewomen, perhaps of Lucknow, seated together on a pillared terrace, North India, circa 1792-95 oil on canvas 43.9 x 33.8 cm. Footnotes: Renaldi,

Circle of Francesco Trevisani (Italian, 1656-1746) Mark Antony at Cleopatra’s Banquet oil on canvas 55 x 57 3/4 inches. This lot is located in Chicago. Provenance: Markgrafen und Grossherzö

Circle of Francesco Montelatici, called Cecco Bravo (Florence 1607-1661 Innsbruck) Supper at Emmaus oil on canvas 56.2 x 49.8cm (22 1/8 x 19 5/8in). This lot is subject to the following lot symbols: &