Giovanni Antonio Pock, Italy 1780 - 1842

POSSIBLY GIOVANNI BOLDINIItaly, 1842-1931Portrait of a woman, possibly Consuelo Vanderbilt. Unsigned.Oil on canvas, 20" x 16". Framed 24" x 19". According to the original consignor

Antique hand colored etching after Canaletto ( Giovanni Antonio Canal ) ( Italy, 1697-1768) engraved by printmaker Giovanni Battista Brustoloni ( Italy, 1712-1796 ). Subject matter features boats on t

Antique hand colored etching after Canaletto ( Giovanni Antonio Canal) (Italy, 1697-1768) engraved by printmaker Giovanni Battista Brustoloni ( Italy, 1712-1796 ). Subject matter features boats in the

Giovanni Bonomi (Italy, 1703-1780) The Victor 1835 Signed lower right, the title was taken from a conservator's label verso, presumably it was on the original canvas which has been re-lined. Canvas me

UNCOMMON EXTENSIVE ESSAY ON EVICTION IN PRIVATE NEGOTIATIONS BY MANGILI NO COPY OUT OF ITALY Mangili, Giovanni Antonio. De euictionibus tractatus, in quo agitur de materia contingente, nedum in Vendit

Giovanni da San Giovanni. Portrait of a chef. ITALY. 1842.Print from steel engraving titled „Ritratto di un cuoco“.Artist Giovanni da San Giovanni.Drawn by A. Muzzi.Engraved by A. Marchi.Fro

Print of steel engraving titled „Concerto Musicale“. Artist Guercino/Giovanni Francesco Barbieri.Drawn by Gozzini.Engraved by G. Rossi.From “Galerie du Palais Pitti“, Chez Louis Bardi, Florenc

Giovanni Biliverti. The angel who refuses the gifts of Tobia. Italy. 1842. Print of steel engraving titled „L‘angelo che ricusa i doni di Tobia“. Artist Giovanni Bilivert.Drawn by A. Muzzi. Engr

Graphite and pastel on paper. Featuring sketch of the Basilica of Saint Francis in Assisi, Italy. Signed G. Boldini to the right. Attributed to Giovanni Boldini (1842-1931, Italian). 12 x 9 cm (4.75 x

olio su tela, W. 73 - H. 61 Cm

(Venezia 1675 - 1741) La continenza di Scipione Olio su tela, cm 130X100 L'opera, come indica Filippo Pedrocco nella scheda critica allegata, presenta caratteri di stile e qualitativi tipici dell'arti

The Bacino de San Marco, with the Doges Palace and Campanile, oil on canvas, unsigned, in an early Italian gold molded frame, OS: 23 1/2" x 36 1/2", SS: 20" x 30", cleaned, relined and retouched.

Aurelio Tiratelli (Italy, 1842 - 1900) Painting of the Roman countryside. Housed in a gilt/carved exhibition frame. Signed lower left. Oil on Canvas. Sight Size: 20 x 39.25 in. Overall Framed Size: 29

(Venezia 1675 - 1741) Riposo nella fuga in Egitto Olio su tela, cm 94X126 Ricondotta al catalogo di Giovanni Antonio Pellegrini da Filippo Pedrocco, la tela è una bellissima testimonianza pittorica i

olio su tela, W. 55 - H. 73 Cm

GIOVANNI ANTONIO RAGGI (ITALIAN, 1866-1947?) WATERCOLOR OF MIDDLE EASTERN FIGURES PLAYING CARDS IN STREET SCENE , SIGNED RAGGI , LOWER LEFT - 30" x 21 1/2" ; 36" x 28" FRAMED

Giovanni Antonio Canal, called Canaletto (1697-1768)'The house with the inscription' and 'The house with the peristyle'etchings, circa 1740-1741, the pair printed on one sheet, laid paper, with waterm

after CANALETTO (Italian 1697-1768) [GIOVANNI ANTONIO CANAL] A VENETIAN SCHOOL LANDSCAPE FLOOR SCREEN, CIRCA 1900, oil on canvas, wood, nails, one side with a large triptych landscape resembling a vie

Pair of antique original oil on canvas paintings in the manner of Canaletto (Giovanni Antonio Canal, Italian, 1697-1768). Depicts an Italian figural landscape scene with a view of the Grand Canal. Hou

al retro reca antica attribuzione a Giovanni Antonio Bazzi detto il Sodoma, olio su tavola, W. 75 - H. 100 Cm

PROF. PETRO LAZZERINI, ITALY 1842 - 18, CARRARA MARBLE SCULPTURE, H 39", YOUNG GIRL HOLDING A FAN:Circa 1880. Signed "Prof. Petro Lazzerini, Carrara", at base. Width 15 1/2".

In the manner of Giovanni Antonio Canal, known as Canaletto (Italian, 1697-1768 ), Continental oil on canvas, mid 19th century, depicting a view of the Piazza San Marco in Venice with figures, apparen

[Maps] Gio. Ant. Magnini, Italia, 1620, Giovanni Antonio Magnini. Italia, data in luce da Fabio suo figliuolo al Serenissimo Ferdinado Gonzaga Duca di Matoua edi Monserrato etc. Bologna, for Sebastian

Venere e cupido Olio su tela, cm 100X80 Il dipinto raffigura Venere con un amorino e i caratteri di stile conducono a strette analogie con la produzione di Giovanni Antonio Pellegrini (Venezia 1675-17