Giovanni Battista Naldini (1535 - 1591)

olio su tavola, W. 45 - H. 55 Cm, Collezione Molinari Pradelli, Castenaso (BO), La Bottega di San Luca, Torino, 2003, Collezione privata, Torino, "Firenze e la Toscana dei Medici nell'Europa del '500"

A leaf from "Evangelium Sanctum", edited by Giovanni Battista Raimondi, in Arabic and Latin, printed at Rome, 1591 by Typographia Medicea Orientale. Large woodcut, from Matthew. Fine with mild discolo

17th century print by Baroque Italian engraver Giovanni Battista Pasqualini (Italian, 1595 - 1631), After a painting by Giovanni Francesco Barbieri, known as Guercino (Italian, 1591 - 1666). Entitled

tempera su tavola a fondo oro, W. 85 - H. 123 Cm, Expertise Aldo Bertini, 10 V 1968 (“opera rara e significativa di scuola catalana, del primo decennio del Quattrocento all’incirca, nella

Saint Roch with a Dog. Oil on canvas or Oil on paper laid to canvas. Unsigned. Verso: inscribed 'Brauer Tiepolo'. From a Ridgefield, CT estate. For more photos, please visit www.ClarkeNY.com and find

Rome, in the Salomoni printing house in the square of S. Ignazio, 1784. In Atlantic folio, 415 x 540 mm., 4 volumes, editorial hardcover by the Piranesian printing house. The first volume of Roman Ant

(Sassoferrato, 1609 - Roma, 1685) Madonna col Bambino Olio su tela, cm 48X39 Allievo del Domenichino e raffinato interprete della tradizione rinascimentale, in modo particolare di Raffaello, il Sassof

MERANO GIOVANNI BATTISTA (1632-1698) "I Farisei chiedono a Pietro il tributo" olio cm. 119x91,5 scheda Dottoressa Anna Orlando

Heading: Author: Ramusio, Giovanni Battista Title: Delle Navigationi et Viaggi Place Published: Venice Publisher:Stamperia de Giunti Date Published: 1563; 1574; ; 1556 Description:

olio su rame, W. 34 - H. 51 Cm, La Bottega di San Luca, Torino, Collezione Privata, Torino, G. Manni, E. Negro e M. Pirondini, Arte emiliana - dalle raccolte storiche al nuovo collezionismo, Banca Pop

siglato e datato al retro "BC 1607 Genova", iscritto al retro, tempera su pergamena, W. 270 - H. 330 mm

Giovanni Battista Salvi (1609-1685), known as Sassoferrato, MadonnaSassoferrato (1609-1685) created countless versions of the painting of Mary, one of the favorite objects of piety of the seventeenth

Rome, 1765. In 2nd large (60x44 cm). Exemplary with beautiful inking and untrimmed margins, c on 38 plates of which 8 double and 4 double folded, frontispieces in Latin and Italian on the front, engra

"The artists model". Oil on panel. Signed and dated 1874 lower left. From a Hollis, Queens, NY estate collection. - Dimensions: 10.5" h x 7" w.

19"h x 25"w By descent from the Estate of Robert Weeks DeForest and Emily Johnston DeForest.

Trajan's Column. Etching. From a Garrison, NY collection. - Dimensions: 114.5" h x 30.75" w.

Attributed to Giovanni Battista Piazzetta (Italian, 1682-1754), Anguished Man, chalk and stumping on paper, sheet: 16"h x 11.25"w, overall (with matting): 20"h x 16"w. Provenance: Sotheby's New York:

olio su tela, W. 96 - H. 121 Cm

Studio of Giovanni Battista Salvi, called il Sassoferrato (Sassoferrato 1609-1685 Rome) The Madonna in prayer oil on canvas, unlined 48 x 37.5cm (18 7/8 x 14 3/4in). This lot is subject to the followi

1720-1778 Various By descent from the Estate of Robert Weeks DeForest and Emily Johnston DeForest.

Two Giovanni Battista Piranesi Engravings, Hadrian's Villa, (Italian 1720-1778) "Rovine d'une Galleria di Statue nella Villa Adri ana a Tivoli," and "Rovine di uno degli Alloggiamente de Soldati Pr

Giovanni Battista Piranesi (1720-1778) ICHNOGRAPHIAM CAMPI MARTII ANTIQUAE URBIS (WILTON-ELY 571) Etching and engraving from six plates on six sheets, from Il Campo Marzio dell'Antica Roma,1762, frame

Giovanni Battista Tiepolo (1696-1770)Varj CapricciEtchings, circa 1740s, excellent impressions from the Manfrin edition of 1785, complete with title page and ten plates, on laid paper with partial tex

(Sassoferrato, 1609 - Roma, 1685) Madonna orante Olio su tela, cm 49X39 Tra le numerose repliche e copie della Vergine orante dipinte dal Sassoferrato questa si segnala per la buona qualità. L'imma