Giuseppe CANELLA (Italian 1788-1847), View of Paris

(Italian, 1788-1847) Monumental Panoramic View of a Port with Shipping and Fishing Boats on Choppy Seas, circa 1830s, signed right on side of boat at far right, ?G. Canella?, gouache on paper on canva

Giuseppe Gherardi (Italian, 1788/90-1884), Ponte Santa Trinita Florence with Duomo, signed l.r., pencil, 19 by 26cm, unframed and mounted

Giuseppe Gherardi (Italian, 1788/90-1884), Ponte Santa Trinita Florence with Duomo, signed l.l., pencil, 19 by 26cm, unframed and mounted

(After) Giuseppe Vasi (Italian, 1710-1782) 'View of Rome' Lithograph 20th century reproduction after the original etching depicting the ancient ruins of Rome, unsigned, printed on illustration board,

Giovanni Battista Piranesi (Italian, 1720-1788) Two Views of the Pyramids and Egyptian scenes Plates 45 and 46. Two etchings. one h: 9 in., w: 13 in., the other h: 9 in.; w: 11 in. (sight) PROVENANCE:

Giuseppe Vasi (Italian, 1710-1782), "Grand View of Santa Maria...," 1771, etching, plate signed, titled and dated, image: 39.5"h x 27"w, overall (with frame): 44.25"h x 31.5"w

Giuseppe Gorgero - View of Italian Homes. Signed, titled, and dated on verso. Signed lower right. Dimensions: 15.5 x 11.5 unframed (HEAR162)(EL)

Collection of (after) Prints by Giuseppe Zocchi (Italian 1711 - 1767), Titled “Views of Florence”. Plates printed by The Meriden Gravure Company, Meriden, Connecticut. Accompanying booklet pri

Cesare Auguste Detti (Italian, 1847-1914) The Rose, 1892 oil on canvas signed C. Detti, dated, and inscribed Paris (lower left) 25 1/2 x 18 1/2 inches. Property from the Estate of Michael L. Wilkie, C

Panoramic view of a Paris or Italian Plaza. Signed lower right. 48" X 24" unstretched, As Is. (Upper West Side Estate)

Portrait After Rembrandt, Signed And Dated 1847 Verso. Numerous Works By Tominz Are Exhibited In The Museo Revoltella In Trieste, In The Musei Provinciali In Gorizia And In The Narodna Galerija In Lju

Giuseppe Signorini Italian, 1857-1932 Amateur l'echecs etudiant une partie, No. 294 Signed Guisep. Signorini / Paris. No. 294 (lr); further signed, numbered 294, and inscribed as titled on the verso W

Giuseppe Vasi (Italian, 1710-1782). Large etching on wove paper titled "Veduta della Basilica di S. Paolo fuori le mura ed adiacenze dal Monte Aventino, e dal fiume Tevere (View of the Basilica o

(lot of 2) Framed prints on paper, after Giuseppe Vasi (Italian, 1710-1782), including: (1) "The ruins of the ancient magnificence of Rome that are seen in the Campo Vaccino," (1) "The view of the Bas

Original Giuseppe Armani signed porcelain sculpture, Florence, Italy. Porcelain Bride and Groom Figures. Sculpture identified on attached brass plaque on the wood platform base (view photo). Dimension

Titled: Veduta degli ufuzi, o sia curia fiorentina presa dalla loggia presso arno. View of the Uffizi in Florience from the loggia by the Arno, 1744 by Giuseppe Zocchi from the mid 1700’s. Zocchi wa

This is a veduta of Florence by Giuseppe Zocchi from the mid 1700’s. Zocchi was an Italian painter and printmaker active in Florence and best known for his vedute of the city. A veduta, or view, was

Title: Veduta d'una parte di Firenze presa dalla Vaga Loggia. View across the Arno towards the south by Giuseppe Zocchi from the mid 1700’s. Zocchi was an Italian painter and printmaker active in Fl

Title: Veduta del Palazzo del Sig. March. Strozzi, del Centauro, e della Strada, che conduce a S. M. Novella.A view of the street in Florence with the Palazzo Strozzi in the foreground by Giuseppe Zoc

Title: Veduta dello spedale e della pizza di S Maria Nuova. View of the piazza before the hospital of S. Nuova in Florence, 1744 by Giuseppe Zocchi from the mid 1700’s. Zocchi was an Italian painter

Title, Veduta della Chiesa di S. Michele Bertelde de PP Teatini. View of a square with the Church of Santi Michele e Gaetano in Florence by Giuseppe Zocchi from the mid 1700’s. Zocchi was an Italian

To include two hand colored engravings by Giuseppe Vasi of churches, Jean Barbault engraving of the Fountain of Moses, two engravings each with two depictions of Roman ruins. Dimensions:Largest: 22" H

(lot of 2) Framed offset prints on paper, after Aldo Raimondi (Italian, 1902-1998), including: (1) "Alassio," (1) "La porta San Giuseppe, San Remo," sight: approx 10.5"h, 8"w, overall: approx 14.5"h,

Marie Catherine Beauvarlet (1755-1788): Interior View of an English Garden, Engraved by Charles-Francois Daubigny, View of an English Garden, called the Moulin Joly two leagues from Paris, owned by Mr