Hank Williams New Orleans Wedding Show Contract 195

William Hemmerling (1943-2009. Illinois/Louisiana), "New Orleans," 2004, oil on canvas, signed and dated en verso, unframed, H.- 29 3/4 in., W.- 40 in. Provenance: Property from Gentleman Collector, L

Raeford Liles (American/Alabama, 1923-2018) "Fish", 1951 oil on canvas signed and dated lower right, and a "Cohen's Picture Show, Washington D.C." label en verso. Framed. 13" x 16", framed 15" x 18"

Chinese Carved Jade Wedding Box, Qing Dynasty (1644-1911), 19th century, the white jade with light green mottling, the flower-form lidded box with lotus decoration on the rim and a pattern of bats and

William Merritt Chase (American, 1849-1916) "Portrait of Louis Windmuller (1835-1913)", 1902 [sic?] oil on canvas signed far left center. Framed. 51-1/2" x 38", framed 67-1/2" x 55" Provenance: In the

Dale Chihuly (American, b. 1941), early blown glass "Navajo Blanket" cylinder, ca. 1975, signed at the base edge within the glass, h. 11", dia. 4-3/8". Provenance: Estate of Dr. William N. Coughlin,

William Samuel Parrott (American, 1843-1915) "Mt. Hood" oil on canvas signed lower right, a "William A. Kargas Fine Art, Los Angeles, CA" label with artist and title en verso. Period gilt frame. 42" x

William Curtis (1746-1799) and John Sims (1749-1831) The Botanical Magazine, or Flower-Garden Displayed London: W. Curtis et al., 1787-1815, demy quarto, forty-two volumes (in 34) plus index, containi

William Skilling (British/American, b. 1949) "Mermaid" and "Merman" pair of oils on canvas both signed lower right. Presented in matching faux tortoiseshell frames. each 36" x 48", framed 41-1/5" x 54

William Hemmerling (American/Louisiana, 1943-2009), "Plum Street Snowballs, New Orleans", unsigned, mixed media on wood panels, 60-3/4" x 38". Unframed.

William and Mary Black-Lacquered Cabinet-on-Stand late 18th century, in the chinoiserie taste, the molded rectangular cornice above a conforming case fitted with an arrangement of thirteen variously s

William Aiken Walker (American/South Carolina, 1839-1921) "Man and Woman on a Horse" oil on board signed lower left. Unframed. 9-1/4" x 12-1/4" Notes: To be included in John Fowler's forthcoming catal

Late George III Sterling Silver Tray, hallmarked London, 1810-1811, by William Stroud (ca. 1755-1820; free 1776), of lobed oval form, with leaf-and-gadroon rim and handles, raised on four flat fan-cre

William Aiken Walker (American/South Carolina, 1839-1921) "Young Boy on a Mule" oil on board signed lower left. Unframed. 9-1/4" x 12-3/8" Notes: To be included in John Fowler's forthcoming catalogue

William "Bill" Hemmerling (American/Louisiana, 1943-2009) "Mood Indigo, Birdland", 2002 mixed media on wood door signed lower left, titled upper and lower center, dated and titled en verso. 70" x 24"

William Aiken Walker (American/South Carolina, 1839-1921) "The Family, Cabin Scene", 1910 oil on academy board signed lower left, "F. W. Devoe & Co." art supplier's label and pencil-inscriptions inclu

John Hoppner, R.A. (British, 1758-1810), "Portrait of a Gentleman Identified in the Dillon Collection as Hon. James William Dillon (1792-1812), Son of Charles Dillon, the 12th Viscount", ca. 1808, oil

Carved and Stripped Pine and Marble-Top Console 19th century, in the manner of William Kent, the conforming white marble top over a foliate-carved molding and modified Greek-key frieze, raised on legs

William Alexander Gaw (American/California, 1891-1973) "Big Sur, Coastal Scene with Two Fishermen" oil on canvas signed lower right, "George Stern Fine Arts" label en verso. Framed. 16" x 20", framed

Good Pair of Victorian Sterling Silver Stirrup Cups hallmarked London, 1883-1884, by William Leuchars, of rhyton form, each with a base in the form of a winged griffin's head, the cup with repousse fe

Lucien Whiting Powell (American, 1846-1930), "Classical Landscape with Ruins, Figures and Pond", oil on canvas, after James Mallord William Turner (British, 1775-1851), signed and inscribed "After J.M

William "Bill" Hemmerling (American/Louisiana, 1943-2009) "Sweet Olive" mixed media on wood crate slats signed lower left, titled lower center. 48" x 16-3/4"

Circle of Eugene Delacroix (French, 1798-1863) "Shipwreck" oil on canvas unsigned. Presented in an impressive giltwood frame. 19" x 42" Provenance: By repute, William Hearst, Hearst Castle; Marion Dav

George II Sterling Silver Punch Bowl hallmarked London, 1759-1760, by William Cripps (1715-1767; free 1738), the bucket-shaped bowl with molded "Monteith" rim and decorated with repousse rococo scroll

New Orleans Market Rosewood Tester Bed, Attributed to the Warerooms of the Firm of William and/or James McCracken third quarter 19th century, the beaded and arched tester supported by four tapering cl