IZANNAH WALKER

IZANNAH WALKER (RHODE ISLAND, 1817-1888), ATTRIBUTED, FOLK ART PAINT-DECORATED CLOTH CHILD DOLL, an expressive example with brown eyes and painted boots. Fitted in period attire, including printed cot

20" A classic example of a highly desired painted cloth doll from the mid to latter part of the 1800`s. This example, for the most part, is only an original head(significant restoration) affixed to a

2011 REGION 15. - UFDC CONVENTION SOUVENIR DOLL, INCLUDES RED PURSE, DRESS PATTERNS AND CORAL BEAD NECKLACE KIT, ORIGINAL BOX

LARGE IZANNAH WALKER REPRODUCTION DOLL BY CINDY GIBSON. 28”. All-cloth doll with pressed and oil-painted complexion and facial features, brown eyes, outlined lips, rosy cheeks, brown hair, stitc

8" IZANNAH WALKER INSPIRED DOLL BY GAIL WILSON FROM "A SMALL IZANNAH WALKER DOLL SERIES". PAPIER-MÂCHÉ SHOULDER HEAD, MOLDED AND PAINTED HAIR AND FACIAL FEATURES, ON STITCH JOINTED CLOTH BODY

20" Artist reproduction Izannah Walker by Judie Tasch (1987). Molded and painted cloth shoulder head on cloth body with painted cloth lower arms and legs. Signed and dated on left leg and signed on sh

Izannah Walker US Postage Stamps " in original Box 1997 , Doll 20", box 24 x 12" in mint condtion

11" Izannah Walker style all wood doll, folk art wooden head cloth body doll 14", cloth and wood lady 16" dressed for winter, 2 all wooden angels one just top with long flowing skirt, and one flying a

Chinese jade and hard stone fruiting and flowering tree issuing from a rectangular gilt-metal jardiniere with canted corners, raised on four bracket feet, decorated with scrolling foliage, the front a

“Plan of the Approach and Attack on Fort Sumter, by the Federal Iron Clad Fleet 7 April 1863.” Signed [in type]: Wm A Walker, C.S. Eng. Corps. Charleston.Walker (born March 11, 1839 in Charleston,

RARE WILLIAM AIKEN WALKER (AMERICAN, 1839-1921) PORTRAIT TRIPTYCH, oil on board, each a fine full-length depiction with excellent detail of a cotton picker in the field, two men flanking a woman

Kara Walker (American, b. 1969) The Emancipation Approximation (scene 18), 1999-2000 screenprint on Somerset 500G paper signed, dated, and numbered XII/XXV in pencil, verso 43 7/8 x 33 7/8 inches.

Kara Walker (American, b.1969) 'Resurrection Story without Patrons' Etching with Aquatint 2017, signed lower right, X/XXX, etching with aquatint, sugar lift, spit bite and drypoint depicting a large f

William Aiken Walker (American, 1835-1921) Cotton Pickers, A Man and Woman (a pair of works) oil on academy board signed WAWalker. (lower left) each 12 x 6 1/4 inches. We would like to thank John Fowl

(American, 1839-1921)Signed l.r. and titled verso "Field." 9"h x 11 1/2"w

WILLIAM AIKEN WALKER (AMERICAN, 1838-1921) SOUTHERN GENRE PAINTING, oil on academy board, depicting an elderly African-American man and woman in a field picking cotton, she is carrying a basket of cot

Kara Walker (born 1969) Excerpt, 2014 Lithograph on Somerset satin paper, signed in pencil, dated and numbered PP 2/5 (a printer's proof, aside from the edition of 50), published by the Institute of C

framed to 17" x 12" - paint on board, signed. 100% authentic. Period frame.

William Aiken Walker (1838-1921) The Cotton Pickers signed with conjoined initials 'WAWalker.' (lower left) oil on board 6 1/8 x 12 1/4 in. (15.6 x 31.1 cm.) Footnotes: Provenance Gerald C. Paget (190

Beautifully engraved gold case, covered with stingray on exterior case, attached to an 18KG chatelaine marked Jan van Aken, Amsterdam 1781. A very rare pocket watch, 53 mm. in diameter.

Kara Walker (American, b.1969) 'I'll Be a Monkey's Uncle' Lithograph 1996, signed lower right, AP 3/10, depicting the figures of a girl and a monkey in black silhouette against a white background, mou

CABIN, oil painting on board, signed lower left, 6 ¼ x 12 ¼”, frame 12 x 18 x 2 ¾”. Provenance: Christie’s New York, December 2nd, 1988, lot 93; Based off examination

(South Carolina/Maryland, 1838-1921 Oil on board of Southern homestead with African American figures depicting farm life of the era. Very nicely rendered and detailed piece housed in period style gilt

GOOD CROP, oil painting on board, signed lower left, 6 ¼ x 12 ¼”, frame 11 x 17 x 1 ½”. Provenance: Christie’s New York, December 2nd, 1988, lot 92; Based off examinat