Kore HaDorot. First Edition. Venice, 1746.

Anatomy.- Pascoli (Alessandro) Il Corpo-Umano..., first edition, half-title, engraved portrait and 20 plates, with some blank pages as issued, woodcut initials & ornaments, contemporary ink inscriptio

Mexia (Pedro) Dialoghi di Pietro Messia, first Italian edition, woodcut printer's device to title, woodcut initials and head-pieces, upper margin title and following f. silked, small tear to upper mar

This is the first volume of the first edition, published in Venice in 1609, of Celio (Orazio Malaspina) Malespini's collection of short stories, Ducento Novelle, this volume containing stories 1 throu

A 1970 limited edition #104/300 of "Tabulae Anatomicae" by Giuliano's Casserius, printed on laid tag paper by August Kohler, West Germany. A facsimile copy of the 1627 Venice first edition. 17in x 11i

GRASSI, Giacomo di. Ragione di Adoprar sicuramente l'arme si da offesa, come da difesa, con un Trattato dell'inganno et con un modo di essercitarsi da se stesso, per acquistare forza, giudicio et pres

OTTO H. BACHER, WITH WHISTLER IN VENICE (New York: The Century Co., 1908), 8vo, 28 x 20 cm (11 x 7 7/8 in.), xiii, 289 pp., profusely illustrated with 43 black-and-white plates. First edition.

Sefer Lechem Mishneh – Venice, 1604-1606 – Pat 2, First Edition

Sefer Lechem Mishneh – Venice, 1604-1606 – Pat 2, First Edition

BONDÌ DI MAZO - La spada maestra. Venice: Domenico Lovisa, 1696. First edition of this sought after work on fencing. Oblong 4to (158 x 215mm). Woodcut vignette on title, at p.3 engraved illustratio

ORMILDO EMERESSIO [=QUERINI, ALVISE] L'Ammiraglio dell'Indie osia le gesta di Cristoforo Colombo scuopritor dell'America. Venice: Giambattista Novelli, 1761. First edition. Early (probably publisher's

Francisco Goya (Spanish, 1746-1828) Los Capricos, 1799, first edition, fourteen works etchings Plate: 8 5/8 x 6 inches. Estimate $3,000-5,000

[Ed Ruscha, Gus Foster, et al., photographers]. Jeff Petrich. American Bicentennial Calendar. Venice, California: Suse Co., 1975. First edition, with initialed Ruscha business card stapled to front co

Venice.- Albrizzi (Giovanni Battista) Forestiere Illuminato intorno le cose piu' rare e curiose, antiche, e moderne, della Citta di Venezia, first edition, engraved frontispiece with the arms of the d

FIRST EDITION OF CAPOLAGO OF A WIDE HISTORY OF VENICE Daru, Pierre Antoine. Storia della Repubblica di Venezia di P. Daru, membro dell'Accademia francese. Traduzione dal francese con note ed osservazi

[ARTIST'S BOOK]. RUSCHA, Ed (b. 1937). Course of Empire. N.p.: United States Pavilion, 51st Venice Biennale, 2005. Oblong 8vo. Illustrated. Original wraps. FIRST EDITION, INSCRIBED BY RUSCHA: "Michael

to include: Hollywood, 1876, Vidal in Venice, all from the Vidal family estate , consigned by his nephew Erik

SIGNED COPY Iwanami Shoten, Tokyo, 1985. Hardcover in poctorial dust jacket. First Edition, First Printing. 100 pages with 72 black and white photographic images and brief afterword by Ikko Narahara.

James Abbott McNeill Whistler (American, 1834-1903). Lithograph in black ink on thick wove paper after the original. First Edition. Printed in the studio of Thomas Way in London c.1910.

"Titian The Magnificent And The Venice Of His Day" by Arthur Stanley Riggs, published by The Bobbs-Merrill Company, 1946. Stated First Edition. Hard boards, original green cloth with gilt lettering on

First edition. No slipcase issued. 'The Most Triumphant City' Publishers green cloth with gilt vignette. Gilt title and vignette to spine. Pictorial endpapers and colour top page-block. Full-page and

Old Wickford: The Venice of America. Antique hardcover about the history of Wickford, Rhode Island. Frances Burge Griswold (1826 - 1900), 19th century American author. #AntiqueBooks Artist: Mrs. F. Bu

AUTHOR: Walter Farley (Syracuse, New York, Venice, Florida, 1915-1989) TITLE: The Black Stallion and Satan (1949), The Black Stallion Challenged (1964), The Island Stallion Races (1955), The Bla

SCARCE COMPLETE FIRST EDITION OF ATLANTE NOVISSIMO ZATTA, Antonio (fl. 1757-97). Atlante Novissimo. Venice: Antonio Zatta, 1775-1785. 4 volumes bound in 2 large volumes in 2° (384x273 mm), contempora

Francisco de Goya (Spanish, 1746-1820). “Ysele Quema la Casa” from Los Caprichos (plate 18), etching and aquatint on laid paper, first edition. Provenance: Private Collection, Cashiers, NC.; Sothe