MARILYN WITH DIAMONDS, 2012 (LATER IMPRESSION)

Tolkien (J.R.R.) [The Lord of the Rings], 3 vol., comprising: The Fellowship of the Ring, 3rd impression; The Two Towers, 2nd impression; The Return of the King, 2nd impression, all with ink name to f

NO RESERVE Cocktails.- Craddock (Harry) The Savoy Cocktail Book, first edition, later impression with half-title and title not paginated and no errata slip, printed in black and colours with illustrat

Appears to be a woodblock print on larger paper. After Hiroshige. Dimensions: (Frame) H 19.75" x W 14" Condition: Few marks to the frame.

19th century impression on a smooth wove paper. Dimensions: (Frame) H 11.5" x W 10.25", (Sight) H 5.25" x W 4" Condition: Some light age toning.

An engraving of Lady Jane Grey after Hans Holbein by Wenceslaus Hollar (1607-1677) and A. A. Bierling. A nice impression trimmed to margins. Dated 1647, this is a later impression. Measures 3.5 x 5.25

** Rembrandt van Rijn (1606-1669)The Descent from the Cross: Second PlateEtching and engraving, 1633, but a later impression of New Hollstein's eighth state (of eight) on chine collé, sturdy wove

Berenice Abbott (American 1898-1991) ''New York at Night''- gelatin silver print, 1932, signed in pencil on the mount, later impression. 36 x 28 5/8''

CITRINE AND DIAMOND BROOCH, CIRCA 1945-50 The floral spray set with vari-cut citrines of orange and yellow tint, accented by old brilliant-cut diamonds, later pin fitting, length 5.0cm Footnotes: Alth

Berenice Abbott (American, 1898-1991) New York at Night, 1932, later impression, gelatin silver print, pencil signed lower right, image: 13.75"h x 10.75"w, overall (with frame): 25"h x 21.25"w

Rembrandt van Rijn (1606-1669)The Angel Appearing to the ShepherdsEtching, engraving and drypoint, 1634, a good but later impression of New Hollstein's final state (of six), on laid paper with out wat

LYNN DAVIS (American b. 1944) Iceberg #11 Disko Bay Greenland Silver gelatin print; later impression Image: 28 x 28 inches / 71.12 x 71.12 cm Signed in pen and dated verso: Lynn Davis 1989, numbered a

** Rembrandt van Rijn (1606-1669)Self-Portrait in a Cap and Scarf with the Face DarkEtching, 1633, a good but later impression of New Hollstein's fourth state (of five), on laid paper without watermar

Rembrandt van Rijn (1606-1669)Christ Driving the Money Changers from the TempleEtching with drypoint, 1635, a good but later impression of New Hollstein's fourth state (of four), on laid paper without

Ansel Adams (American, 1902-1984), "El Capitan, Winter, Yosemite National Park," 1948, gelatin silver print, later impression, signed lower right, stamped verso and is print 14 of S.E.Y no. 17, titled

Hieronymus Bosch (c. 1450-1516), AfterSaint Martin with His Horse in a ShipEngraving, by Johannes and Lucas Doetecum, circa 1561, but a well inked later impression of the final state (of three) with p

Rembrandt van Rijn (1606-1669)The Presentation in the Temple: Oblong Plate (Simeon's Hymn of Praise)Etching and drypoint, circa 1639, a good but later impression of New Hollstein's fifth state (of fiv

circa 1958, later impression 14 1/2 x 14 inches site

Rembrandt van Rijn (1606-1669)Joseph and Potiphar's WifeEtching and engraving, 1634, a good but later impression of New Hollstein's third state (of four), on laid paper without watermark, sheet 91 x 1

AFTER REMBRANDT ETCHING H 5" W 4" "CHRIST CARRIED TO THE TOMB":5 1/4" x 4 1/8", later impression. Not framed.

Rembrandt van Rijn (1606-1669)The Landscape with the CowEtching, circa 1650, but a later impression of New Hollstein's final state (of 5), on cream laid paper without watermark, platemark 105 x 130 mm

** Rembrandt van Rijn (1606-1669)Beggars Receiving Alms at the Door of a HouseEtching and drypoint, 1648, a good bold but later impression of new Hollstein's third state (of five), on cream laid paper

Rembrandt van Rijn (1606-1669)La Négresse Couchée [Nude woman lying down]Etching with drypoint and engraving, 1658, but a later impression of the final state (of six), on thick cream laid pa

Rembrandt van Rijn (1606-1669)Woman Bathing her Feet at a BrookEtching and drypoint, 1658, but a later impression of New Hollstein's final state (of two), on thick cream laid paper without watermark,

Rembrandt van Rijn (1606-1669)Christ seated disputing with the doctorsEtching with touches of drypoint, 1654, a good but later impression of New Hollstein's second state (of two), on cream laid paper