Bauer mit Pferdegespann bei der Feldarbeit

ALFRED VON WIERUSZ-KOWALSKI (UMKREIS) 1849 Suwalki - 1915 München Bauer mit Pferdegespann bei der Feldarbeit Öl auf Leinwand. 40 x 71 cm (R. 63 x 92 cm). Schwer leserlich signiert unten links 'W...v

Dali, Salvador Decaux u. Léon Zitrone, Alain Les Chevaux de Dali. Préface de Yves Saint-Martin. Mit 1 handsignierten und 18 im Stein signierten Original-Farblithographien sowie einer Origina

Louis Mathieu Verdilhan (French, 1875-1928) oil painting on canvas depicting a Marseille landscape. Signed lower to the center. Framed. Verdilhan, an artist known especially for his paintings of the O

Martin, Mysterious Ball, France, tin, function ok, paint d., around 1906, flag + figure handpainted, very good condition

Arthur Burdett Frost (1851-1928) Winter Golf - Play the Like in Four!, c. 1899 signed "A.B. Frost" lower right gouache, 17 1/2 by 25 1/2 in. This important self portrait of the artist golfing and his

Arthur Burdett Frost (1851-1928) The Christmas 'Possum, 1900 signed "A.B. Frost" lower right gouache, 23 1/2 by 16 1/4 in. This published work appeared as an engraving in a 1900 "Harper's Weekly" maga

The case is an antique 1928 Stultz & Bauer upright piano and has been customized with over 1000 man hours with mosaic twig work and an original oil painting with 5 musical bears. Measures 65" wide x 6

ARTHUR B. FROST (1851-1928) "He Got Madder and Madder and Madder." Six-panel comic strip published in Life, September 29, 1921, with their copyright stamp on verso. Pen and ink over graphite on paper.

ARTHUR B. FROST (1851-1928) "Can this be the same man?" Cartoon published in Life, January 26, 1922. Pen and ink on stiff paper. 6 individual sheets, each measuring approximately 218x240 mm; 8½x9½ i

Bücher der Bibel in der Übersetzung von Martin Luther, Mit Originallithographieen von Lovis Corinth - Das Buch Judith [The Bible translated by Martin Luther, with original lithographs by Lovis C

Martin, 2 sewing Men. France, tin, function ok, paint d. due to age, 2 flaps soldered, otherwise good condition

Arthur Burdett Frost (American, 1851-1928) Style - A Tale in Thirteen Chapters. Eighteen original ink and pencil drawings, two signed and dated '91, to illustrate the story as published (possibly in H

Friedensreich Hundertwasser 1928 Vienna - 2000 Mit der Liebe warten tut weh, wenn die Liebe woanders ist Color serigraph with metal embossing on paper, 1972; H 402 mm, W 605 mm; stamp numbered ''00709

Große Vase ''Lavande'' Verreries Schneider, Epinay/Seine, 1927 - 1928 Farbloses Glas mit eingeschmolzenem hellblauen und violetten sowie aufgeschmolzenem violettem Pulver. Umlaufend reliefiert geätz

Fernand Martin, L' Entravee, Lady with Muff, France, around 1910, min.paint d.

John Fabian Carlson (1875-1945) Haunted Glen 1928 The ethereal depiction of a Brothers Grimm-like sycamore tree in deep woods at first light, or last, with snow and a hidden pool is signed by the arti

[SPORTING]. FROST, Arthur Burdett (1851-1928). Shooting Pictures. New York: Charles Scribner's Sons, [1895]. Folio. 12 large-scale chromolithographic plates, each with accompanying text by Charles Lan

FROST, Arthur Burdett (1851–1928). [Black woman in a cotton field]. Date unknown. Watercolor on paper with white highlights. Matted and framed, 21 ½ x 14 ¾”. Includes envelope ad

MARTIN LEWIS Relics (Speakeasy Corner). Drypoint, 1928. 302x252 mm; 11¾x9¾ inches, full margins. Edition of 111. Signed in pencil, lower right. A brilliant, luminous impression of this impor

Albert Marquet (1875-1947), "Audierne, la jetée", 1928, watercolour on paper, signed and dated, 17x25 cm; Notice of inclusion in the digital catalogue raisonné in preparation by the Wildenstein

J. Martin Stangl, Coffee service, c. 1928/29, Coffee pot, creamer, sugar bowl, 8 cups with saucers, 7 cake plates. H. 6-18.5 cm; 18.8 x 16 cm. Made by Fulper Pottery, Flemington, NJ. Earthenware, glaz

Prestige-Figur Baule, Côte d’Ivoire Ohne Sockel / without base Holz, mit Goldfolie überzogen. H 31 cm. Provenienz: Nachlass René David (1928-2015), Zürich. Seltene, aus mit feinem Relief versehe

MARTIN LEWIS Shadows, Garage at Night. Drypoint, 1928. 250x303 mm; 9¾x11¾ inches, full margins. Edition of approximately 49. Signed in pencil, lower right. A luminous, richly-inked impressio

MARTIN LEWIS Under the Street Lamp. Etching, 1928. 380x240 mm; 14x9 inches, full margins. Edition of approximately 83. Signed in pencil, lower right. A superb, richly-inked impression.Lewis (1881-1962