Mary Bonner (1887-1935), Seaside--Ile Aux Moines, 1927

Mary Bonner (1887-1935), Provincial French Landscape, 1926, watercolor, 13.5 x 18", frame: 22.5 x 27.5" Provenance: The Estate of Joan and Herbert Hahn (San Antonio, Texas) Known for her etchings o

Mary Bonner (1887-1935), "La Lavandiera", 1924, ed. 4/26, etching, image size: 5 x 7", frame: 14 x 15.25" Provenance: An Olmos Park, Texas collection Known for her etchings of Texas cowboys and the

Mary Bonner (1887-1935), Alamo, woodblock print, 5.25 x 3.25", frame: 9.5 x 8" Provenance: A San Antonio, Texas collection Known for her etchings of Texas cowboys and the only noted early 20th-centu

Mary Bonner (1887-1935), Alamo, woodblock print, 5.25 x 3.25", frame: 9.5 x 8" Provenance: A San Antonio, Texas collection Known for her etchings of Texas cowboys and the only noted early 20th-centu

Mary Bonner (American, 1887-1935) etching on paper depicting sailboats in calm waters, signed and dated lower right: "Mary Bonner '26," edition 5 / 100. Image: 8" H x 10.375" W; frame: 15.5" H x 17" W

Mary Bonner (American, 1887-1935) Tree etching signed and stamped 6 1/8 x 4 7/8 inches. Estimate $200-400

Mary Bonner (American, 1887-1935) Therese Damidau etching signed in pencil, stamped 5 7/8 x 5 7/8 inches. Estimate $80-120

Mary Bonner (American, 1887-1935) Tree etching signed in pencil 6 1/8 x 4 7/8 inches.

Mary Bonner (American, 1887-1935) Portrait woodcut signed and numbered 7/25 in pencil 13 1/2 x 9 1/2 inches. Estimate $200-400

Mary Bonner (Texas / France, 1887-1935), "Mission San Antonio de Valero, 'The Alamo' - 1718", historic woodblock print from the San Antonio Conservation Society size: 5 x 3 in. Prove

Mary Anita Bonner (Texas / France, 1887-1935), woodblock print of the Alamo, 1928, for the San Antonio Conservation Society sight: 5.25 x 3.25 in., frame: 8.5 x 6 in. Provenance: An Alamo Heights, T

Mary Anita Bonner (Texas / France, 1887-1935), view of French pasture and village, etching signed in pencil plate: 5 x 9 in., frame: 10.5 x 13.5 in. Mary Bonner was known for her etchings of Texas c

Mary Anita Bonner (Texas / France, 1887-1935), dock workers, 1924, etching plate: 5 x 7 in., frame: 11 x 13 in. Provenance: A San Antonio, Texas collection Mary Bonner was known for her etchings of

Mary Anita Bonner (Texas / France, 1887-1935), vintage period photographs framed as one; vintage period silver gelatin photographic prints of her etchings, French sailing boats frame: 9 x 15.5 in. P

Mary Bonner (San Antonio, Texas/Paris, France, 1887-1935), sailboat, ed. 20, hand-colored etching, signed lower right, sight: 7 x 5", frame: 13 x 10" Provenance: An Artesia, California collection Ma

Mary Anita Bonner (American, 1885-1935). An oil on canvas board landscape of Rockport / East Gloucester titled "Houses along the Ocean". Signed lower right and in a gilt frame. Schwarz and Son, Philad

Group of five (5) etchings by John Taylor Arms (American, 1887-1953), to include: Venetian Mirror, (The Grand Canal, Venice), 1935, 6 3/8" x 14" plate; Lace in Stone, Rouen, 1927, 24 3/16" x 11 3/8" p

Mark Lancelot Symons (British 1887-1935) Moving Day, c.1929-30, oil on canvas, signed lower right, framed. Dimensions: 23.5 x 34.5 in. canvas size, 30 x 41 in. as framed. Condition: L shaped tear ap

Juan Gris (attrib.), color drawing, Attributed to Juan Gris (Spanish, 1887-1927), "Rentree a Paris", pen brush and ink with colored pencil on paper, signed lower left, possible illustration for "Le Ch

Juan Gris (Spanish, 1887-1927), Nature Morte 1922, pencil signed, from an unknown edition size, with full margins, L'Esprit Nouveau, Paris, publisher. Color pochoir on paper.  image: 6 1/2 x 9 3/

Edouard Henri Leon (instructor of Mary Bonner) (France, 1873-1968), sailboat etching, 1896, with signature chop, paper with deckled edge, not framed plate: 12 x 7.5 in., sheet: 15.25 x 11.75 in. Edo

MINIATURE STATUE OF THE VIRGIN MARY, CIRCA 1935 Depicting the Madonna, standing at prayer, with head bowed, her robe and halo of hammered finish on the reverse, the wooden prototype of similar design,

Laurence Stephen Lowry (British, 1887-1976) 'Seaside Promenade', 1967-8 Offset lithograph on paper ed. 12 of 75 Signed L. S. Lowry, lower right Signed and dated L S Lowry 1967, lower left Published by

Hughes Claude Pissarro (French, b. 1935), Fermiere aux comes a lait (The Farmer Comes to Milk), pastel on paper, signed lower right, sight: 9.75"h x 14.25"w, overall (with frame): 20.5"h x 24.75"w. Pr