May Auction of Asian Fine Art

Carved White Jade Double Butterfly Plaque, mounted on a brocade silk book cover from Yamanaka & Co. (late 19th - early 20th c. Asian fine art dealer with galleries in Japan, NYC, Boston, London, Beiji

Chinese porcelain bowl with crackled celadon glaze and a flaring rim. On a carved wooden stand. With sticker from Wells Fine Asian Arts along underside.Provenance: Wells Asian Art, Minneapolis, Minnes

large stone buddha in draped clothes, remnants of red pigment across surface, on wooden pedestal, 40-1/2 x 9-3/8 in. [Asian Ceramics]

attributed to Western Zhou, 1100-221 BCE, circular stand with flared stem and tray, with scrollwork design, 5-7/8 x 8-3/4 in. [Asian Bronzes]</

probably ancient, each carved white/cream stone vessel with flared cylindrical basin on flared base, 8-3/8 x 6 in. and 9-3/4 x 5-5/8 in. [Asian Ceramics

A Southeast Asian schist head of a BodhisattvaOn stand.overall height 24 3/4in (63cm); width 16in (41cm); depth 9 1/2in (24cm) Provenance:With Heather James Fine Art and Antiquities, November 1999.

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Measured at 16.3 x 11.0 x 4.6mm at 7.28ct, and 16.2 x 11.2 x 4.10mm at 6.75ct respectively. This pair of imperial green jadeite cabochon exhibit intense green color tone with silky even fine texture.

A very fine carved and gilt wood lyon & healey concert grand harp, model 22, circa 1919. in satin wood with carved and gilt wood support column, the sound board finely decorated with gilt scrolled fol

Tibetan. Framed. Mineral pigments on cotton. The upasaka Dharmatala is painted seated under a canopy, his tiger at his side. He holds a fly whisk in his left hand, an incense burner in his right hand,

Of circular shape with a flat base and tapering sides, the body moulded with three raised bands and suffused with network of fine crackles, the base unglazed except to the similarly glazed center. Min

Of Ding type,the dish interior is crisply molded with four waterfowl amid swirling waves encircling an unglazed ring,the glaze of milky white color failing short of the neatly finished foot with one u

The interior is finely decorated with a cartouche enclosing scene of a lakeside landscape, depicting scholar figures standing under trees by a pavilion and bridge to the foreground, the background wit

Of elegant yuhuchun form, the pear-shaped body rising from a spreading foot to a waisted neck, the exterior in an attractive olive green glaze with fine crackles. Ming Dynasty period. Height: 11 5/8 i

The bottle modelled in the form of double gourd is carved through white and pink glass layers to depict trailing leafy vines bearing additional double-gourds, with pearl stopper. The body with remnant

The bear is shown standing foursquare with head facing forward, detailed with circular eyes, flattened ears, well-pronounced snout, and large mouth. Its fur detailed with fine incisions repeated along

Chinese. The elegantly curved slender vessel resting on a tall foot-ring, crisply cast on the middle and lower sections with fine taotie masks against a ground of intricate leiwen spiral, all below th

Of compressed circular form, supported on an shallow tapering foot, the incurved, rounded sides painted with an fine roundels in gilt, the base inscribed with an six-character mark. Qing Dynasty perio

Chinese. Of pear shape, the compressed globular body rising from a short tapering foot to a tall neck, covered overall with a olive-green glaze with fine crackles. Southern Song Dynasty period. Height

The slender baluster body decorated in famille rose with two luohan seated next to a large rock, reserved on deep red glazed ground, the beige glazed base with fine crackles inscribed with six charact

The rounded sides supported on a flat base, covered overall with celadon glaze suffused with a fine network of extensive crackles. Base with four characters. Qing Dynasty period. Height: 1 3/4 in (4.4

The jar moulded with a pair of mythical beast handles, overall suffused with green tone with fine network of dark brown crackles. Qing Dynasty period. Height: 10 3/8 in (26.3 cm) Diameter: 8 7/8 in (2

The interior carved through the red lacquer in fine relief, depicting two literati figures, one presenting a gift to the other seated on a rock base, all accompanied by young attendants, framed by pin

Each chair inset with a circular ‘cloud stone' marble panel with fine black and white striations, fitted with hardwood seat and recessed waist, the leg connected by stretchers. Qing Dynasty period.