Nach Michele Giovanni MARIESCHI (1710 - 1743). Kanal in Venedig.

After Michele Giovanni (Michiel) Marieschi (Italian 1710-1743), "Grand Canal with Basilica di Santa Maria Della Salute", 19th century, depicting Venetian society going about their business on a clear

In the manner of Michele Marieschi (Italian, 1710-1743) appears to be unsigned. 16"h x 23"w

After Michele Giovanni Marieschi(Italian, 1696-1743)Four Views of Veniceetchings on laid paperLot includes: 1. Piazzetta San Basso. 2. Campo dei Frari. 3. Gran Canal between Simone Piccolo and Santa C

Follower of Michele Marieschi (Italian, 1696-1743) The courtyard of the Palazzo Ducale, Venice oil on canvas 27 1/2 x 42in (69.9 x 106.7cm) Footnotes: The present work is based on the larger, original

Circle of MICHELE MARIESCHI Italian 1696 - 1743 Figures on Horseback in Harbor Oil on canvas 27 x 37 inches / 68.58 x 93.98 cm; Frame: 29 1/2 x 38 5/8 inches Unsigned Offered at Bonhams in 2012

Michele Marieschi, etching, Michele Marieschi (Italian, 1696-1743), View of Venice, No. 9 from a series of 24, etching, on laid paper watermarked "VC", 14"h x 20"w (sheet), unframed

Hand-colored etching of the Grand Canal by Michele Marieschi,1741 19 inches by 25.25 inches with frame, 12.50 inches by 18.50 inches without frame. An example of this etching without the hand coloring

MANNER OF MICHELE MARIESCHI "GRAND CANALVENICE" OIL PAINTING IN GOLD GILT FRAME-SIGNED FRENCKE BOTTOM LEFT-33" X 37" TO FRAME APPROX-VERY GOOD CONDITION, SOME CRACKLE- KEYWORDS DECORATIVE WALL ART TRA

Michele Marieschi , Il Canal Grande a Ca' Pesaro - Pisaurorum Familiae Aedes ad Canalis magni marginem, una cum D: Eustachij templo dextrorsum, et sinistrorsum cum parte Corneliorum aedis. 1770 ca. Ac

Artist: Oskar Kokoschka (After) Title: Venedig Blick Nach Giorgio Maggiore Year: 1989 Dimensions: 26 1/2in. by 19 1/8in. Edition: From the Rare Limited Edition Publ

Bilder aus dem Leben der Juden in Venedig Ausgangs des XVIII Jahrhunderts / nach den Stichen von Novelli [Scenes of Jewish Life in Venice in the Eighteenth Century, After Etchings]. Berlin: Literarisc

Piranesi, Giovanni Battista (1720 Mogliano - 1778 Rom, nach) - «Veduta del Ponte e Castello Sant'Angelo», Radierung, spätere Ausgabe, in der Platte signiert "Piranesi Archit. dis. ed. i

Paris, Michele Broutta and Pamela Verlag, 1972. In 2 . With 10 drypoint and color printed plates by Salvador Dalì, each numbered and signed in pencil by the artist and protected by transparent shee

(Cabella Ligure, 1743 - Genova 1790) Medea che uccide il drago Penna, gessetto nero, inchiostro bruno e acquerello su carta grigia, cm 27,7X22,7 Inscritto: Salvator Rosa Prov. Coll. Santo Varni n. 50

GIOVANNI BATTISTA CIMAROLI (ATTR.) C. 1687 Salò (Gardasee) - C. 1753 Venedig (?) UPPER ITALIAN FLUVIAL LANDSCAPE Oil on canvas (relined). 68,5 cm x 87 cm (F. 83 cm x 102 cm). Min. restored, min. dama

RICHARD EARLOM 1743 London - 1822 ebenda 'A BLACKSMITH'S SHOP' (NACH JOSEPH WRIGHT OF DERBY) (1771) Mezzotinto auf Papier. SM 59 x 42 cm (R. 84 x 63,5 cm). Unten rechts in der Platte bez. 'Richd Earlo

Venedig Canaletto u. Fabio Berardi Zwei altkolorierte Lagunen-Capricci von Fabio Berardi nach Canaletto. Superbe mole, io non vi curo, e passo. Lieto è il nocchier quando ritorna in porto. Je kol

Anatomy.- Borelli (Giovanni Alfonso) De motu animalium, 2 parts in 1, additional engraved title, titles in red & black with engraved vignette, engraved dedication to Boerhaave, woodcut initials and ta

Tiepolo, Giovanni Battista (Italian, Venice 1696–1770 Madrid), Shepherd with Two Magicians, from the Scherzi, (DeV. 28 II, MK 80) ca. 1743–57, printed later, etching, 8 3/4 x 6 7/8 in. (22.2 x 17.

Seltener Kerzenleuchter Venedig oder Facon de Venise, 17. Jh. Graustichiges. partiell schrägoptisches Glas mit Abriss. Flacher glockenförmiger Stand mit nach oben umgeschlagenem Rand. Hohlbalust

Giovanni Battista Piranesi (Italian 1720-1778) Comprising; "Gruppo di Colonne..." and "Tempio Antico," 1743, engravings on laid paper, matted and framed. Dimensions: 16 x 10 in. plate size, 28 x 21 in

EMMANUEL ZURINI famous Formula 1 photographer, 2004, blue patented bronze model "GTO", signed and stamped, limited edition 8/8, on a marble display, 51.5x15cm, museum quality German Description EMMANU

Ägypten, Spätzeit, 650–332 v. Chr. Bronze und Holz. Schreitender Ibis mit fein ausgeführten Details in der Bronze. Der Holzkörper ist mit Leinen überzogen und übermalt. H 15,

ANTHONIS VAN DYCK (SCHOOL) 1599 Antwerp - 1641 London CHRONOS CUTS THE WINGS OF CUPID Oil on canvas (old relined) . 60 cm x 47 cm (F. 79 cm x 65 cm). Part. min. old restored. Frame. Provenance: Import