Nanette Clark

EN OBSERVATION, 1992-1993, gouache, watercolor and ink and collage on paper artist mounted to canvas, signed lower left, dated lower right, signed and dated and titled on verso, 53 ½ x 29 &frac

CHEESE MOLD STANDARD WITH OLIVE (W.31), 1969, color screenprint, signed and numbered 83/150 in pencil, published by Ed Ruscha, printed by Jean Milant and Daniel Socha at Ruscha’s studio, Hollywo

MUJER SENTADO, 1961, oil painting on canvas, 39 ¼ x 51", signed and dated lower right, framed. From the Collection of Herb Solow, the executive in charge of production for Star Trek the original tele

Porcelain chinoiserie and gilt decorated cache pot 6” tall; A pair of later 19th century Chinese export famille rose plates 8 ½” diameter; Two antique Chinese footed plates with stamps and/or sea

THE GARDEN GATE, 1946, watercolor on paper, signed and dated lower right, sight 28 ¼ x 24 ¼”, framed, laid down on mat board, otherwise in apparently good studio condition. Subject to article I in

STUDIES OF THE MALE BACK, triptych, 1987, three color lithographs, each signed in pencil and inscribed H. C. (Hors Commerce), aside from the numbered edition 99, images 23 5/8 x 17 5/8”, sheets 31 3

MUJER, 1986, oil painting on stretched burlap, signed and dated lower right, 23 7/8 x 15 7/8", framed. Original lost provenance: Lopez Quiroga Galeria, Mexico. From the Dr. Burton Fink collection.

SOURCE, 1965, sumi-ink and gold leaf on paper wrapped card artist mounted to wood panel, stamped lower right, signed and dated on panel verso, 16 x 12 ½”, frame 16 ¾ x 13 ¼&

PANTECHNICON (Movers), oil painting on backside of Masonite with wood support on verso, signed lower right, 64 ½ x 48 x ½”, frame 74 x 58 x 2”. Provenance: Atkinson Art Galle

ETRUSCAN (SPECIAL), special order coffee table 60” long, 30” wide, 17” tall, LaVerne Gallery label underneath, in good condition.

PIO PER MARI E MONTI (Pious by Sea & Mountains) 62’/28, c.1985, color embroidery, signed and inscribed 62’/68, on the verso, 6 ½ x 6 ¾”, in good studio condition. Provenance: Artist’s signed

BRIGHT OWL (AR.285), 1955, painted and glazed ceramic rectangular dish, with the Madura and Edition Picasso stamps underneath, from the edition of 450, size 32 cm x 39 cm or 15 ¼ x 12 ¾�

OCCUPY (Ox), 2012, oil painting on linen, signed and dated lower right, 73 x 100”, frame 74 ½ x 101 ½”, available crate 81 x 108 x 7 ½”. Provenance: Corey Helfor

LE DANSEUR (Bloch 1849; MOMA 107), 1965, one-block linoleum cut on Arches Script watermark paper, printed in black and brown, signed and numbered 53/200 in pencil, image 25 x 21 7/8”, sheet 29 5

REACHING FOR THE SKY, 1993, oil painting on panel, signed and dated and copyrighted lower right, 48 x 24”, frame 59 x 34 ½”. Provenance: Galerie Adrienne, San Francisco, CA.

SPECKLED BLACK FACE (AR.49), 1948, rectangular dish of white earthenware clay, decoration in engobes under glaze, white blue, black, turquoise, numbered 7/200 and Madoura Editions Picasso stamp undern

PRIDE OF ALGOMA #2, 1936, watercolor on Imperial Illustration Board, signed and dated lower right, titled and dated and inscribed on verso, stated size by artist on verso 17 x 22 1/2", frame 29 ¼ x 3

UNTITLED, 1971, ink and watercolor and gouache on paper mounted to silk, image 34 ¾ x 21 ¼", with scroll margins 39 ¾ x 26 ½", signed lower right. Originally from the estate of MM Shino Galley Los

UNTITLED, circa 1991, installation in five-parts, each an oil painting on paper mounted to Foamcore mounted to wood, artist recalls signing each on verso, three panels are 53 ½ x 48”, two a

CHESS GAME, 1969, oil painting on canvas, signed and dated upper right, signed and dated and dedicated on verso, 27 x 22”, frame 31 x 26”.

FOG LACED HILLS, 1995, oil painting on Masonite, signed and dated lower center, 40 x 20”, frame 54 ½ x 34 ½Â”. Provenance: Galerie Adrienne San Francisco; Golden Doors Gallery Kua

SOMMERDAG BED SAEBY (Spring day with fresh-blown anemones and a bridge over Soeby A stream), 1895, oil painting on canvas, signed and dated lower right, 32 ¾ x 22 ¾”. Sold at Bruun

UNTITLED, 1970, three-dimensional organic forms of painted, sewn and modeled fabric, one signed and dated, average length 68” tall or long. Provenance: Diana Zlotnick Collection.

POT OF GOLD, 1978, oil painting on panel, signed and dated and copyrighted lower right, 28 x 22”, frame 42 x 36”. Provenance: Conacher Gallery, San Francisco.