PEDRO MOZOS - Madonna

Photographer: Herbert "Herb" Ritts (American, 1952 - 2002) - renowned fashion, art and celebrity photographer. Subject: Madonna, San Pedro. Date Of Negative: 1990 Type Of Print: Authentic Vintage Shee

Photographer: Herbert "Herb" Ritts (American, 1952 - 2002) - renowned fashion, art and celebrity photographer. Subject: "Madonna III,San Pedro". Date Of Negative: 1990 Type Of Print: Fine Duotone Phot

17th C. Oil Painting on Copper Saint Catherine of Alexandria, Pedro de Osma. Madonna and Child. size: 16.75 x 13

Photographer: Herbert "Herb" Ritts (American, 1952 - 2002) - renowned fashion, art and celebrity photographer. Subject: Madonna, San Pedro. Date Of Negative: 1990. Type Of Print: Authentic Vintage She

Photographer: Herbert "Herb" Ritts (American, 1952 - 2002) - renowned fashion, art and celebrity photographer. Subject: "Madonna, VII, San Pedro". Date Of Negative: 1990 Type Of Print: Fine Duotone Ph

Photographer: Herbert "Herb" Ritts (American, 1952 - 2002) - renowned fashion, art and celebrity photographer. Subject: "Madonna I San Pedro" Date Of Negative: 1990 Type Of Print: Fine Duotone Photo E

Artist: Herb Ritts Title: Madonna IV, San Pedro, 1990 Medium: Photo Litho, 1996, USA Dimensions: 11.05x13.9" Additional Information: Heat Wax Mounted on 14x18" Conservation Board Artist Bio: Herb Ritt

Photographer: Herbert "Herb" Ritts (American, 1952 - 2002) - renowned fashion, art and celebrity photographer. Subject: "Madonna, IV, San Pedro" Date Of Negative: 1990 Type Of Print: Fine Duotone Phot

Photographer: Herbert "Herb" Ritts (American, 1952 - 2002) - renowned fashion, art and celebrity photographer. Subject: "Madonna, IV, San Pedro" Date Of Negative: 1990 Type Of Print: Fine Duotone Phot

Rebecca De Leon Almazan (Texas, 1935-2018), "Pedros Madonna", acrylic on canvas, 2005, inscription reads "for my brother Pedro / Love, Rebecca", includes Certificate of Authenticity as

Raphael Madonna of the Goldfinch Oil on canvas. Measurement: 20” x 14.5”. Please make an appointment to view this lot (52).There are damages on painting. Raphael‘s painting was trans

olio su tavola, W. 72,5 - H. 92,5 Cm

Tabernacle of the Virgin and Child with Two Cherubs, Christ of Sorrow above in the lunette top, relief in painted stucco housed in a contemporary frame of gilt and painted wood, having gilt haloes, or

olio su tavola, W. 96 - H. 119 Cm, Expertise Dott.ssa Mina Gregori, "Quest'opera si collega strettamente all'arte di Fra Bartolomeo e rappresenta l'ultimo stile di Mariotto Albertinelli, quando lavora

Pedro Friedeberg (Mexican, b. 1936) "Hand Chair" carved mahogany signed along back. h. 38-1/2", w. 20", d. 20" Provenance: Collection of Dr. Nia Terezakis, New Orleans, Louisiana.

Follower of Domenikos Theotokopoulos, called El Greco (Candia 1541-1614 Toledo) The Madonna oil on canvas, possibly a fragment 48.4 x 37.8cm (19 1/16 x 14 7/8in). Footnotes: Provenance Priva

tempera su tavola, W. 42 - H. 57 Cm, Expertise Prof. Ugo Ruggeri, “Si tratta di un'opera di qualità molto notevole, dipinta evidentemente da un artista gravitante, nella cerchia di Giovanni B

Czech Republic, German Weiner-Kral 1901-1978 Madonna & Child 1940 Signed Original. This painting was purchased in the 1970's by a woman as part of an investment in art. She passed away soon after and

Scuola tedesca sec.XV "Madonna con Sant'Anna" scultura in legno policromo cm.42x92

(attivo a Firenze nell'ultimo terzo del XIV secolo) Madonna con il Bambino, San Francesco, Santa Caterina d'Alessandria, Maria Maddalena e Santo Vescovo Tempera su tavola, cm 54X24 L'appellativo di Ma

Oil on panel Panel cm. 45x36. Framed Questa mirabile tavola devozionale, raffinato prodotto della stretta cerchia di Leonardo a Milano, presenta la Vergine a mezzo busto che con la mano destra porge a

Untitled (1971) Oil on canvas Signed Mexico 1971 verso Size: 31.25 x 23.5 in. Provenance: Private Collection, Toronto; Sale of Christie's New York, 19 May 1987, lot 91; Private Collection, Geneva

tempera su tavola, W. 40 - H. 50 Cm

oil and tempera on wood panel; accompanied by a letter of authentication from Willem L. van de Watering of Wouter Janssen Gallery, dated 20 November, 1996, attributing the present work to the Master o