ROMARE BEARDEN "RETURN OF THE PRODIGAL SON"

French School, Return of the Prodigal Son. Oil on canvas. Appears to be unsigned. Circa early 1800's. Provenance: Christie's July 1, 2020. Sight Size: 14.5 x 18 in. Overall Framed Size: 20 x 24 in.

Rembrandt Harmenszoon van Rijn (1606–1669) was a Dutch painter and etcher, widely considered one of the greatest artists in European history. He is known for his exceptional skill in capturing human

LARGE OIL ON CANVAS COPY OF "RETURN OF THE PRODIGAL SON" OLD MASTER PAINTING 53" X 38"

Rembrandt Etching "The Return of the Prodigal Son". Signed in plate. Unknown edition. Etching measures 7.25 inches high x 5.75 inches wide. Frame measures 16.25 inches high x 14 inches wide.

Artist: Rembrandt van Rijn Title: The Return of the Prodigal Son (Durand Edition) Year: 19th C Dimensions: 14.5in. by 12.5in. Edition: From the rare limited edition Medium:

Artist: Rembrandt van Rijn (After) Title: Return of the Prodigal Son Year: c. 1880 Dimensions: 6.12in. by 5.43in. Edition: From the rare limited edition of 500 Publ

Artist: Rembrandt van Rijn (After) Title: Return of the Prodigal Son Year: c. 1880 Dimensions: 6.12in. by 5.43in. Edition: From the rare limited edition of 500 Publ

Artist: Rembrandt van Rijn (After) Title: Return of the Prodigal Son Year: c. 1880 Dimensions: 6.12in. by 5.43in. Edition: From the rare limited edition of 500 Publ

late 19th/early 20th century; scenes on windows include: Christ with two Apostles, Christ healing sick child and The Return of the Prodigal Son, each set in pointed Gothic Style wood frame, frame-22 1

(Greek/American, 1908-1983). Return of the Prodigal Son, after the original in the National Gallery of Art, Washington D.C. by Bartolome Esteban Murillo (Spanish, 1618-1682). Oil on canvas, signed and

Christian Rohlfs (German, 1849-1938) Return of the Prodigal Son, (also images by Erich Heckel and Emil Nolde) linocut and woodblock reproductions largest: 12" x 9 1/2"

19th century etching print, after Rembrandt Harmenszoon Van Rijn (1606 - 1669), "The Return of the Prodigal Son," 1636. Signed in print to the lower center. Matted and housed in an old giltwood frame.

Rembrandt Van Rijn (Dutch, b. 1606- d. 1669). An etching titled "Return of the Prodigal Son. Image: 6-1/4in x 5-1/4in. Frame: 18in x 16in.

A Newer Oil painting copy of the father's head from the painting "The Return of the Prodigal Son" by Rembrandt. The painting appears to be signed in Chinese characters in the lower right. The Paint ha

English Creamware Dutch-Decorated Plate, 'The Prodigal Son Returns,' 1780-90. Painted with one of the six scenes from the Biblical story of "The Prodigal Son," identified "ZYN BEROUW" below, within a

THE PRODIGAL SON", "THE PRODIGAL SON IN MISERY", "THE PRODIGAL SON RECEIVING HIS PATRIMONY", "THE PRODIGAL SON RETURNS TO HIS FATHER

A large 19th Century Victorian Staffordshire pottery flatback named figural group, "Prodigal's Return," a father and son depicted in costumes inspired by the Bible. Hand colored with gilt accents with

One side depicts a figure study for "At the Louvre" (c. 1880), while the reverse shows a figure study for "The Prodigal Son in Modern Life: The Return" (1882). Though we believe this to be by the hand

Romare Bearden (American 1911-1988) Out Chorus (Le Jazz) lithograph- OUT CHORUS - edition 44/50. Signed Romare Bearden and titled (lower right) 17 x 22-1/2 inches. overall framed size 26-1/4 x 31-1/2

James Tissot (1836-1902)The Prodigal Son, 1882 Set of 4 unbound etchings on wove paper, including "The Departure", "In Foreign Climes", "The Return", and "The Fatted Calf". Would be of the best effect

Set of 4 unbound etchings on wove paper, including The Departure, In Foreign Climes, The Return, and The Fatted Calf. Would be of the best effect once framed! From the second state printing of 400, ac

Romare Bearden (American, 1911-1988) Collage And Mixed Media on Masonite, 1971, "Enchanted Woman", H 8.25" W 11" | Signed lower left. Framed Measurements H 16.5" W 20.25" Provenance: The Artist; Sheld

ROMARE BEARDEN (1911 - 1988) Ritual Bayou. Set of 6 editioned collages, color photo-lithograph mounted on finished plywood, as issued, 1971. Each approx. 394x508 mm; 15½x20 inches. Each signed an

ROMARE BEARDEN (1911-1988), AMERICANSTOREYVILLE (SIC) - SIESTA #1, CIRCA 1975Colour monotype on paper; signed in black ink lower left, titled "Storeyville - Siesta I" in pencil lower right verso. A un