RUFINO TAMAYO Sandías.

Rufino Tamayo (Mexican, 1899-1991), circa 1969, "Sandias (Watermelons)", (Pereda 118), lithograph in colors, signed in pencil at lower right, AP aside from edition of 100, Jack Misrachi tag en Verso.

RUFINO TAMAYO (Mexican, 1899-1991) Sandias (Watermelons), Mixograph on paper, Signed Tamayo and dated '71, artist's proof, sight-26 1/2" x 19", Framed behind plexi-glas with linen mat. Overall measure

Rufino Tamayo (Mexican, 1899-1991) attributed: Study for Sandias, oil on paper, possibly a study for his Sandias (1950) print series, signed bottom right, with unidentified gallery stamp verso, unfram

Rufino Tamayo (Mexican, 1899-1991), oil on canvas, Abstract portrait, signed and dated '71 lower left, signed en verso, 18 3/4" x 22 1/2" sight, 27" x 31" overall, small punctures and craqeulure, Acco

Artist: Rufino Tamayo (Mexican, 1899 - 1991). Title: "Ojos Triangulares". Medium: Oil on board. Date: Composed 1962. Dimensions: Overall size: 16 1/4 x 18 1/2 in. (413 x 470 mm).Lot

RUFINO TAMAYO (1891-1991) Hombre con Sombrero 1931 watercolor on paper, signed and dated 'Tamayo 31' in upper right corner 8 5/8 x 7 1/2in (21.9 x 19cm) Footnotes: We would like to thank Juan Carlos P

Rufino Tamayo (1899-1991) Dos Personajes Atacados por Perros (Pereda 311), 1983 Mixografia® in colors on handmade paper, signed in white pencil and numbered 18/75 (there were also 12 artist's pro

mixograph in colors on handmade paper 1977; signed and numbered 48/100 in white crayon in lower margin; with Mixografia blindstamp Sheet: 19 1/2 x 47 1/2 in., Frame: 26 1/4 x 54 1/4 in. (66.7 x 137.8

Original Rufino Tamayo Oil on Canvas 20 x 15 1/2". Provenance Art Gallery Misrachi Mexico City, Phillip Clark, Through J.C space, in Seattle .Acquired from the above by the present owner. Rufino Tamay

Rufino Tamayo (1899-1991) Galaxia (Pereda 242), 1977 Mixografia in colors on Arches paper, signed in white crayon and numbered XIV/XXV (from the deluxe edition, aside from the edition of 100 plus 10 a

Rufino Tamayo (1899-1991) Galaxia (Pereda 242), 1977 Mixografia in colors on Arches paper, signed in white crayon and numbered XIV/XXV (from the deluxe edition, aside from the edition of 100 plus 10 a

Rufino Tamayo 1899 - 1991 Hombre en Rojo color mixografia on paper 1977; ed. 85/100; signed and numbered in pencil; printed and published by Taller de Grafica Mexicana, Mexico City Sheet: 47 1/2 x 31

Rufino Tamayo was a Mexican painter and printmaker known for his large-scale murals and vivid use of color. Like his peers Diego Rivera, David Alfaro Siqueiros, and Jose Clemente Orozco, Tamayo helped

circa 1978 (Pereda, 248) Mixografía in colors on handmade paper signed lower right. and numbered 40/70 27 x 52 inches paper size

Rufino Tamayo (1899-1991) Galaxia (Pereda 242), 1977 Mixografia® in colors on Arches paper signed in white crayon and numbered 61/100 Published/printed by Taller de Grafíca Mexicana, Mexico City She

Rufino Tamayo (Mexican, 1899-1991), "Los Signos Existen," 1974, complete portfolio of six lithographs in colors, each signed in pencil by the artist and numbered 22/100, published by Edizioni d'Arte A

Tamayo, Rufino (Mexican, 1899-1991), Perro Ladrandole a la Luna, 1988, (Pereda #333), (Dog Barking at the Moon), lithograph printed in colors, 22.5 x 30.5 inches, pencil signed and numbered V/XL from

Rufino Tamayo (1889-1991): Dog Howling at the Moon Lithograph in colors on wove paper, signed in pencil, numbered XVI/XXV. 23 x 30 in. (sheet), 35 x 42 in. (frame). Sold to Benefit Art for Access, Ben

Rufino Tamayo 1899 - 1991 Hombre con Baston mixografia in colors on handmade paper 1980; ed. 87/100; signed and numbered in crayon; printed and published by Taller de Grafica Mexicana, Mexico City She

Rufino Tamayo (Mexican, 1899-1991) Dos Caras (Two Faces) (Pereda 155), 1973 Lithograph on Rives Paper ed. 17 of 100 22 x 30 (in) 28.25 x 36.25 x 1.5 (in) Framed Signed in pencil R. Tamayo, lower middl

Rufino Tamayo (1899-1991) Dos Caras (Pereda 155), 1973 Lithograph in colors, on Rives paper, signed in pencil and numbered 4/100 (there were also 10 artist's proofs), with the blindstamp of the printe

QUETZALCOATL (T.248), 1979, color Mixograph on hand-made paper, signed and numbered 55/70 in white crayon, also numbered on verso, with original certificate from printer Taller De Grafica Mexico and t

Rufino Tamayo (Mexican, 1899-1991) Hombre en Gris, 1981 mixografía print in colors on handmade paper signed in white pencil and numbered from the edition of 100 illegibly in white pencil 41 x 32

complete portfolio of six lithographs and accompanying text, 1974, each lithograph signed and numbered 10/100 in black or white crayon or pencil, published by Edizioni d'Arte AKA, Vaduz, Rome, each be