Saner "El Encuentro" 2014 2 Color Letter Press Lennox

‘Life over Death’ by GATS, 2014 Originally commissioned by the David Lynch Foundation. 12 x 18 Inches 2-Color Letterpress Print on 250gsm Lenox Art Paper. Limited Edition of 100 (#88/100)

"One Dollar Washington". Color engraving and letterpress with 2 US stamps with postmarks . Signed in black marker, also stamped verso Condition:All condition information is available by contacting Tri

Artist: Andy Warhol (American, 1928 - 1987). Title: "Five Dollar Lincoln". Medium: Color engraving and letterpress. Date: Composed Series 1957. Dimensions: Overall size: 2 5/8 x 6 1/8 in. (67

Sherman Drexler (American 1925-2014) Untitled- 2 silkscreens in colors, 1966, both signed, dated and annotated 'Artist's Proof' in pencil, regular edition of 75, printed at Chiron Press (blindstamp),

PORSCHE Mixed lot of 2 pieces, No. 1: folder press report Le Mans 1998, with 3 original color company photos, cover letter and press text, No. 2: catalog model year 1995, 1 page long press report abou

Mel Ramos (American, b. 1935), "Candy (Baby Ruth)," 1968, offset lithograph in colors on paper construction (assembled), published by The Letter Edged in Black Press, Inc., overall: 10"h x 2.25"w x 1"

VAN AMBURGH, Isaac (1808 – 65). Mr. Ducrow and Mr. Van Amburgh With the Beautiful Stud of Horses! Manchester: T. Wilkinson, 1841. Two-color letterpress broadside with wood-engraved image of the

Frank Stella Polar Co-Ordinates Variant IIIa (from Polar Co-Ordinates for Ronnie Peterson series) 1980lithograph, screenprint and letterpress in colors on Arches Cover 320 gram 38.5 h × 38 w in (9

Pair of Knoll Barcelona Chairs, Volo leather, most likely the color Tan (TWTO410/2)(EL) Dimensions: 30 H x 30 W x 30 D Property from a prominent Manhattan investment firm

FRANCIS BACON (1909 – 1992)"TRIPTYQUE DE LA TAUROMACHIE" (S. 29, T. 37) 1990 Three lithographs in colours, on folded sheets of Arches paper (as issued) with letterpress text on the inside pages

FELDMAN, Walter (b. 1925) A Packet of Letters. Providence, RI: Ziggurat Press, 1988. 8vo. Letterpress text throughout, title-page and dedication printed in red and black; 2 full-page woodcuts and 13 w

Plan with Blue Wood assemblage and oil on canvas With letterpress signature at lower center left: Bernard Langlais; signed again verso 81" H x 68" W x 2.625" D Provenance: Property of an Importan

Retail Price: $16,000.00/ Metal: 14K Solid Yellow Gold/ Manufactured: USA/ Main Stone: Diamond / Carat Weight: 2.56CT/ Color: White/ Treatment: None/ Color: White, Fancy/ Shape: Round/ Clarity: SI1 -

SUN GODDESS FLOWER (Field 72-2; page 165), 1972, color lithograph on BFK Rives block letter watermark paper, signed and numbered 146/250 in pencil, published by Phylis Lucas stamp lower left near nume

111" x 15" SSP sign in iron frame. Two piece porcelain sign with shaded letters. Bright colors, minor scuffs, and porcelain chips at the mounting holes and 2 in the field. PLEASE NOTE, THERE IS ONLY O

A round brilliant-cut diamond weighing 2.91cts. with a GIA report dated July 25, 2022 stating E color and SI2 clarity 2.91cts.

AUDUBON, John James (1785 - 1851). Meadow Lark, Plate 136. Aquatint engraving with original hand color. London: Robert Havell, 1827-1838. 38 3/8” x 25 1/2” sheet. Comparable: Guernsey's, 2

Production program 1961, Vehicle descriptions, Accessories type 911, Technical data 356 C and 356 B/2000 GS, 16 B/W press photo type Carerra GTS, type 901, type 356 C, 2 Price lists and 1 Color chart

“Letter to the World” (The Kick) #389. From the Martha Graham series. 1986. Verso signed. Numbered 23/100. Screenprint in Colors. Measuring 35 1/2" by 36”. Framed under Plexiglas. (Cond: good) (

Little Owl, Plate 199. First Edition Engravings with Original Hand Color. London: Robert Havell, 1827-1838. 38 x 26 1/2 inches sheet. Guidance: Mid-Hudson's, 2014 - $5,312

View a video of this lot: Click HereCrafted in 18K gold; set with round brilliant-cut diamonds, weighing a total of approximately 12.00 carats, most with G-H color and VS clarity; mea

comprising 41 lithographs in color; each signed, dated, and numbered (various numbers out of an edition of 350); loose (no cover) each 39 1/2 x 27 1/2 inches

In 1962, Dezo Hoffman received a letter from a fan sent to the Record Mirror, a publication at which Dezo was a staff photographer, bitterly complaining that the press was ignoring the fab four; group

plate 3; 1976; etching with aquatint in colors on wove paper; pencil-signed lower right; numbered 11/50 lower left; blind stamp lower left; matted and framed under acrylic; 41 1/4 x 35 1/2 inches shee