School of Domenichino (Italian painter and draftsman,

Oil on canvas by Amadeo Modigliani (1884 - 1920). An appraisal certificate accompanies this piece. Amedeo Clemente Modigliani was an Italian painter, draftsman and sculptor, known for his portraits an

In the style of Amedeo Clemente Modigliani (Livorno, July 12, 1884-Paris, January 24, 1920) was an Italian painter, draftsman and sculptor, known for his portraits and nudes in a style that was charac

Amedeo Clemente Modigliani was an Italian painter, draftsman and sculptor, known for his portraits and nudes in a style characterized by the elongation of faces and figures, which was not well receive

A pair of lava cameo earrings. Each designed as a triangular panel one carved to depict Salvator Rosa, the other depicting Domenichino, both Italian Baroque painters, these panels are suspended from a

Attributed to Sebastiano Ricci 1659-1734 Pastoral scene/outside Turin brown pen and wash 13x7.5 Ricci was an Italian painter of the late Baroque school in Venice. He was an elder contemporary of Tiepo

A vintage two volume art book set titled Italian Painters of the Renaissance: Venetian School by Bernard Berenson, published by Phaidon, London, 1957. Complete with a box. Vintage Art Books And Albums

Oil on canvas Italy, 1970s Sante Monachesi (1910-1991) – Italian painter from the ‘Scuola Romana’ [Roman School] Signed ‘MONACHESI’ on the lower margin Dimensions: 70 x 50.5 cm Framed in a m

Oil on canvas Italy, 1970s Sante Monachesi (1910-1991) – Italian painter from the ‘Scuola Romana’ (Roman School) Signed ‘MONACHESI’ lower right Dimensions: 70 x 50.5 cm Framed in a mat under

Oil on canvas Italy, 1970s Sante Monachesi (1910-1991) – Italian painter from the ‘Scuola Romana’ (Roman School) Signed ‘MONACHESI’ on the lower left Dimensions: 70 x 50.5 cm Framed in a mat

Attributed to Andrea Del Sarto, 16th Cent. Two nobleman. Pencil, ink, color. 10.75/3.38. Museum quality drawing from Florentine School. Andrea Del Sarto. 1485-1530 was an Italian painter from Florence

Old Master Style, Portrait of Lorenzo Lotto. Oil on board. Lorenzo Lotto was an Italian painter, draughtsman and illustrator, traditionally placed in the Venetian school, though much of his career was

Oil on canvas This interesting painting follows the same composition as a work of the same subject in a private collection in Lecce (Puglia, Italy) by the painter Luca Giordano. Measurements: 30 x 47

1820 ART Italian Schools of Painting James Sculpture Rome Naples Genoa Venice John Thomas James’ book ‘The Italian Schools of Painting’ is a catalogue of painters in the schools of several state

NOT ELIGIBLE FOR IN-HOUSE SHIPPING. Jacopo Carucci or Carrucci, usually known as Jacopo Pontormo or simply Pontormo, was an Italian Mannerist painter and portraitist from the Florentine School. His wo

Heinrich Zille 1858 Radeburg - 1929 Berlin draftsman and painter; 1872 training as a lithographer in Berlin; Studied at the art school with Th. Hosemann and Carl Domschke; sent 1901 the winter exhibit

DescriptionView of Venice Size (cm)30 x 40 Techniqueoil on canvas Signedunsigned

RUSSIAN SCHOOL Painter of the 19th Century (Ilja Repin-circle) A portrait of bearded man Oil on panel, partially parquetted, 61,5 by 49 cm, lower left with remains of a signature, partially restored,

Nino Caffè (1909-1975), Italian painter, who has made the humorous and over-represented portrayal of the everyday life of Roman clergy his task. Three cardinals in front of the shop window of a pries

19th century, 54x44cm., "Married portraits", pair of oils on canvas, framed

XVII CENTURY ITALIAN PAINTER Adam and Eve Oil on canvas cm 81 x 53

American Impressionist Tonalist River Landscape by unknown artist Oil on panel, 15.5 x 18.5 inches, 19.5 x 23 inches framed

Continental school, late 19th century. "Mediterranean Harbor Scene", oil on canvas. Spuriously signed lower right "F. Unterberger ". Approx. 41" x 36" (frame), 30" x 25" (canvas)

"Portrait of lady with flower", oil on table, signed Marchisio, within golden frame

"Preaching of a Jesuit", oil on canvas, within gilded wood frame. On examination of the Wood's lamp, the painting is in a good state of preservation and highlights some minor repainting interventions.