Studio of Pieter Claesz. (circa 1645-1650)

Giovanni Benedetto Castiglione (1609-1664)Five head studies, from the series of 'Large Oriental Heads'Etchings, circa 1645-1650, all good well inked impressions on various laid papers, the etching 'Be

CM 532X340 Questo importante arazzo fiammingo rappresenta un giardino fiorito come se lo si guardasse dalla prospettiva di una finestra, da cui si ammira un arco di vite, foglie e fiori, retto da otto

A 17th century German silver-gilt 'snakeskin' tankard Paul Hübner, Augsburg circa 1610, also later stamped with Austrian Freistempel 1809/10 Plain tapering cylindrical form, the hinged flat-dome

Charles I carved oak refectory table circa 1650, having a 1.5" thick plank top and rising on block and turned legs conjoined by the H stretcher, 30.25"h x 8'1"w x 25.25"d. Provenance: Property from th

Ancient Indo-Persian Silver Dagger Encrusted with 10 Genuine Blue Diamond Eyes & Enamel Relief VERY BEAUTIFUL QUALITY Indo-PERSIAN ISLAMIC DAGGER, MOUNTS ARE MADE OF SOLID SILVER WITH INTRICATE DETAIL

TWO DECORATED IRIDESCENT GLASS VASES ATTRIBUTED TO TIFFANY STUDIOS circa 1900 height of tallest 6 1/4in (16cm)

Circa 1650, Italian School portrait bust of Jesus with sea landscape behind, Oil/Wood Panel, no visible signature, Christie's label verso, 22.5" x 17.5", framed 31" x 26". Condition: Scattered inpaint

Early Edo Period Samurai Armour. Stunning blue color high grade lacing, kebiki. Zunari kabuto with Ooni Devil maedate / helmet decoration, rare red hanpo. Hitsu box. Circa 1650-1700.

Japanese Edo Period Samurai Armor with Ni Mai Dou (5 Pieces Dou). Early Edo Kabuto with High Grade Lacing, Blue Kote, Haidate and Suneate Circa 1650-1700.

Nuremberg or Augsburg, circa 1650, the strap work case fitted with its original forged carrying handles, the hinged lid retaining its original & functional locking mechanism & key fronted by a floral

(German, 17th century) Portrait of a Young Girl, standing near table with flowers, circa 1650, signed lower left "FGStolberg Pinx", oil on canvas, 31 x 26 in.; carved and gilt wood panel frame, 36-1/2

Turkish Iznik ceramic charger, circa 1650, having polychrome hand-painted arabesque floral decoration, depicting a saz leaf surrounded by lush foliate, tulips and chrysanthemum blooms, 12"dia.

An English Incised Brass Lantern Bracket Clock Richard Whitheare, Reading, Circa 1650 the dial incised to show tulips and scrolls, signed Richard Whitheare Reading Fecit. Height of lantern clock 16 in

Antoine Obin (Haitian/Cap-Haitien, 1929-1992) Carole Cleaver & Selden Rodman Depart Philome Obin's Studio, Circa 1980's Oil on masonite, 20 x 24 in. Framed 21 3/4 x 25 3/4 in. Provenance: Private Conn

Circa 1650; decorated with scene of two figures in meandering garden, 7 in. H.Purchased from Robert McPherson Antiques, London, England.Property from the collection of Robert and Nancy Hall, Baltimore

Rembrandt van Rijn (1606-1669)The Landscape with the CowEtching, circa 1650, but a later impression of New Hollstein's final state (of 5), on cream laid paper without watermark, platemark 105 x 130 mm

Also known as a German Westphalian bed with Elizabethan influences, circa 1650-1680 with later alterations. The traditional carved headboard and matching panelled footboard with barley twistcanopy sup

RARE CIRCA 1650-1680 REFRACTORY TABLE, BOX STRETCHER, CARVED, 78 X 35 X 31

Stoneware Stein 1 1/4L Kreussen Factory. Applied relief of the 12 Apostles. Circa 1650.

Old Master painting on canvas of 16th century woman, circa 1650-1750.34" x 40".

English, possibly Lancashire, circa 1650. A 17th century stained oak wainscot armchair having a shaped scroll carved cresting over a demi-lune flower head and a row of arcaded niches, the back with ar

A 17th century oil painting on canvas, portrait of a lady wearing pearls and a bejewelled blue silk dress, French or German School, circa 1650-1700. Apparently unsigned. Carved giltwood frame. Canvas

Frank Gehry (b.1929)Four "Hat Trick" dining chairs and a "Faceoff" dining table for Knoll Studio, circa 2000Each designed 1990Each with burn marked signature and Knoll logo; chairs

Turkish Iznik ceramic charger, circa 1650, having polychrome hand-painted arabesque decoration, depicting a saz leaf surrounded by lush foliate, tulips and chrysanthemum blooms, 10"dia.