SYBIL DAVIS EMERSON (California/Massachusetts, 1892-1980), "Dark Day"., Oil on canvas, 25" x 30".

James C. Platt (American ? -1892)- Choir Practice- oil on canvas (relined), signed 'By J. C. Platt'- lower right, framed 25 x 30''

Arthur Fitzwilliam Tait (American, 1819-1905), Stag and Does by a Lake, 1892, oil on canvas, signed and dated lower right, canvas: 17"h x 24"w, overall (with frame): 23.25"h x 30.5"w

Oil on canvas, "Green St", SLR. Snowy winter landscape. 25" x 30" 30" x 35" framed.

Vestie Davis. (1903-1978, Maryland and New York) Freak Show, Coney Island. 1974. Signed and dated lower right. Oil on canvas. Excellent condition. Image is 30"w x 24"h. Frame is 31.5"w x 25.75"h. Prov

EMILE ALBERT GRUPPEMassachusetts, 1896-1978"Drying the Sails". Signed lower right “Emile A. Gruppe”. Titled verso.Oil on canvas, 25" x 30". Framed 33” x 38”

Texas Bluebonnet Landscape, c. 1950, oil on canvas, 25 x 30, signed lower right: Robert Wood, Exhibited: Restless Heart: Early and Contemporary Texas Regionalism January 25-April 7, 2013, San Angelo M

Frederick Judd Waugh (1861-1940) Headlands oil on canvas, 25 x 30 in., signed l.r. (professionally relined)

'Start of Spring' (Apple Blossoms), oil on canvas, 25 x 30 in., signed lower right, titled on stretcher and inscribed 'Connecticuit' (?)

Frederick Judd Waugh (1861-1940), Gray Weather, oil on canvas, 25 x 30, signed lower right: Waugh, Provenance: The Edwin A. Aldrich Collection, Hyde Park, NY (label verso); From a Private Collection

John Clymer (1907 - 1989), Caribou, oil on canvas, 25 x 30 signed lower right: J Clymer . Provenance: The Estate of Thomas C. M. Logan

W. Lester Stevens (1888-1969) Ipswich River oil on canvas, 25 x 30 in., signed l.r.

(19th century) Captain John Smith Captured by American Indians, unsigned, oil on canvas, 25 x 30 in.; gilt wood and composition frame,. Condition: lined with wax and linen, abrasions, crackle;. Notes:

Antonio Cirino (1888-1983) Water-Front oil on canvas, 25 x 30 in., signed l.r.

(Massachusetts/California, 1888-1954) Gossips, Rockport, signed lower right "A. Thieme", titled verso, oil on canvas, 25 x 30 in.; modern wood and composition frame, 35 x 40 in.

The Ash Hopper, 1926, oil on canvas, 25 x 30, signed lower right: Olin Travis

Winter Brook oil on canvas 25 x 30 inches. signed. presented in a custom gilt Paul Goodnow frame. 34 x 39 inches (overall) Condition: Good

Belmore Browne (1880-1954) Marvel Lake (Alberta, Canada) signed 'Belmore Browne' (lower right) and signed again and titled (on the stretcher bar) oil on canvas 25 x 30 in. framed 32 1/2 x 37 1/2 in. P

Carl Rudolph Krafft(1884-1938)"Hillside Slide"Oil on canvasSigned lower left: Carl R Krafft and with the artist's thumbprint; titled in pencil on a label affixed to the stretcher25" H x

''Trees Along the Foothills'', signed lower right: William Wendt, titled on an exhibition label affixed verso, oil on canvas, 25'' H x 30'' W, est: $30,000/40,000

G. Harvey (1933-2017), One of Those Days, Oil on canvas, 24 x 30, signed lower left: g. Harvey © 1987 verso: signed, titled, dated, Provenance: J. R. Mooney Galleries of Fine Art, San Antonio, TX (

PROPERTY FROM THE JOSE ZAIDE COLLECTION Flower Vendors ca. 1980 oil on canvas 30" x 40" (76 cm x 102 cm) PROVENANCE: Acquired directly from the artist With an oeuvre teeming with vibrancy, Oscar Zalam

Pulling Logs on a Winter Day, Vermont, oil on canvas, 23 x 30 in (58.4 x 76.2 cm), framed 30 x 37 in (76.2 x 94 cm), signed lower right estate stamped, additional estate stamp verso, PROVENANCE:Skinne

British School (19th Century) "Groom with White Stallion" oil on canvas unsigned. Framed. 25" x 30", framed 28-1/2" x 33-1/2"

ALBERT HERTERCalifornia/New York/France, 1871-1950"Flowers in a White Ginger Jar". Signed in upper left corner. Housed in a period frame, possibly the original.Oil on canvas, 30.25” x 25.25&rdqu