Terrence Fogarty "Jockey III" Oil on Canvas

Antique 19th century Equestrian jockey oil on canvas painting. Unsigned, framed in a gold tone frame measuring 31" x 38" wide. Condition: craquelure to oils, signs of age and wear, see images. Weight:

Antique 19th century Equestrian jockey oil on canvas painting. Unsigned, framed in a gold tone frame measuring 32.25" x 40" wide. Condition: craquelure to oils, a few tiny paint flakes lost, signs of

Study of a Horse and Jockey oil on canvas, 18x24 unframed and unfinished

Oscar De Mejo (Italian/American, 1911-1992) oil on canvas depicting three figures in a forest, signed to upper left and dated 1987, with a linen mat, gilt border, and hardwood frame. Image: 17.5" H x

Featured in this lot is this oil on canvas painting called "Teepee III," by artist Walt Wooten. The painting features a wonderfully and professionally crafted oil on canvas construction that features

John Hayden (20th Century) Series III, Oil on canvas, Signed on verso. Framed dimensions: H: 44 x W: 37 in. H: 43 W: 36 in. Collection of Al Bright.

LAMAR BRIGGS "OCEANIS III" OIL ON CANVAS, 1977. PROVENANCE: MOODY GALLERY. Height: 60 in. by Width: 82 in. by Depth: 2 1/2 in.

Equestrian portrait, horse with jockey oil on canvas, unsigned, 19th century, 21" x 25".

Temple Door III, oil on canvas, wood, metal, Ethel Edwards Dimensions: 61.5 inches x 27.5 inches.This work is from a group of paintings originally given to the Art Students League of NY for sale by th

John Hayden (20th Century) Series III, Oil on canvas, Signed on verso. Framed dimensions: H: 44 x W: 37 in. H: 43 W: 36 in. From the collection of Al Bright. Alfred L. Bright, (American, 1940 –

Signed L M CARPO III, Oil on Canvas Painting War Time with Army Tank and Soldiers. size: 36 in. x 48 in.

Framed oil on canvas of jockeys on horses. [Art: 11 x 14 inches; Frame: 15 1/2 x 18 1/2 inches]. In good condition.

Workshop of JUAN PANTOJA DE LA CRUZ (Valladolid, ca. 1553 - Madrid, 1608). "Portrait of Philip III. Oil on canvas. It has a descriptive label with attribution to Sanchez Coello on the back. Measuremen

After Sir Godfrey Kneller (English, 1646-1723). "Portrait of King William III", oil on canvas, apparently unsigned. An 18th century copy after the 17th century portrait by the English master currently

Follower of Harry Hall Follower of Harry Hall A racehorse held by a groom with trainer and jockey oil on canvas 48 x 62cm Condition Report: Framed size: 54 x 68.5cm. Canvas is relined, under uv light

19th CenturyHorse and JockeyOil on canvas14 1/8 x 18 1/8 inches (35.9 x 46 cm) (Frame: 18 x 22 inches) Dirty varnish; frame rubbing; fine craquelure throughout; poss

18th century English School Oval Portrait painting of an Officer in a Red Uniform. Possibly George III. Oil on canvas. In original frame. Relined. Cracquelure. Sight size- 12" x 10" . Overall size- 15

Follower of William Wissing (Dutch 1656-1687), "Portrait of King William III," oil on canvas, unsigned, canvas: 34"h x 28"w, overall (with frame): 35"h x 30"w. Provenance: Purchased in the UK to Priva

Walt Wooten (New Mexico, b. 1939), "Teepee III", oil on canvas laid down on board sight: 11 x 14 in., frame: 16.5 x 19 in. Provenance: An Alamo Heights, Texas collection We happily provide

John Charlton (attrib.), painting, Attributed to John Charlton (British, 1849-1917), Horse and Jockey, oil on canvas, signed lower left, 17.5"h x 23.5"w (sight), 25"h x 30"w (framed) Provenance: Prope

Artist Unknown (20th Century) Mounted Jockey. Oil on canvas, unsigned 18" x 24" Frame: 25.5" x 31.5"

HÉTU, Richard (1950-) "Récolte III" Oil on canvas Signed on the lower right: Richard Hétu Signed, titled and dated on the reverse:  9.6.80 40.5x30.5cm - 16x12"

Continental School, 19th c., "Napoleon III", oil on canvas, signed "K. Fedoroff" lower right, "Jerry Ward, Artist, Shelbyville, TN" restoration label with title on reverse of frame, 20 in. x 24 1/4 in

Lot 90 Raimondo Roberti Italian (b. 1947) Venice (III) oil on canvas (unstretched) signed lower right 22 3/4 x 18 1/2 inches Provenance: From the Collection of a Fourth-Generation New York Art Gallery