Unknown Photographer: Untitled (Seated M

One silver gelatin photograph of an unknown subject; 7.5" ht. x 10.5" wd.

Lot 107 Unknown Artist (XX/XXI) Untitled (seated figure) metal assemblage, found objects overall height: 8 1/2 inches base: 4 x 5 3/4 inches Provenance: from a private New York collection

Milton Glaser American, 1929-2020 Untitled (Seated Man with Cane) Signed M Glazer (cl) Ink and watercolor on illustration board 11 3/4 x 10 1/4 inches (29.8 x 26 cm) C

Artist Unknown 20th Century Untitled bronze signed 'M.H' H 6 inches. Property from the Collection of Leonard Stark, Chicago, Illinois

"Untitled"; 20th Century; Gelatin Silver Print; 6.25" x 7"; Unsigned; Framed (under plexiglass); Provenance: From the Estate of Marcuse "Cusie" Pfeifer (1936 - 2020).

USA, c, 1960s gelatin silver 20" x 16" Conceptual photograph by unknown photographer. Apparently unsigned and undated. Tags: lighting, lamp, art, artist, designer, mid century, studio craft, modernist

USA, Mid 20th c. gelatin silver print 14” x 11” Photograph of a note [I am the King of the Bowery]; unknown photographer. Tags: modern, modernist, modernism, ephemera, art, artist, street,

From the movie L'avventura 1960 Director M. Antonioni - Vintage gelatin silver press print Print size: 20 5x25 cm Condition: Very good

Lot 9 Unknown Artist (XX/XXI) Untitled (abstract with black lines) (1952) oil on canvas board signed lower right ”m young” 31 x 24 inches Provenance: The Estate of Eleanor Sheldon,

Lot 19 Unknown Artist (XX/XXI) Untitled (Still Life with Glass Bottles) (1982) oil on paper hinged to mat signed ”M. Harvey” lower right under mat 12 3/4 x 18 inches mat: 18 1/2 x 23 1/4 i

Artist Unknown (American, Late 19th/Early 20th Century) Untitled (Four Sailboats), oil on board 7 1/4 x 13 3/4 inches. Estimate $150-250 Property from the Collection of M. Anthony Greene, Atlanta, Geo

DESCRIPTION: Two antique ambrotypes, one depicting a gentleman, the other depicting the same gentleman seated with a lady. Advertisement for the photographer "Mr. M.A. Twort" present behind the ambrot

Tony McGee (b.1954) UNTITLED, date unknown. Silver gelatin print flush-mounted to board, image size 305 x 222mm, signed by the photographer in felt-tip pen, lower margin recto. Framed, frame size 540

Bronze sculpture on wood base From the edition of 2 cast bronze sculptures Incised with artist’s signature

Irving Harper Untitled (Seated Figure) USA mixed media and paper construction 14 h x 10 w x 10 d in Literature: Irving Harper: Works in Paper, Maharam, ppg. 43, 96

Lot 38 Artist Unknown (XIX/XX) Untitled (Rowers) oil on canvas signed indistinctly verso 29 x 34 inches Additional Information: inscribed to verso: ”Reinecke” with other illegibl

Joan Miro. Untitled (M 750. Lieberte Des Libertes) Lithograph. 1971. Signed and numbered 7/152. Arches wove paper. Printer Arte Adrien Maeght, Paris. Image is 14" w x 18.5". Frame is 27" w x 32" h. Pr

Title: Untitled (Seated Woman) Artist: Serge Mendjisky Dimensions: 23.75 x 14.5 Medium: Original oil painting on canvas Signature: Hand signed by the artist in paint <

Irving Harper Untitled (Seated Figure) USA painted paper construction 15 h x 6 w x 11.5 d in Literature: Irving Harper: Works in Paper, Maharam, ppg. 43-44, 46

Lot 15 Raphael Soyer American (1899&#8211;1987) Untitled (Seated Woman) oil on canvas signed lower right 20 x 16 inches Provenance: From the Collection of Steven Stark

R. C. Gorman(Diné [Navajo], 1932 - 2005)Untitled (Seated Woman), 1971pastel on papersigned and dated lower left: R. C. Gorman / 197128 1/2 x 22 1/2 in. (72.39 x 57.15 cm.), Frame: 30 1/2 x 24 1/2 x 1

Lot 48 Artist Unknown (XVIII/XIX) Untitled (Chickens in a barn) oil on canvas 10 x 16 inches Provenance: Estate of Judge Davis Norton and Florence Edelstein

Lot 72 Artist Unknown (XVIII/XIX) Untitled (Soldier in Uniform) pastel on black paper sight: 26 1/4 x 20 1/4 inches Provenance: From a New York Collection

Irving Harper Untitled (Seated Figure) USA paper construction on painted wood base 14.25 h x 7.25 w x 9.25 d in Literature: Irving Harper: Works in Paper, Maharam, pg. 42