Venetian master, 2nd half of the 17th century, Rebecca at the Well

FLEMISH MASTER Active 2nd half 17th century LANDSCAPE WITH HUNTING PARTY Oil on oak wood panel. 59 x 77,5 cm (F. 69 x 88 cm). Verso: On the panel the antwerp hand and tower as well as an old label 'Fr

2nd Half of the17th Century. A dedicated ‘title page’ to Sir Richard Gilpin, showing a north-east view of Scaleby Castle. In well-carved gilt wood and composition frame, surmounted by a Royal Coat

American, 2nd half 19th century Dimensions: Height: 10 1/2 in.Width: 11 1/2 in.Depth: 2 in.

Full title: A Flemish walnut refectory table, 2nd half 17th C. Description: H 80,5 x L 234 x D 72,5 cm

Oil on copper Interesting work, with a curious iconography, in which the scene in the foreground of Saint Anthony stands out on a tribune before a large group of characters, who are represented in a i

Venetian Master, 17th century, Adoration of the MaggiThe three wise men have gathered in front of the baby Jesus to pay homage to the newborn Messiah. The child blesses the eldest king who kneels befo

Louis XIII frame : 2nd half 17th c. Decorated by flowers and tendrils. Oak wood, carved, colored and gilded. Light size 59.5 x 40 cm; outer size 77 x 57 cm. - The frame exists only in fragments. // Lo

A FINE TRIPTYCH SHOWING THE PRESENTATION OF CHRIST TO THE TEMPLE, THE ASCENSION OF CHRIST AND THE TRANSFIGURATION Russian, 2nd half 17th century Tempera on wood panels. Finely executed in great detail

A MONUMENTAL ICON OF ST. GEORGE KILLING THE DRAGON North Russian, 2nd half 17th century Tempera on wood panel with double kovcheg. At the side of a mount the Saint upon a rearing white horse plunging

6 architecture facade designs. Jean Lepautre (1618-1682) (artist and engraver). Nicolas Langlois, Paris, 2nd Half 17th Century. Engravings, uncolored. 11 3/4" x 8".

Museum late renaissance cabinet : Southern Germany, probably Augsburg - 2nd half of 17th c. Rectangular, two-door corpus on ball feet, fluted, hinged top, the interior with numerous drawers in archite

A Polish/Hungarian hussar's sabre, 2nd half of the 17th centuryLeicht geschwungene, sehr scharfe Rückenklinge mit Jelman, zweischneidiger Spitze und beidseitiger Kehlung, terzseitig im oberen Kling

A German crossbow, 2nd half of the 17th centuryGeschwärzter schlanker Stahlbogen. Einbund aus Hanffaden. Säule aus rotbraun gebeiztem Holz mit gravierten Beineinlagen und Eisenbeschlägen. Auf der O

GERMAN MASTER Active 2nd half 18th century NOCTURNAL BLAZE Gouache on paper. 58 x 71 cm (F. 72,5 x 85 cm). Part. min. damaged, part. min. restored. Framed behind glass. DEUTSCHER MEISTER Tätig 2.

A plug bayonet, 2nd half of the 17th centuryScharfe Keilklinge, gestempelt "RBOER / ... ORN" (in der späteren Gebrauchszeit gewechselt). Die eiserne Parierstange als Werkzeug ausgebildet, ein Arm i

Neapolitan Master, 2nd half of the 18th Century, Boreas Abducting OrethyiaBoreas, god of the stormy north wind, loved the Athenian princess Oreithyia. He used his natural powers and forcibly abducted

17th C. Old Master Venetian School Oil/Canvas. Depicting a female figure looking upward towards the sky. Relined. Size 31 x 21 ½ in.

Oil painting on canvas 150x105 cm Italian Lombard master of the second half of the 17th century. The Magdalene that appears before the eyes of the observer is the reflection of an iconography differen

DUTCH/FLEMISH SCHOOL Master, active in the second half of the 17th century. ORPHEUS AND THE ANIMALS Oil on canvas (relined). 97 cm x 172 cm (F. 114 cm x 189 cm). Min. restored and min. damaged. Frame.

VENETIAN CRETE SCHOOL Master, active in the early 17th century. MOTHER OF GOD WITH THE CHRIST CHILD Oil on hard panel. 37 cm x 26 cm. Surface part. min. rubbed, slightly old restored. Provenance: Euro

A Venetian schiavona with waved blade, 1st half of the 17th centuryGeflammte, zweischneidige Klinge, beidseitig dreifach gekehlt, in der mittleren unleserlich bezeichnet, am Ort verrundet. Typisches,

Furniture, Charles II Carved Oak Bible Chest, English & likely Welsh, 1st half 17th century, bead-carved edge top hinged w/wrought iron heart terminal hinges & rosehead nails above front panel, well c

Signed Old Master ink drawing depicting a scene Venice with figures and buildings. Circa 17th Century. Artist unidentified. Ink drawing on laid paper. Signed upper right. Reverse with an inked monogra

NORTHERN ITALIEN/VENETIAN SCHOOL Master, active in the middle of the 17th century. SAINT JEROME Oil on canvas. 68 cm x 54 cm (F. 84 cm x 70 cm). Part. min. old restored. Frame. Provenance: Rhenish Pri