Writing & signature of the Gaon Rabbi Binyomin Shlomo Zalmen Spitzer Rabbi of Vienna. Asifas

Sefer Tov Yigal, with drashot and shut on Mishnah Sachir, by the Gaon Rabbi Yissachar Shlomo Teichtal, Av Beit Din of Piešťany. At the end is a sermon called Siach Yitzhak (separate title page),

A thank-you letter with the handwritten signature of the Rebbe Rabbi Shlomo Halberstam of Bobov to the philanthropist Rabbi Moshe David Strom, on his efforts towards a new building for the Sanz instit

Shu"t Maharshach, section one. Responsa by Rabbi Shlomo ben Avraham HaKohen [Maharshach]. Salonica, [1586-1587]. First edition. Stamps of Rabbi Yechezkel of Shinov and his son Rabbi Avraham Shalom of

Rabeinu the Chatam Sofer (1763-1840) was born in Frankfurt in 1763 and acquired his knowledge from the rabbis and sages of his city, and especially from the Gaon Rabbi Natan Adler. In 1772 the Gaon Ra

Gold pocket watch used by the Baba Sali (1889-1984), who was the son of Rabbi Massoud, rabbi of Tafilalt (Morocco), son of the Admor Rabbi Yaakov Abuhatzira. He was a brilliant gaon in the revealed an

Sha'arei Kedusha, mussar and kabbalistic customs, by Rabbi Chaim Vital. Jerusalem, 1907. Bound with: Alim L'Terufah, Igeret Mussar of the Ramban, with Igeret Musar of the Vilna Gaon and Orchot Ish by

Tallit Katan of Rabbi Yosef Chaim Sonnenfeld, Rabbi of the Eda HaCharedit in Jerusalem [1926]. Heavy wool and cotton fabric (the borders of the collar and corners are cotton) handmade, with three butt

FRIEDRICH VIKTOR SPITZER (1854–1922) | Gustav Mahler, Vienna 1905 Image Size: 23,1 x 16,3 cm English: Vintage silver print on matte paper, mounted on original cardboard 40,3 x 32 cm with two dec

Early German or Flemish School painting, The Gold Counter. Oil on wood panel. 17th Century or earlier. No visible signature on the front. Indistinct writing on the back of the panel which appears to b

Extremely rare! Siddur Tfilat Yesharim Ha'Shalem (editor and publisher: Tzalach ben rabbi Ya'akov mantzur), given to Rabbi Kaduri by the publisher's son, who wrote on the Forsazt leaf of the Siddur: "

Biedermeier Lady's Writing Desk, after a design by Josef Danhauser, Vienna, mid 19th c, cherry veneer with ebony inlay, 37 3/4"h x 48 1/2"w x 29 1/4"d (Client originally paid $120,000, receipt availab

The Roycrofters / Roycroft writing desk, #089 East Aurora, New York mahogany, copper carved script signature hinged lift top 40"w x 27"d x 40 1/2"h

Artist Unknown (19th Century) Portrait of a Rabbi. Oil on canvas, with stamp en verso: 'Verestchagin Collection, 1891' Sight: 14.25" x 11" Frame: 19" x 15.5"

Alois Heinrich Priechenfried (German, 1867-1953), signed u.l. Some losses to paint. Sight size: 9-3/4"h x 7-3/4"w

Framed painting, portrait of a Rabbi. Signed along lower left margin. [Art: 9" x 7"; Frame: 11 1/4" x 9"]. Having minor blemishes with some varnish spots.

Sefer Tehillim (Psalms) with Shir Hashirim (Song of Songs). Large print. [Jerusalem]: A. Bezalel, [21st century]. Large format, with leather binding. On the page preceding the title page is a dedicati

Pair of candlesticks. [Breslau (today Wrocław, Poland), ca. 1746-1758]. Silver (marked. Maker: Johann Gottlieb Schmidt?). Pair of candlesticks on a wide base. A dedication from 1813 is engraved

Large Judaica Rabbi Berlin KPM Plaque. 19th Century. 22.1/2" x 18"

This lot includes:Gallery COA & free domestic shipping (*insurance and international shipping for an additional charge)Artist: Gib SingletonTitle: Rabbi (Large)Medium: Bronze SculptureSize: 36”

Large Judaica Oil on Canvas Painting of a Rabbi Signed. 19th Century. Frame 27.3/4" x 35", Painting 22.1/4" x 29.1/2"

Inscribed and possibly signed in Hebrew upper right. Purchased by the consignor from Sotheby's March 16, 1999 Important Judaica Sale #7275 for $18,400. Accompanied by Sotheby's receipt and catalog lis

Judaica, Oil On Brass, painting Of Rabbis studying Unsigned. Size 23 x 19 inches. condition. Good condition, the frame with chips and losses. Great Judaica Subject of Rabbis studying. from a Californi

Extremely RARE Gone With The Wind 1936 Club Book signed by the Author and ENTIRE cast. Every signature has been authenticated. In 1926 Margaret Mitchell began writing Gone With the Wind. Perched at an

Wolf Kahn oil painting of a yellow field, circa 1982. This painting measures 52 inches by 32 inches. In its frame, it is 53 inches by 33 inches. There are no condition issues. At this time Rabbi Levin